A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.

The story of John McCrae's World War I poem interweaves the poet's words with information about the war, details of daily life in the trenches, accounts of McCrae's experience in his field hospital, and the circumstances that contributed to the poem's creation. Simultaneous.

An investigation of the syntactic structure of voice and v, using Acehnese (Malayo-Polynesian) as the empirical starting point. In Voice and v, Julie Anne Legate investigates the syntactic structure of voice, using Acehnese as the empirical starting point. A central claim is that voice is encoded in a functional projection, VoiceP, which is distinct from, and higher than, vP. Legate further claims that VoiceP may be associated with phi-features that semantically restrict the external argument position but do not saturate it. Through minor variations in the properties of VoiceP, Legate explains a wide range of non-canonical voice constructions, including: agent-agreeing passives, grammatical object passives, impersonals, object voice constructions, and applicative voice in causatives. Her analysis draws on data from a typologically diverse set of languages, not only Malayo-Polynesian, but also Celtic, Scandinavian, and Slavic. Voice and v provides a detailed investigation into the syntactic structure of an understudied Malayo-Polynesian language, and thereby reveals important insights for the theoretical analysis of voice and the verb phrase. Moreover, the work applies and broadens these insights to a range of related passive-like constructions crosslinguistically. Voice and v thus joins a handful of model volumes that enlist typological depth and breadth to further our development of modern linguistic theory.

Part of the regionalist movement that included Grant Wood, Paul Engle, Hamlin Garland, and Jay G. Sigmund, James Hearst helped create what Iowa novelist Ruth Suckow called a poetry of place. A lifelong Iowa farner, Hearst began writing poetry at age nineteen and eventually wrote thirteen books of poems, a novel, short stories, cantatas, and essays, which gained him a devoted following Many of his poems were published in the regionalist periodicals of the time, including the Midland, and by the great regional presses, including Carroll Coleman's Prairie Press. Drawing on his experiences as a farmer, Hearst wrote with a distinct voice of rural life and its joys and conflicts, of his own battles with physical and emotional pain (he was partially paralyzed in a farm accident), and of his own place in the world. His clear eye offered a vision of the midwestern agrarian life that was sympathetic but not sentimental - a people and an art rooted in place.

Leaping Poetry is Robert Bly's testament to the singular importance of the artistic leap that bridges the gap between conscious and unconscious thought in any great work of art; the process that Bly refers to as "riding on dragons." Originally published in 1972 in Bly's literary journal The Seventies, Leaping Poetry is part anthology and part commentary, wherein Bly seeks to rejuvenate modern Western poetry through his revelations of "leaping" as found in the works of poets from around the world, including Federico Garcia Lorca, Chu Yuan, Tomas Transtromer, and Allen Ginsberg, among others, while also outlining the basic principles that shape his own poetry. Bly seeks the use of quick, free association of the known and the unknown-the innate animal and rational cognition-which, he maintains, have been kept apart in the development of Western religious, intellectual, and literary thought.

A cross between Harry Potter, Star Wars & the Matrix movies, the Queen of the Matrix focuses on the ascension of woman and offers powerful ancient metaphysical tools and futuristic insights and will entertain all ages. In book one of this trilogy we find the master field fiddler Tan living on board the Starship Elysium with Rani and those who oversee the merging of the realms. The Starship Elysium has detected an anomaly in the Matrix that has begun to bleed through into future worlds and alter the course of the merging. Now the Queen's light is dimming and the witch must be reborn to close the doors to the darker worlds while Tan seeks to contain the damage. Jasmuheen's next book in this series - the "King of Hearts: The Field of Love" - will focus on the ascension of man, and the third book - "Elysium: Shamballa's Sacred Symphony" - will focus on the ascension of the planet.