Hazlitt is one of the greatest masters of English prose style and this new selection demonstrates the variety and richness of his writing. The volume includes classic pieces of drama and literature criticism, such as his essays on Shakespeare and Coleridge, as well as less well-known material from his social and political journalism. This collection encourages the reader to reconsider the nature of critical writing, which Hazlitt transforms into an art form.

Hazlitt is one of the greatest masters of English prose style and this new selection demonstrates the variety and richness of his writing. The volume includes classic pieces of drama and literature criticism, such as his essays on Shakespeare and Coleridge, as well as less well-known material from his social and political journalism. This collection encourages the reader to reconsider the nature of critical writing, which Hazlitt transforms into an art form.

Hazlitt is one of the greatest masters of English prose style and this new selection demonstrates the variety and richness of his writing. The volume includes classic pieces of drama and literature criticism, such as his essays on Shakespeare and Coleridge, as well as less well-known material from his social and political journalism. This collection encourages the reader to reconsider the nature of critical writing, which Hazlitt transforms into an art form.

The best of Mr. Schulberg's reporting on the sweet science, from Benny Leonard to Muhammad Ali to George Foreman, including reflections on the social history of the fight game, the mystique of the heavyweight championship, the seamy side of the business, and his own sparring match with Papa. A crowd-pleaser all the way. --Chicago Tribune. Belongs on the same shelf with the real heavyweights--A. J. Liebling, W. C. Heinz, and Hugh McIlvanney. --Allen Barra, New York Times Book Review

Insulted in front of peers, the main character must decide how to deal with her situation by choosing between the "Powerless" and "Powerful" fight. She unknowingly chooses the "Powerless" path where she encounters a series of consequences resulting in self-doubt and feelings of helplessness. As our protagonist begins to accept self-defeat, friends encourage her to fight in a different way and model how to focus on Feelings, Identity, Goals, Healthy Coping, and Thoughts (FIGHT) when faced with a difficult situation. The story concludes with the main character re-considering her options and responding to a final question: "Which fight will you choose?" In addition to presenting a relatable plot, The Fight features diverse characters, representative illustrations, and reflection questions to assist readers with relating key messages to their real-world experiences. The Fight is a one-of-a-kind resource encouraging proactive, intentional conversation about the problems, referred to as "fights," youth will face in life and development of important skills that can help them navigate difficult situations with self-confidence and growth mindsets. This book is ideal for use with youth ages 9-16 and will be available

In 1974 in Kinshasa, Zaïre, two African American boxers were paid five million dollars apiece to fight each other. One was Muhammad Ali, the aging but irrepressible “professor of boxing.” The other was George Foreman, who was as taciturn as Ali was voluble. Observing them was Norman Mailer, a commentator of unparalleled energy, acumen, and audacity. Whether he is analyzing the fighters’ moves, interpreting their characters, or weighing their competing claims on the African and American souls, Mailer’s grasp of the titanic battle’s feints and stratagems—and his sensitivity to their deeper symbolism—makes this book a masterpiece of the literature of sport. Praise for The Fight “Exquisitely refined and attenuated . . . [a] sensitive portrait of an extraordinary athlete and man, and a pugilistic drama fully as exciting as the reality on which it is based.”—The New York Times “One of the defining texts of sports journalism. Not only does Mailer recall the violent combat with a scholar’s eye . . . he also makes the whole act of reporting seem as exciting as what’s occurring in the ring.”—GQ “Stylistically, Mailer was the greatest boxing writer of all time.”—Chuck Klosterman, Esquire “One of Mailer’s finest books.”—Louis Menand, The New Yorker Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

To Foreman, Ali now said, 'You have heard of me since you were young. You've been following me since you were a little boy. Now, you must meet me, your master!' '