"These poems know a great deal about beauty and violence: 'twenty years / was about as much good as / circling / a black eye'. Kylie Gellatly shows us what vividness is, how it lives in our shapes, our pain, our imaginary (and real) selves: 'man taken / to be a trench / that might have been a cannon ball'. This poetry composes musics with silences. It is both a song and whisper, an erasure and exhalation. It is both a journey across us, and inward: 'the ship was the rib of reason / [...] the ship was beginning to be an alarm / the ship was right there on the floor while this book was written.' Herein history is envious of a dreamscape. And yet: the dream aspires to be dailiness, and fears it. Which is to say: this is a book of fevers the likes of which you feel most familiar with, yet have not seen before. Recognize yourself in them." -Ilya Kaminsky, author of Deaf Republic "Musical and deeply felt, these poems-untitled and running wild-chase down the heart. No tangible space is without the immaterial here. The Elements are resilient, and I feel pushed and pulled by them. Gellatly's debut book is beautiful, haunted and mystical. Her poems are like 'the strange contrast between death and dawn, ' and 'the fool's divine spark / forever coming loose' in the reader's hands." -Bianca Stone, author of The Möbius Strip Club of Grief "In Kylie Gellatly's The Fever Poems, water is silk that rubs against the night. Events are figments of the speaker's imagination and graves shape time. Extremely contemporary in their fixation on illness, isolation, and anxiety, these poems spill down and across the page like slate off a cliffside. There is an unwavering generosity to the introspection of this speaker: through her eyes, floating ash becomes 'hundreds of baled papers, bent up like two bears dancing.' This is a collection that understands and beautifully, painfully relays that what we have-with each other, with the land-is 'the last of the last.'" -Taneum Bambrick, author of Vantage "'I was sore at heart, ' writes Kylie Gellatly in The Fever Poems, and the reader is invited into a sprawling, curious, visionary, deeply empathetic, epic debut. Her poems shine goldly in the space between elemental earth-salt, rock, wind, weather-and the human, conscious choice of living. With echoes of Jorie Graham and W. S. Merwin, Gellatly navigates the complexities of language, 'a pledge made / into paper / weathered / in our hands, ' 'choked with the monsters of parentheses'. This is a collection for our time of pandemic, uncertainty, and an urgent need for a revision of our relationship with the natural world-Gellatly recognizes the swinging pendulum of power between the earth's force and human interference, and, without castigation, illuminates us." -Jenny Molberg, author of Refusal "Kylie Gellatly's The Fever works like a ship, navigating the tempests of our fragile moment. The poems enact a wandering/wondering through fire and fog, investigating meaning through a naturalist's lens, balancing an elemental pull with the fierce heat of being human. This collection is an invitation to a sensorial meditation, one where fever is less a symptom of sickness than a door to discovery." -Erin Adair-Hodges, author of Let's All Die Happy

Poetry. The poems in FEVER sweat through the discontents of a love affair, a childhood, a marriage, a malfunctioning farm, the speaker's aging father and his own illness. Dream and the gritty details of life flow together in the hallucinatory and yet grounded language of these short, sharp pieces, which form an integrated sequence with both unity and emotional range. As Philip Terman notes, "Nothing gets through the fish-net of John Repp's observations--at once sensual and smart, traditional and hip, funny and sad." A widely published poet, fiction writer, essayist, and book critic, John Repp teaches at Edinboro University of Pennsylvania, works in the Arts-in-Education Program of the Pennsylvania Council on the Arts, leads writing workshops at Stairways Behavioral Health, Inc., and lives in Erie with his wife, the potter and visual artist Katherine Knupp, and their son, Dylan. His recent collections of poetry include No Away, Gratitude, Time to Get Some Things Straight, and White Doe.

A kid's-eye view of school, crammed with enough funny to fill a big yellow bus! Snappy and hilarious in true Brod Bagert style, these goofy poems are united by their kid authenticity and quirky school themes. From a computer virus that one kid claims is sure to keep him homesick until summer vacation, to the librarian who tames "the savage beast" (a mouse run amok in the library), to a superhero recruited to scare off the school bully, this is most definitely not your typical poetry collection. Robert Neubecker's bright, dynamic artwork propels each poem into another stratosphere of funny. By the end, kids will have contracted a different strain of school fever altogether. "Kids will appreciate the humor and will see themselves in the high-energy narrator"—Booklist

'Sea-Fever' remains one of the most popular poems of the last century, and John Masefield one of the most popular poets, a superb spinner of yarns and ballads of tall ships, exotic seas, of the deep-rooted life of rural England, and of the great narratives of Troy and Arthurian legend. This book includes his most popular poems and a few previously uncollected rarities. All share Masefield's love of particular lives: he draws the reader into his stories with an incomparable music of language. This is a representative selection of the poems, in chronological sequence spanning his long career. The editor also provides a full introduction to his work.

"Ron Koertge can elevate the ordinary places of America----the backyard, the classroom, the mall----into scenes of mock-epic significance. He can just as easily lower the mythic worlds of Superman, Ozymandias and Cinderella to a level just a few inches above the bathetic. And he does all this with a charming combination of wit and empathy, satire and sweetness." --Billy Collins "I would think a poem entitled Getting Tough with John Ruskin," "Ozymandias and Harriet," or "Teen Jesus" would be enough to entice any reader. But permit it to be known that Koertge also carries around a lexicon that includes locutions such as "snazzy," a word I haven't heard since my last Canasta game in 1959. We all know who said that poetry begins in delight and ends in wisdom, but Koertge might have said it because his poems are delight and wisdom all the way through. They are also very funny, the way the truly serious often is. This is a snazzy book, also a beautiful one, and I strongly urge you to buy it." ----B.H. Fairchild

The Fever of Being is a series of poems, some written entirely or partly in Spanish, ranging in mood from comic to tragic and dealing with Urrea's life within the Hispanic-Anglo border culture.