The First and Second Italian Wars describes the course of military operations and political machinations in Italy from 1494 to 1504. The narrative begins with the French conquest of much of Italy. But the French hold collapsed. The second French invasion gained Northern Italy. This time, the French allied with the Pope’s son, Cesare Borgia. Cesare managed to double deal too many people; his efforts ended in disaster. The French agreement with the Spanish allowed them to retake Naples only to be defeated at the Garigliano by the famous general, Gonzalo de Cordoba. These wars were not just another series of medieval fights. These battles were different from what had gone before: the French utilized a new method of artillery transport; the Spanish commander formulated a new system of military unit organization, and Cesare Borgia sought different systems of raising troops and forming states. And all the powers managed to spend vast amounts of money the likes of which no one had imagined before. This was the emergence of the so-called Military Revolution.

A historical analysis of the course of military operations and political machinations in Italy at the turn of the sixteenth century. The First and Second Italian Wars begins with the French conquest of much of Italy. But the French hold collapsed. The second French invasion gained Northern Italy. This time, the French allied with the Pope’s son, Cesare Borgia. Cesare managed to double deal too many people; his efforts ended in disaster. The French agreement with the Spanish allowed them to retake Naples only to be defeated at the Garigliano by the famous general, Gonzalo de Cordoba. These wars were not just another series of medieval fights. These battles were different from what had gone before: the French utilized a new method of artillery transport; the Spanish commander formulated a new system of military unit organization, and Cesare Borgia sought different systems of raising troops and forming states. And all the powers managed to spend vast amounts of money the likes of which no one had imagined before. This was the emergence of the so-called Military Revolution. Praise for The First and Second Italian Wars 1494–1504 “An amazing account of medieval warfare between two of Europe’s principle nations.” —Books Monthly (UK) “This is a fascinating, detailed look at these crucial wars, placing the military campaigns in their political context—the world that inspired the writings of Machiavelli, and you can see where he got his inspiration from!” —History of War

The Italian Wars of 1494-1559 had a major impact on the whole of Renaissance Europe. In this important text, Michael Mallett and Christine Shaw place the conflict within the political and economic context of the wars. Emphasising the gap between aims and strategies of the political masters and what their commanders and troops could actually accomplish on the ground, they analyse developments in military tactics and the tactical use of firearms and examine how Italians of all sectors of society reacted to the wars and the inevitable political and social change that they brought about. The history of Renaissance Italy is currently being radically rethought by historians. This book is a major contribution to this re-evaluation, and will be essential reading for all students of Renaissance and military history.

In this volume, the structure of the armies, the weapons, the battles and their death toll are described. Chronicles, reports, and studies on the subject were compared and contrasted with one another to render a picture as true as possible to the reality of facts, highlighting the often contrasting versions of the chroniclers. Finally, military heraldry, armies' identification marks, and captains' emblems displayed on garments, harnesses, and insignias are analyzed. Also in this case, documentary sources were studied and compared with the iconographical sources.

"These richly illustrated essays, by historians, art historians and archaeologists, investigate Arthur's life and posthumous commemoration from every angle. They set him in the context of the fledgling Tudor regime and of the religion, art and architecture of late medieval death and memory. They close with an exploration of the re-enactment of Arthur's funeral at Worcester in 2002, an event that sought to rescue the prince from the oblivion that has been his lot for five hundred years." --Book Jacket.

The Companion to Music in the Age of the Catholic Monarchs, edited by Tess Knighton, offers a major new study that deepens and enriches our understanding of the forms and functions of music that flourished in late medieval Spanish society. The fifteen essays, written by leading authorities in the field, present a synthesis based on recently discovered material that throws new light on different aspects of musical life during the reign of Ferdinand and Isabel (1474-1516): sacred and secular music-making in royal and aristocratic circles; the cathedral music environment; liturgy and power; musical connections with Rome, Portugal and the New World; theoretical and unwritten musical practices; women as patrons and performers; and the legacy of Jewish musical tradition. Contributors are Mercedes Castillo Ferreira, Giuseppe Fiorentino, Roberta Freund Schwartz, Eleazar Gutwirth, Tess Knighton, Kenneth Kreitner, Javier Marín López, Ascensión Mazuela-Anguita, Bernadette Nelson, Pilar Ramos López, Emilio Ros-Fábregas, Juan Ruiz Jiménez, Richard Sherr, Ronald Surtz, and Jane Whetnall.