"Angst over the apostrophe and hysteria over hyphens: the English language has become a combat zone. Why are people so passionate about language? How has the fighting over English usage come about?" "David Crystal charts the clashes from Anglo-Saxon times via the language of Shakespeare and Samuel Johnson to our own time of texting and the greengrocer's apostrophe. While others have fought to impose their views on spelling and grammar, David Crystal - as ever scholarly yet entertaining - explains why we should say no to zero tolerance."--BOOK JACKET.

Lynne Truss's 'Eats, Shoots and Leaves' injected new life into the long-standing arguments over rights and wrongs in English usage. Now David Crystal brings together his own distinctive style and unique expertise to provide the first thorough-going assessment of the ongoing debate. With a lively, humorous, and accessible approach, Crystal charts the battles past and present, illustrating the characters and attitudes involved from a wide range of written sources. He combines a chronological survey of key influences in the area of usage with discussion of particular themes such as punctuation, spelling, and pronunciation. And he looks ahead to the future in the context of recent education policy shifts. A positive and compelling case is made for variation in usage of English based on appropriateness of situation, arguing that 'zero tolerance' in relation to language is a profoundly flawed approach. Crystal offers an original and authoritative counter-argument to the prescriptivist agenda that has been expounded in many accounts of English usage over the years. The Fight for English is the book that everyone concerned with English usage has been eagerly awaiting.

Peter Martin recounts the patriotic fervor in the early American republic to produce a definitive national dictionary that would rival Samuel Johnson's 1755 Dictionary of the English Language. But what began as a cultural war of independence from Britain devolved into a battle among lexicographers, authors, scholars, and publishers, all vying for dictionary supremacy and shattering forever the dream of a unified American language.

In 1974 in Kinshasa, Zaïre, two African American boxers were paid five million dollars apiece to fight each other. One was Muhammad Ali, the aging but irrepressible “professor of boxing.” The other was George Foreman, who was as taciturn as Ali was voluble. Observing them was Norman Mailer, a commentator of unparalleled energy, acumen, and audacity. Whether he is analyzing the fighters’ moves, interpreting their characters, or weighing their competing claims on the African and American souls, Mailer’s grasp of the titanic battle’s feints and stratagems—and his sensitivity to their deeper symbolism—makes this book a masterpiece of the literature of sport. Praise for The Fight “Exquisitely refined and attenuated . . . [a] sensitive portrait of an extraordinary athlete and man, and a pugilistic drama fully as exciting as the reality on which it is based.”—The New York Times “One of the defining texts of sports journalism. Not only does Mailer recall the violent combat with a scholar’s eye . . . he also makes the whole act of reporting seem as exciting as what’s occurring in the ring.”—GQ “Stylistically, Mailer was the greatest boxing writer of all time.”—Chuck Klosterman, Esquire “One of Mailer’s finest books.”—Louis Menand, The New Yorker Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

The precarious life of the adjunct instructor comes to life in this wry and comical novel about academic everyman Cyrus Duffleman. This classroom edition includes bonus essays, interviews and graphics about adjunct survival and the state of so-called "higher" education.

The Fighting Spirit is a self-help life motivator through storytelling. It catches your attention through the wonder of George, boxing and how it relates to life. It will inspire through real life "Fights" and successes. It shows us how this law applies, by providing real life stories we can all relate to - the ?ght of life that is real and next door. George's experience and growth through his father as a Motivator, Minister and, most importantly, a fighter. George parlays his experience growing up as George III, as his son, Business Manager and a Professional Boxer, himself.

One of the most important teachers of historical swordsmanship, Stephen Hand has delivered what may well be his Magnum Opus, a detailed study in text and photographs of his best form, the swordsmanship of the 16th century English swordmaster, George Silver. In nearly 800 photographs, Mr. Hand explores the depth of Silver's technique, presenting for the student a clear and concise path to fighting with the single-handed sword. These techniques are from the same period as William Shakespeare, and it is even supposed that Silver had something to do with the staging of swordsmanship in Shakespeare's plays. So these techniques should have special interest to those involved in swordplay on the stage. Students of fencing history, members of the SCA, LARPS, or students of Renaissance history will also find this first-ever exploration of Silver's amazingly effective techniques surpremely valuable.