Avant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film Decasia was selected for the National Film Registry by the Library of Congress. This is the first book-length study of Morrison's work, covering the whole of his career. It gathers specialists throughout film studies to explore Morrison's "aesthetics of the archive"-his creative play with archival footage and his focus on the materiality of the medium of film.

Celebrate over 50 years of The Beatles’ Yellow Submarine with this fully authorized graphic novel adaptation. The Beatles are recruited by the Captain of the Yellow Submarine to help him free Sgt. Pepper's Lonely Hearts Club Band, and the world of Pepperland from the music-hating Blue Meanies. The music-loving, underwater paradise of Pepperland has been overrun by the music-hating Blue Meanies and their leader, Chief Blue Meanie. They turn the people of Pepperland into living statues by dropping apples on them and imprison the Pepperland's guardians, Sgt Pepper's Lonely Hearts Club Band inside a soundproof blue glass globe, before confiscating all the music instruments in the land. Pepperland's mayor sends aging sailor, Young Fred out in the fabled Yellow Submarine to find help. He travels to our world where he stumbles across The Beatles and begs them to help him free his world. They agree and head back to Pepperland, teaming up with Jeremy The Nowhere Man along the way to help overthrow the evil Blue Meanies through the power of music and love. BEAUTIFULLY ILLUSTRATED: Features full-color artwork of the beloved jukebox musical fantasy film, Yellow Submarine ULTIMATE TRIBUTE: Celebrate over 50 years of Yellow Submarine with this fully authorized graphic novel adaptation PERFECT GIFT FOR BEATLES FANS: The Beatles Yellow Submarine is the perfect gift for the Beatles fan in your life OFFICIALLY LICENSED: Created in partnership with the studio behind Yellow Submarine

This Film Is Dangerous is an anthology published by the International Federation of Film Archives (FIAF) to examine and to celebrate the life, the death, the afterlife, and the mythology of nitrate film. It incorporates the papers given at the symposium The Last Nitrate Picture Show during the FIAF Congress in London in June 2000, as well as a wealth of original contributions by historians, archivists, veterans, and enthusiasts around the world.

"The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with filmmakers devoted to documenting places and events that most of us never get to see--often, places and events that have considerable influence on our lives. The 27 interviews offer an engaging panorama of the recent history and geography of cinema devoted to documenting the world around us, as well as an in-depth look at the challenges and accomplishments of filmmakers willing to go anywhere on the planet (or on the internet!) to document what they believe we need to see"--

The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history. The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.