The Fifty-Year Wound is the first cohesively integrated history of the Cold War, one replete with important lessons for today. Drawing upon literature, strategy, biography, and economics -- plus an inside perspective from the intelligence community -- Derek Leebaert explores what Americans sacrificed at the same time that they achieved the longest great-power peace since Rome fell. Why did they commit so much in wealth and opportunity with so little sustained complaint? Why did the conflict drag on for decades? What did the Cold War do to the country, and how? What was lost while victory was gained? Leebaert has uncovered an astonishing array of never-published documents and information, including major revelations about American covert operations and Soviet military activities. He has found, in the shadows of one of this century's great, epic stories, the sort of details and explanations that hit with the force of a lightning bolt and will change forever the way we think about our past.

AFGHANISTAN AND IRAQ are the latest in a string of blunders that includes Vietnam and an unintended war with China from 1950 to ’53, those four fiascoes being just the worst moments in nearly a lifetime of false urgencies, intelligence failures, grandiose designs, and stereotyping of enemies and allies alike. America brought down the Soviet empire at the cold war’s most dangerous juncture, but even that victory was surrounded by myths, such as the conviction that we can easily shape the destinies of other people. Magic and Mayhem is a strikingly original, closely informed investigation of two generations of America’s avoidable failures. In a perfectly timed narrative, Derek Leebaert reveals the common threads in these serial letdowns and in the consequences that await. He demonstrates why the most enterprising and innovative nation in history keeps mishandling its gravest politico-military dealings abroad and why well-credentialed men and women, deemed brilliant when they arrive in Washington, consistently end up leading the country into folly. Misjudgments of this scale arise from a pattern of self-deception best described as "magical thinking." When we think magically, we conjure up beliefs that everyone wants to be like us, that America can accomplish anything out of sheer righteousness, and that our own wizardly policymakers will enable gigantic desires like "transforming the Middle East" to happen fast. Mantras of "stability" or "democracy" get substituted for reasoned reflection. Faith is placed in high-tech silver bullets, whether drones over Pakistan or helicopters in Vietnam. Leebaert exposes these magical notions by using new archival material, exclusive interviews, his own insider experiences, and portraits of the men and women who have succumbed: George Kennan, Henry Kissinger, Robert McNamara, Donald Rumsfeld, Dick Cheney, and Presidents Kennedy, Carter, and George W. Bush all appear differently in the light of magic, as do wise men from Harvard, Georgetown, Stanford, and think tanks such as RAND and Brookings, as well as influential players from the media and, occasionally, the military, including General David Petraeus as he personifies the nation’s latest forays into counterinsurgency. Magic and Mayhem offers vital insights as to how Americans imagine, confront, and even invite danger. Only by understanding the power of illusion can we break the spell, and then better apply America’s enduring strengths in a world that will long need them.

A “magical, marvellous” epic of an empire in collapse: Book one in the acclaimed Ottoman Quartet by the award-winning Turkish author and political dissident (La Stampa, Italy). Tracking the decline and fall of the Ottoman empire, Ahmet Altan’s Ottoman Quartet spans fifty years from the end of the nineteenth century to the post-WWI rise of Atatu ̈rk as leader of the new Turkey. In Like a Sword Wound, a modern-day resident of Istanbul is visited by the ghosts of his ancestors, finally free to tell their stories “under the broad, dark wings of death.” Among the characters who come to life are an Ottoman army officer; the Sultan’s personal doctor; a scion of the royal house whose Western education brings him into conflict with his family’s legacy; and a beguiling Turkish aristocrat who, while fond of her emancipated life in Paris, finds herself drawn to a conservative Muslim spiritual leader. As their stories of intimate desire and personal betrayal unfold, the society that spawned them is transforming and the sublime empire disintegrating. Here is a Turkish saga reminiscent of War and Peace, written in lively, contemporary prose that traces not only the social currents of the time but also the erotic and emotional lives of its characters. “An engrossing novel of obsessive love and oppressive tyranny, a tale of collapse that dramatizes the fateful moments of an empire and its subjects.” —Publishers Weekly (starred review)

In 1983, when Evans came up with the vision for the first-ever memorial on the National Mall to honor women who’d worn a military uniform, she wouldn’t be deterred. She remembered not only her sister veterans, but also the hundreds of young wounded men she had cared for, as she expressed during a Congressional hearing in Washington, D.C.: “Women didn’t have to enter military service, but we stepped up to serve believing we belonged with our brothers-in-arms and now we belong with them at the Vietnam Veterans Memorial. If they belong there, we belong there. We were there for them then. We mattered.” In the end, those wounded soldiers who had survived proved to be there for their sisters-in-arms, joining their fight for honor in Evans’ journey of combating unforeseen bureaucratic obstacles and facing mean-spirited opposition. Her impassioned story of serving in Vietnam is a crucial backstory to her fight to honor the women she served beside. She details the gritty and high-intensity experience of being a nurse in the midst of combat and becomes an unlikely hero who ultimately serves her country again as a formidable force in her daunting quest for honor and justice.

A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

Examines the impact special operations forces have had on world history from ancient times to the present and describes the methods commandos use to carry out their missions.

A new understanding of the post World War II era, showing what occurred when the British Empire wouldn’t step aside for the rising American superpower—with global insights for today. An enduring myth of the twentieth century is that the United States rapidly became a superpower in the years after World War II, when the British Empire—the greatest in history—was too wounded to maintain a global presence. In fact, Derek Leebaert argues in Grand Improvisation, the idea that a traditionally insular United States suddenly transformed itself into the leader of the free world is illusory, as is the notion that the British colossus was compelled to retreat. The United States and the U.K. had a dozen abrasive years until Washington issued a “declaration of independence” from British influence. Only then did America explicitly assume leadership of the world order just taking shape. Leebaert’s character-driven narrative shows such figures as Churchill, Truman, Eisenhower, and Kennan in an entirely new light, while unveiling players of at least equal weight on pivotal events. Little unfolded as historians believe: the Truman Doctrine and the Marshall Plan; the Korean War; America’s descent into Vietnam. Instead, we see nonstop U.S. improvisation until America finally lost all caution and embraced obligations worldwide, a burden we bear today. Understanding all of this properly is vital to understanding the rise and fall of superpowers, why we’re now skeptical of commitments overseas, how the Middle East plunged into disorder, why Europe is fracturing, what China intends—and the ongoing perils to the U.S. world role.