GENE WEINGARTEN IS THE O. HENRY OF AMERICAN JOURNALISM Simply the best storyteller around, Weingarten describes the world as you think it is before revealing how it actually is—in narratives that are by turns hilarious, heartwarming, and provocative, but always memorable. Millions of people know the title piece about violinist Joshua Bell, which originally began as a stunt: What would happen if you put a world-class musician outside a Washington, D.C., subway station to play for spare change? Would anyone even notice? The answer was no. Weingarten’s story went viral, becoming a widely referenced lesson about life lived too quickly. Other classic stories—the one about “The Great Zucchini,” a wildly popular but personally flawed children’s entertainer; the search for the official “Armpit of America”; a profile of the typical American nonvoter—all of them reveal as much about their readers as they do their subjects.

“One of the 50 Best Nonfiction Books of the Last 25 Years”—Slate On New Year’s Day 2013, two-time Pulitzer Prize winner Gene Weingarten asked three strangers to, literally, pluck a day, month, and year from a hat. That day—chosen completely at random—turned out to be Sunday, December 28, 1986, by any conventional measure a most ordinary day. Weingarten spent the next six years proving that there is no such thing. That Sunday between Christmas and New Year’s turned out to be filled with comedy, tragedy, implausible irony, cosmic comeuppances, kindness, cruelty, heroism, cowardice, genius, idiocy, prejudice, selflessness, coincidence, and startling moments of human connection, along with evocative foreshadowing of momentous events yet to come. Lives were lost. Lives were saved. Lives were altered in overwhelming ways. Many of these events never made it into the news; they were private dramas in the lives of private people. They were utterly compelling. One Day asks and answers the question of whether there is even such a thing as “ordinary” when we are talking about how we all lurch and stumble our way through the daily, daunting challenge of being human.

A sweeping historical novel in the grand tradition of Russian literature that imagines what happens to the characters of Fiddler on the Roof after the curtain falls. The world knows well the tale of Tevye, the beloved Jewish dairyman from the shtetl Anatevka of Tsarist Russia. In stories originally written by Sholem Aleichem and then made world-famous in the celebrated musical Fiddler on the Roof, Tevye, his wife Golde, and their five daughters dealt with the outside influences that were encroaching upon their humble lives. But what happened to those remarkable characters after the curtain fell? In After Anatevka, Alexandra Silber picks up where Fiddler left off. Second-eldest daughter Hodel takes center stage as she attempts to join her Socialist-leaning fiancé Perchik to the outer reaches of a Siberian work camp. But before Hodel and Perchik can finally be together, they both face extraordinary hurdles and adversaries—both personal and political—attempting to keep them apart at all costs. A love story set against a backdrop of some of the greatest violence in European history, After Anatevaka is a stunning conclusion to a tale that has gripped audiences around the globe for decades.

Two of the country's most original humor writers confront myths and stereotypes to establish once and for all that women are funnier than men--and vice versa. Illustrations.

Featuring sixty black-and-white photographs of old dogs shot by Pulitzer Prize–winning photographer Michael S. Williamson and narrated by Washington Post staffer and columnist Gene Weingarten, this is a perfect collection for dog lovers that celebrates “man’s best friend.” Anyone who has ever loved an old dog will love Old Dogs. In this collection of profiles and photographs, Weingarten and Williamson document the unique appeal of man's best friend in his or her last, and best, years. This book is a tribute to every dog who has made it to that time of life when the hearing and eyesight begin to go, when the step becomes uncertain, but when other, richer traits ripen and coalesce. It is when a dog attains a special sort of dignity and a charm all his own. If you've known a favorite old dog, you'll find him or her on these pages. Your dog might go by a different name and have a different shape, but you'll recognize him or her by the look in an eye or the contours of a life story. There is the dog who thinks he is a house cat; the herder, the fetcher, the punk and the peacock, the escape artist, the demolition artist, the patrician, the lovable lout, the amiable dope, the laughable clown, the schemer, the singer, the daredevil, the diplomat, the politician, the gourmand, and the thief. Plus, as a special bonus, you will find the first Latvian elkhounds ever photographed. Old Dogs is a glorious gift book and a fitting tribute to that one dog you can't ever forget.

"A rapturous, witty, and passionate memoir ... Violin Dreams is not only the story of a man becoming an artist, it’s a history of twentieth-century music.” -- John Guare, Tony Award-winning playwright Arnold Steinhardt, for more than forty years an international soloist and the first violinist of the Guarneri String Quartet, brings warmth, wit, and fascinating insider details to the story of his lifelong obsession with the violin, that most seductive and stunningly beautiful instrument. His story is rich with vivid scenes: the terror inflicted by his early violin teachers, the sensual pleasure involved in the pursuit of the perfect violin, the charged atmosphere of high-level competitions. Steinhardt describes Bach’s Chaconne as the holy grail for the solo violin, and he illuminates, from the perspective of an ardent owner of a great Storioni violin, the history and mysteries of the renowned Italian violinmakers. Violin Dreams includes a remarkable CD recording of Steinhardt performing Bach’s Partita in D Minor as a young violinist forty years ago and playing the same piece especially for this book. A conversation between the author and Alan Alda on the differences between the two performances is included in the liner notes.