In The Fields of Athenry , James Charles Roy leads us through the Irish past and present with the central theme of his own personal experience with the renovation of a run-down castle -- really a crumbled tower -- that he purchased more than thirty years ago. Moyode Castle, located near the County Galway market town of Athenry, was built in the sixteenth century by the Dolphins, an Irish-speaking family directly descended from French-speaking Norman adventurers who had invaded Ireland four centuries earlier. This old tower house and the rich agricultural lands it guards has witnessed every strand of Irish history, from the heroic exploits of Celtic warriors long celebrated by Yeats and Lady Gregory, through the Easter Rising of 1916 when IRA insurgents used the building as a lookout. It stands today as a powerful, timeless symbol of the tumultuous ebb and flow of fortune, both good and bad, that characterizes Irish history. Roy weaves his personal story of the purchase and renovation of Moyode into a wide ranging historical conversation, leading us to a topic of real interest to Ireland today and our sense of history more broadly: the historical nostalgia we attach to Ireland and the fact that our romantic image flies directly in the face of development and boom times in the "Celtic Tiger" of the twenty-first century. Few know, for example, that today Ireland produces and ships more software abroad than any other country in the world with the exception of the United States, though we all know the story of Angela's Ashes. With this theme in mind, Roy leads us to question what attracts us -- or perhaps more aptly him -- to the rubble of a castle from Irish days long past.

In The Fields of Athenry, James Charles Roy leads us through the Irish past and present by way of his own personal struggles and misadventures in renovating Moyode Castle, an old tower house that he purchased more than thirty years ago. While he pieces together its four-hundred-year-old past, the castle becomes a powerful symbol for Roy – it is battered by waves of history, yet timeless and resilient. Roy's personal struggles with the land and its people open for him a wide-ranging historical conversation on Ireland today and our sense of history more broadly. How do we reconcile the historical nostalgia attached to Ireland with the boom times that the "Celtic Tiger" enjoys today? With this question in mind, Roy searches for the answer of what attracts us – or, perhaps more aptly, him – to the rubble of a castle from Irish days long past.

A warm and funny debut novel about a young man in trouble and a family in love and in pieces. It's the first summer of lust for 14-year-old Jim Finnegan, a boy trying to become a man in 1980s Dublin. Jim's vivid and winning voice leaps off the page and into the reader's heart as he watches his parents argue, his five older sisters fight, and the local network of mothers gossip. Jim hilariously recounts his life dealing with the politics of his boisterous family, taking breakneck bike rides with his best friend, dancing to Foreigner on his boombox, and quietly coveting the local girls from afar. Over the summer, Jim wins the attention of a beautiful older girl, but he also becomes the unwilling target of a devious religious figure in the community. His life starts to unravel as he faces consequences from both his love for his girlfriend and his attempts to avoid the Parish Priest. When he and his girlfriend take a ferry for a clandestine trip to London, the dark and difficult repercussions from the trip force Jim to look for the solution to all his problems in some very unusual places. The Fields is an unforgettable story of an extraordinary character. It's a portrait of a boy who sinks into troubles as he grows into a man, and the loving but fractured family that might be his downfall -- or his salvation. Lyrical, funny, and endlessly inventive, it is a brilliant debut from a remarkable new voice.

Author Steve Marsh has spent many years playing guitar in the folk clubs of the United Kingdom where Irish music is in abundance. This collection draws from his extensive collection of original arrangements of traditional tunes. the songs vary in style and can be grouped into sets for use in a recital program. Many of the folk songs have been handed down from generation to generation so several versions of a song may exist. Therefore, the author has taken a few liberties with the tempo and rhythmic structures of a limited number of tunes in this collection. In general, the pieces in this album range from moderate standard to difficult. In standard notation only.

James Charles Roy, a noted authority on Irish history and travel, escorts a disparate group of Americans through the lonely backwaters of ancient Ireland. Visions of a glorious enterprise evaporate as he sees a dejected and weary handful of aged American tourists disembark at Shannon Airport. Fortified by Guinness, Roy hurls himself into sharing with them the joys and wonders of Ireland's twisted byways. Determined to avoid clichéRoy leads his group to obscure Celtic coronation sites, monasteries, and remote abbeys as he spins a narrative that pulls Ireland's chaotic story into coherence. His unsuspecting charges begin to shed their hesitancies, relishing their guide's idiosyncratic approach to Ireland. Black comedy aside, Roy touches an emotional chord: how the economic phenomenon known as the Celtic Tiger has transformed Old Ireland into a high-tech power. At the tour's end, Roy embarks alone for the inaccessible Ardoilean, a seventh-century Celtic hermitage in County Galway. His vision of an Ireland lost forever is an emotional tour de force.

Kevin Barry was the first person to be hanged by the British after the 1916 Rising, at 18 years old during the War of Independence. Although Kevin was young, he had a full life. This book brings new life to Kevin Barry, using material from family papers and the public domain.

Focus: Irish Traditional Music, Second Edition introduces the instrumental and vocal musics of Ireland, its diaspora in North America, and its Celtic neighbors while exploring the essential values underlying these rich musical cultures and placing them in broader historical and social context. With both the undergraduate and graduate student in mind, the text weaves together past and present, bringing together important ideas about Irish music from a variety of sources and presenting them, in three parts, within interdisciplinary lenses of history, film, politics, poetry, and art: I. Irish Music in Place and Time provides an overview of the island’s musical history and its relationship to current performance practice. II. Music Traditions Abroad and at Home contrasts the instrumental and vocal musics of the "Celtic Nations" (Scotland, Wales, Brittany, etc.) and the United States with those of Ireland. III. Focusing In: Vocal Music in Irish-Gaelic and English identifies the great songs of Ireland’s two main languages and explores the globalization of Irish music. New to this edition are discussions of those contemporary issues reflective of Ireland’s dramatic political and cultural shifts in the decade since first publication, issues concerning equity and inclusion, white nationalism, the Irish Traveller community, hip hop and punk, and more. Pedagogical features—such as discussion questions, a glossary, a timeline of key dates, and expanded references, as well as an online soundtrack—ensure that readers of Focus: Irish Traditional Music, Second Edition will be able to grasp Ireland's important social and cultural contexts and apply that understanding to traditional and contemporary vocal and instrumental music today.