Chronicle the love-life of Katy Keene and Randy Van Ronson. Elaborate costumes for yachting and beach excursions, and wild west adventures.

Jericho Asher’s been a spy for longer than he cares to remember but after the death of a team member he decides enough is enough. So, he walks, vowing never to return. But now, after months off the grid, the Agency’s come calling. A leak has exposed their active undercover operatives, and Asher and his former partner, Haymishe Elfman, are the only assets they can rely on to secret an exiled Ukrainian minister back into the country to supplant the sitting president. Against his better judgment, Asher agrees to deliver the “package.” However, he’s surprised to learn that he and Haymishe will have help from an unlikely ally—Chinese MSS agent, Natasha Lee. Asher suspects Tasha has her own agenda for joining the team, however everybody is caught off guard when they are all betrayed. Now Asher and his mishmash team must go over the line to extract some answers and exact some revenge.

This book explores how the heroes and villains of popular comic books—and the creators of these icons of our culture—reflect the American experience out of which they sprang, and how they have achieved relevance by adapting to, and perhaps influencing, the evolving American character. Multiple generations have thrilled to the exploits of the heroes and villains of American comic books. These imaginary characters permeate our culture—even Americans who have never read a comic book grasp what the most well-known examples represent. But these comic book characters, and their creators, do more than simply thrill: they make us consider who we are and who we aspire to be. Icons of the American Comic Book: From Captain America to Wonder Woman contains 100 entries that provide historical background, explore the impact of the comic-book character on American culture, and summarize what is iconic about the subject of the entry. Each entry also lists essential works, suggests further readings, and contains at least one sidebar that provides entertaining and often quirky insight not covered in the main entry. This two-volume work examines fascinating subjects, such as how the superhero concept embodied the essence of American culture in the 1930s; and the ways in which comic book icons have evolved to reflect changing circumstances, values, and attitudes regarding cultural diversity. The book's coverage extends beyond just characters, as it also includes entries devoted to creators, publishers, titles, and even comic book related phenomena that have had enduring significance.

Genteel turn-of-the-century family very popular then and now. 24 paper dolls, 16 plates in full color.

The world's only musical comic book, originally published by Aardvark/ Vanaheim in the 1980s, now collected for the first time.

A collection of articles, comic strips, and photostories in the traditional Girls Annual style but for adult readers. Contributors include Roberta Gregory and Trina Robbins and others representing the female sub-culture. Erica wrapped up her Girlfrenzy publishing enterprise with a bumper-sized 'Millennial' at the turn of the century - like a feminist take on the girly annuals of the past.