From the author of Stick Dog comes the third book in a highly illustrated early chapter book series about three best friends whose plans, missions, and schemes are sure to shake up their school. Molly, Simon, and Rosie are determined to build the best science fair project in school history. To do that, they’ll need to attract tons of fireflies. Will their bright idea get them a glowing grade or will it flicker out before the fair even starts? HarperChapters build confident readers one chapter at a time! With short, fast-paced books, art on every page, and milestone markers at the end of every chapter, they're the perfect next step for fans of I Can Read!

Wanting to lure beautiful fireflies into her backyard, Molly and her friends Simon and Rosie take steps to attract a larger swarm only to shake up the neighborhood when their plan works a little too well.

Elijah the Tishbite was a mightily, anointed prophet of God that transformed every life he touched. The key to this phenomenal ministry was relationship. Elijah had learned that an intimate relationship with God led to power with man. Through a careful study of his life and ministry, we can learn these same spiritual principles that will cause us to transform lives and move in the supernatural power of God for our generation. Catherine E. Lawrence left a successful career in investments to pursue a full time ministry. Since that time she has spent the last 27 years in pastoral ministry and as a conference speaker ministering in the offices of prophetess and teacher.

Bright lights flicker in the dark evenings of summer. Pinpoints of hope float against the black descent of night. The sweetest of small and innocent creatures finds its way through the shadows. Fireflies seem to dance on sheer air, illuminating the space between heartbeats. Children give off a similar brave glow, despite the challenges of their young lives. The lessons of childhood are often painful, the shedding of fragile wings in the gloam of an uncertain future. These rich novellas are small jewels reflecting the essence of what it means to grow up dancing among the shadows of life, carrying a brave, small beacon because you know that even the brightest days always, always, end in darkness. Childhood can be so sweetly sad and sadly sweet, profound and deceptively easy to categorize, yet poignant to remember. New York Times bestselling novelist Sarah Addison Allen (GARDEN SPELLS, SUGAR QUEEN, THE PEACH KEEPER) anchors THE FIREFLY DANCE with her wistful and funny novella about Louise, a North Carolina girl whose keen observations of the lives around her weaves an unforgettable spell with just a hint of everyday magic. Phyllis Schieber's Sonya, a child of Holocaust survivors, is confronted with the responsibilities of her legacy when she has a poignant encounter with a classmate, another child of survivors, and her mother, in a local shop in their 1970's New York neighborhood. Kathryn Magendie's Petey deals wryly with her family's move from the cool blue mountains of North Carolina to the hot flatlands of Texas. Augusta Trobaugh's stoic Georgia boy leads us through his surreal encounter with a mysterious backwoods toddler who turns out to be anything but ordinary.

According to Joss Whedon, the creator of the short-lived series Firefly (2002), the cult show is about “nine people looking into the blackness of space and seeing nine different things.” The chronicles of crewmembers on a scruffy space freighter, Firefly ran for only four months before its abrupt cancellation. In that brief time, however, it established a reputation as one of the best science-fiction programs of the new millennium: sharply written, superbly cast, and set on an exotic multicultural frontier unlike anything ever seen on the small screen. The show’s large, enthusiastic fan following supported a series of comics and a theatrical film, Serenity (2005), that extended the story, deepened the characters, and revealed new wonders and dangers on the deep-space frontier. In Firefly Revisited: Essays on Joss Whedon’s Classic Series, Michael Goodrum and Philip Smith present a collection that reflects on the program, the characters, and the post-cancellation film and comics that grew out of the show. The contributors to this volume offer fresh perspectives on familiar characters and blaze new trails into unexplored areas of the Firefly universe. Individual essays explore the series’ place in the history of the space-Western subgenre, the political economy of the Alliance, and the uses of music and language in the series to immerse audiences in a multicultural future. These essays look at how the show offered viewers high adventure as well as engaged with a range of themes that still resonate today. As such, Firefly Revisited will intrigue the show’s many fans, as well as Whedon scholars and anyone interested in the twenty-first-century renaissance of science-fiction television.