The Time of Joseph Haydn: From Sultan Mahmud I to Sultan Mahmud II (r.1730-1839), the second volume of Ottoman Empire and European Theatre, explores the relationship between Western playwrights, composers and visual artists of the eighteenth-century and Turkish-Ottoman culture, as well as the interest of Ottoman artists in European culture. Twenty-seven contributions by renowned experts shed light on the mutual influences that affected society and art for both Europeans and Ottomans. Successor to the first volume of the series, The Age of Mozart and Sultan Selim III (1756-1808), this book examines the compositions of Joseph Haydn (1732-1809) and his contemporaries along with events in the Ottoman political era during the time span from Sultan Mahmud I (b.1696, r.1730-1754) to Sultan Mahmud II (b.1785, r.1808-1839). Taking Haydn's Türkenopern ('Turkish operas') Lo speziale (1768) and L'incontro improvviso (1775) as the departure point, the articles collected in this publication reflect the growth of research in the area of cultural transfers between the Ottoman Empire and non-Ottoman Europe, as expressed in theatre, music and the visual arts. Contributions by: Emre Aracı, Annemarie Bönsch, Reinhard Buchberger, Bertrand Michael Buchmann, Necla Çıkıgil, Caryl Clark, Matthew Head, Caroline Herfert, Bent Holm, Michael Hüttler, Hans-Peter Kellner, Adam Mestyan, Isabelle Moindrot, Walter Puchner, Günsel Renda, Geoffrey Roper, Orlin Sabev, Çetın Sarıkartal, Käthe Springer-Dissmann, Suna Suner, Frances Trollope, Hans Ernst Weidinger, Daniel Winkler, Larry Wolff, Mehmet Alaaddin Yalçınkaya, Netice Yıldız, Clemens Zoidl.

In 1714 George Ludwig, the fifty-eight-year-old elector of Brunswick-Luneburg, became, as George I, the first of the Hanoverian dynasty to rule Britain. Until his death in 1727 George served as both elector of Hanover and British monarch. An enigmatic figure whose real character has long been concealed by anti-Hanoverian propaganda, George emerges in this groundbreaking biography as an impressive ruler who welcomed the responsibilities the accession brought him and set out to bring culture to what he considered the unsophisticated English nation. Ragnhild Hatton’s biography is the only comprehensive account of George’s life and reign. It draws on a wide range of archival sources in several languages to illuminate the fascinating details of George’s early life and dynastic crises, his plans and ambitions for the British nation, the impact of his rationalist ideas, and his accomplishments as king. The book also examines the king’s private life, his family relationships in both Prussia and England, his private interest in music and the arts, and the improvement of his British and Hanoverian properties.

Some of history's greatest dramas have unfolded in the stories of kings and their sons in early modern Europe; and their conflicts presaged in some ways today's tensions in family-run businesses. In several notorious cases, the kings despised their sons to the point of committing murder, thus killing their own heirs. Prof. Konnert shows that these tragic dramas actually represent an extreme of the normal state of affairs rather than unusual occurrences. They are different in degree, not kind. This book is the first to look at these episodes in a systematic and comparative fashion. The stories are moving in themselves, but viewed in their historical context, they illuminate aspects of a past society which has faded from view in the 21st century. Two of the most famous episodes?those of Frederick the Great of Prussia and his father, and of Peter the Great of Russia and his son?are examined here, as well as three less well-known cases. These episodes are put into historical context, and the family dynamics of these royal dynasties are discussed, showing not only how they differed from those of today but also from those of their more common contemporaries. These tensions are also compared to those that have emerged in family-run businesses, where conflicts between fathers and sons are also very common. Furthermore, when the interests of the dynastic enterprise, whether political or corporate, take precedence over family life and personal happiness, marriage practices can produce particularly toxic relations. The cases examined here are unusual only in the degree of hostility rather than in its existence.

Publishes official reports sent by British envoys in Germany to the Foreign Office in London.

The Hanoverian Succession of 1714 has not attracted the scholarly attention that it deserves. This is partly because the idea of the ‘long eighteenth century’, stretching from 1688 to 1832, has tended to treat the period as one without breaks. However, 1714 was in some respects as significant a date as 1688. It was the last time in British history that there was a dynastic change and one in which religious issues were at the forefront in people’s minds. This collection of essays were among the papers delivered at conferences in 2014 to mark the tercentenary of the Hanoverian Succession of 1714, held at Oxford Brookes University and Bath Spa University. They reflect some of the major issues that were evident in the period before, during and after 1714. In particular, they deal with how disloyalty was managed by the government and by individuals. They also demonstrate how central religion was to the process of securing the Hanoverian Succession and to the identity of the new regime established by George I. Disloyalty – real or imagined – was apparent in legal suits, in sermons and preaching, and in the material culture of the period. And once the Jacobite rebellion of 1715 had been overcome, the need to secure the loyalty of the Church and clergy was a key objective of the government.

From the Thirty Years’ War to the formation of Great Britain, the royal mother of the House of Hanover comes to life in this historical biography. Princess Sophia of Hanover was born to greatness and yet fated to obscurity. The 1701 Act of Settlement made her the heiress presumptive to the thrones of England and Ireland, and yet she died mere weeks before becoming queen. Granddaughter of James I and mother to George I, she was perhaps the finest queen that Britain never had. As the daughter of Frederick V, the deposed King of Bohemia, Sophia spent an impoverished childhood in exile. Emerging as a woman of sparkling intelligence and cutting wit, she married Ernest Augustus and became the first Electress of Hanover. Sophia: Mother of Kings, brings this remarkable woman and her tumultuous era vividly to life. In a world where battles raged across the continent and courtiers fought behind closed doors, Sophia kept the home fires burning. Through personal tragedy and public triumph, Sophia raised a royal family and survived illness, miscarriage, and accusations of conspiracy. As the mother of Great Britain’s first Georgian king, Sophia of Hanover began one of the most glittering dynasties the world has ever known. From the House of Stuart to the House of Hanover, this is the story of her remarkable life.