The Fire in the Flint (1924) is a novel by Walter Francis White. Although he is generally recognized for his accomplishments as the longtime leader of the NAACP, White also wrote several novels during the Harlem Renaissance exploring the themes of Alain Locke’s New Negro Movement. Praised by W. E. B. Du Bois in The Crisis and by Konrad Bercovici in The Nation, The Fire in the Flint remains an invaluable testament to the power of fiction to address political matters. Dr. Kenneth Harper finds it difficult to overcome the deep inequities of life in the American South. Born and raised in Georgia, he returns to his hometown following his graduation from medical school and service in the First World War. Determined to open a clinic for his friends and neighbors, he avoids confrontation with white townspeople and focuses on the task at hand. Soon, however, he encounters opposition from neighbors who regard his success and intelligence as a threat to their power. Eventually, Harper is forced to lay his life on the line by opposing the Ku Klux Klan. The Fire in the Flint is a powerful bildungsroman grounded in truth and moral decency. Praised by Nobel Laureate Sinclair Lewis upon publication, White’s novel is a largely forgotten masterpiece of the Harlem Renaissance, perhaps the finest decade for art in the history of American culture. With a beautifully designed cover and professionally typeset manuscript, this edition of Walter Francis White’s The Fire in the Flint is a classic of African American literature reimagined for modern readers.

“Intrigue abounds” in the series starring sleuth Margaret Kerr. “Robb’s captivating blend of history and mystery vividly evokes medieval Scotland” (Booklist). Scots are gathering in Murdoch Kerr’s Edinburgh tavern, plotting to drive out the English forces. Margaret takes her place there as innkeeper, collecting information to pass on to William Wallace—until murder gives the English an excuse to shutter the tavern. The dead man was a witness to the intruders who raided chests belonging to Margaret’s husband and her father, the latest in a string of violent raids on Margaret’s family, but no one knows the identity of the raiders or what they’re searching for. Margaret’s uncle urges her to escape to Edinburgh, but as she flees north with her husband Roger, Margaret grows suspicious about his sudden wish to speak with her mother, Christiana, who is a soothsayer. Margaret once innocently shared with Roger one of Christiana’s visions, of “the true king of Scotland” riding into Edinburgh. Now she begins to wonder if their trip is part of a mission engineered by the English crown . . .

Captured by cyborgs, Mira is branded with the mark of Flint. Then she discovers that Flint is a breeder and she doesn't want to share.

NEW ENTRY IN THE DRAGON AWARD–WINNING ARCANE AMERICA SERIES from New York Times best-selling alternate history master Eric Flint. The passage of Halley’s Comet in 1759 is catastrophic. The comet appears to strike the Earth, sundering the New World from the Old. A chain of mountains rises in the Mid-Atlantic. No ship from the Old World arrives in America. No ship from the New World can find a passage to the Old—and most who try simply disappear. The comet has also unleashed magic forces, which soon spread everywhere. Slaves begin using powers derived from African witchcraft, bringing monsters from that continent into the New World. The native tribes begin doing the same. Some European settlers devise ways to couple Old World technology with sorcery. Kraken in the Atlantic, revenants in Jamaica, Dry Hands and Floating Heads in the Hudson valley, African ogres and worse set loose in the streets of New York. Magic of all kinds, emerging everywhere, most of it poorly if at all controlled. The powerful Iroquois Confederacy disintegrates. The Onondaga Council Fire is extinguished; the Seneca and Cayuga follow their own shaman and war leader, and the Mohawks ally with the English. For their part, the English and the French in North America, who had been on the brink of war when the Sundering came, now have to contemplate what would once have been unthinkable. They must not simply forge a military alliance against the rising dark powers but may even have to unite politically behind the young English prince Edward, now the only person of royal blood left in the terrifying world created by the Sundering. At the publisher's request, this title is sold without DRM (Digital Rights Management). About Uncharted: "History and mythology meld admirably, leading to a satisfying conclusion. This hardy adventure establishes a world ripe for many more rousing stories."—Publishers Weekly "With a light and brisk narrative that propels its heroes through a number of increasingly dangerous situations, this combination of alternate history and fantasy should appeal to fans of Eric Flint, Harry Turtledove, and historical fantasy in general."—Booklist “While delivering plenty of action that approximates the best of cinematic fantasy, Hoyt and Anderson also strive for—and achieve—a kind of gravitas that suitably reflects the majesty of an untrammeled continent. Their descriptions of raw nature and its emotional repercussions on the humans are subtly poetic without being overblown. The native tribes are depicted in authentic ways, especially the people of Sacagawea. . . .The characterization of all the cast members is deep and revelatory of human nature. . . . There is also humor amidst the seriousness . . . [Anderson and Hoyt’s] prose is a clear-eyed, sturdy naturalism meshed with flights of vivid unreality . . . filled with not only slambang adventures but also a kind of rational optimism that has become rare in genre works these days. . . Hoyt and Anderson, a kind of de Camp and Pratt for the twenty-first century, convey these ideals without lectures or sermons, embodying them in principled people doing exciting things.”—Locus About Eric Flint: “This alternate history series is … a landmark…”—Booklist “[Eric] Flint's 1632 universe seems to be inspiring a whole new crop of gifted alternate historians.”—Booklist “…reads like a technothriller set in the age of the Medicis…”—Publishers Weekly About Walter H. Hunt: "A compelling and immersive novel in which every word feels authentic and every chapter draws the reader deeper into the dark and terrifying power of the mind.”—New York Journal of Books

He left the West at the age of seventeen, leaving behind a rootless past and a bloody trail of violence. In the East he became one of the wealthiest financiers in America—and one of the most feared and hated. Now, suffering from incurable cancer, he has come back to New Mexico to die alone. But when an all-out range war erupts, Flint chooses to help Nancy Kerrigan, a local rancher. A cold-eyed speculator is setting up the land swindle of a lifetime, and Buckdun, a notorious assassin, is there to back his play. Flint alone can help Nancy save her ranch…with his cash, his connections—and his gun. He still has his legendary will to fight. All he needs is time, and that’s fast running out….

When the people of Flint, Michigan, turned on their faucets in April 2014, the water pouring out was poisoned with lead and other toxins. Through a series of disastrous decisions, the state government had switched the city’s water supply to a source that corroded Flint’s aging lead pipes. Complaints about the foul-smelling water were dismissed: the residents of Flint, mostly poor and African American, were not seen as credible, even in matters of their own lives. It took eighteen months of activism by city residents and a band of dogged outsiders to force the state to admit that the water was poisonous. By that time, twelve people had died and Flint’s children had suffered irreparable harm. The long battle for accountability and a humane response to this man-made disaster has only just begun. In the first full account of this American tragedy, Anna Clark's The Poisoned City recounts the gripping story of Flint’s poisoned water through the people who caused it, suffered from it, and exposed it. It is a chronicle of one town, but could also be about any American city, all made precarious by the neglect of infrastructure and the erosion of democratic decision making. Places like Flint are set up to fail—and for the people who live and work in them, the consequences can be fatal.