From the British-West Indian novelist who is rapidly emerging as the bard of the African diaspora comes a haunting work about “the final passage”—the exodus of black West Indians from their impoverished islands to the uncertain opportunities of England. In her village of St. Patrick’s, Leila Preston has no prospects, a young son, and a husband, Michael, who seems to prefer the company of his mistress. So when her ailing mother travels to England for medical care, Leila decides to follow her. As Caryl Phillips follows the Prestons’ outward voyage—and their bewildered attempt to find a home in a country whose rooming houses post signs announcing “No vacancies for coloureds”—he produces a tragicomic portrait of hope and dislocation. The Final Passage is a novel rich in language, acute in its grasp of character, and unforgettable in its vision of the colonial legacy. “Like Isabel Allende and Gabriel García Márquez, Phillips writes of times so heady and chaotic and of characters so compelling that time moves as if guided by the moon and dreams.”—Los Angeles Times Book Review

As nineteen-year-old Leila surveys her island home from the ship that will carry her, her husband, and baby to England, she contemplates the Caribbean life of the 1950s that is chaotic, hand-to-mouth, and offers no way but out.

Final Passages: The Intercolonial Slave Trade of British America, 1619-1807

Is death merely the cessation of life? Are our final years simply a wearing out of the body? Are hospitals and funeral homes--the bureaucratic machinery of death--capable of handling the profound spiritual dimension of dying? In The Last Passage, Donald Heinz offers wise answers to these questions in a book that urges us to "recover a death of our own" and to view our final years as a fulfillment, a "last career." Despite the recent spate of books on death and dying, death remains a fact our culture tries desperately to ignore. In other times and in other cultures, preparing for death was seen as an important spiritual task--perhaps the most important task of our lives. Heinz argues that we can reconceive of death, reinvest it with meaning, and save it from becoming a meaningless biological event. Seeking appropriate models for such a reconstruction, Heinz offers a fascinating overview of the many ways death has been envisioned and ritualized throughout human history, from the Tibetan Book of the Dead to 15th century Christian ars moriendi--manuals on the art of dying--and from Jean Paul Sartre to Elizabeth Kubler-Ross. He also surveys the more recent contributions of psychologists, anthropologists, cultural critics, and death awareness advocates, whose efforts have largely failed to integrate death into a larger human story and the larger human community. Finally, Heinz shows us how we might create rituals through the use of music, visual arts, dance, drama, and language that would enable us to approach death with reverence, as the spiritual consummation of our lives.

When we enter this life, we are surrounded by caring and love. We deserve caring and love again when this life ends. In this groundbreaking book on the meaning of death, Barbara Harris Whitfield shares with you her near-death experiences and the stories of individuals who, assisted by her loving help, left this life with dignity. These accounts will inspire you, allow you to accept death more easily, and reveal the connection to the Spirit that embraces and guides us all as we die. Whitfield demonstrates how it is possible for terminal patients to be fully present—even in their deepest pain—so that they can spread kind­ness, compassion and forgiveness to their loved ones. Whether you fear death because it symbolizes the unknown, marvel at its awesome mystery, or grieve for a loved one it has claimed, this book will answer your questions about what happens when we die.

One of those rare, unforgettable novels that are as chilling as they are insightful, as thought-provoking as they are terrifying, award-winning author Connie Willis's Passage is an astonishing blend of relentless suspense and cutting-edge science unlike anything you've ever read before. It is the electrifying story of a psychologist who has devoted her life to tracking death. But when she volunteers for a research project that simulates the near-death experience, she will either solve life's greatest mystery -- or fall victim to its greatest terror. At Mercy General Hospital, Dr. Joanna Lander will soon be paged -- not to save a life, but to interview a patient just back from the dead. A psychologist specializing in near-death experiences, Joanna has spent two years recording the experiences of those who have been declared clinically dead and lived to tell about it. It's research on the fringes of ordinary science, but Joanna is about to get a boost from an unexpected quarter. A new doctor has arrived at Mercy General, one with the power to give Joanna the chance to get as close to death as anyone can. A brilliant young neurologist, Dr. Richard Wright has come up with a way to manufacture the near-death experience using a psychoactive drug. Dr. Wright is convinced that the NDE is a survival mechanism and that if only doctors understood how it worked, they could someday delay the dying process, or maybe even reverse it. He can use the expertise of a psychologist of Joanna Lander's standing to lend credibility to his study. But he soon needs Joanna for more than just her reputation. When his key volunteer suddenly drops out of the study, Joanna finds herself offering to become Richard's next subject. After all, who better than she, a trained psychologist, to document the experience? Her first NDE is as fascinating as she imagined it would be -- so astounding that she knows she must go back, if only to find out why this place is so hauntingly familiar. But each time Joanna goes under, her sense of dread begins to grow, because part of her already knows why the experience is so familiar, and why she has every reason to be afraid.... And just when you think you know where she is going, Willis throws in the biggest surprise of all -- a shattering scenario that will keep you feverishly reading until the final climactic page is turned.

How do our ideas about dying influence the way we live? Life has often been envisioned as a journey, the river of time carrying us inexorably toward the unknown country—and in our day we increasingly turn to myth and magic, ritual and virtual reality, cloning and cryostasis in the hope of eluding the reality of the inevitable end. In this book a preeminent and eminently wise writer on death and dying proposes a new way of understanding our last transition. A fresh exploration of the final passage through life and perhaps through death, his work deftly interweaves historical and contemporary experiences and reflections to demonstrate that we are always on our way. Drawing on a remarkable range of observations—from psychology, anthropology, religion, biology, and personal experience—Robert Kastenbaum re-envisions life's forward-looking progress, from early-childhood bedtime rituals to the many small rehearsals we stage for our final separation. Along the way he illuminates such moments and ideas as becoming a "corpsed person," going down to earth or up in flames, respecting or abusing (and eating) the dead, coping with "too many dead," conceiving and achieving a "good death," undertaking the journey of the dead, and learning to live through the scrimmage of daily life fully knowing that Eternity does not really come in a designer flask. Profound, insightful, often moving, this look at death as many cultures await it or approach it enriches our understanding of life as a never-ending passage.