The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume contains material by Genesis Breyer P-Orridge, Frater Achad, Timothy O'Neill, Philip Farber, Kendell Geers, Sasha Chaitow, Derek Seagrief, Vera Nikolich, Alexander Nym, Vanessa Sinclair, Stephen Sennitt, Antony Hequet, Patrick Lundborg, Henrik Dahl, Angela Edwards, Jason Louv, Kasper Opstrup, Peter Grey, Antti Balk, Kjetil Fjell, Sandy Robertson, Adam Rostoker, Emory Cranston, Manon Hedenborg-White, Sara George and Carl Abrahamsson, on topics as diverse as Aleister Crowley, Rudolf Steiner, Anton LaVey, Sar Peladan, Fernand Khnopff, Marcel Duchamp, Robert Heinlein, William Burroughs, Brion Gysin, Wilhelm Reich, Thelema, Satanism, Symbolism, psychoanalysis, Dada, apocalyptic witchcraft, psychedelic philosophy, visionary book covers, Cannabis, artificial human companions, sacred prostitution, German Expressionist cinema, slam poetry, independent universities, extraterrestrial influences, astrology, sexual magic, science fiction and more...

The Fenris Wolf is a research journal focussed on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume, which is an anthology of the first three issues (originally published 1989-1993), contains material by Anton LaVey, Genesis Breyer P-Orridge, William Burroughs, Austin Osman Spare, Hymenæus Beta, Ben Kadosh, Freya Aswynn, Rodney Orpheus, ONA, William Heidrick, Terence Sellers, Zbigniew Karkowski, Carl Michael von Hausswolff and Leif Elggren (KREV), Lionel Snell, Stein Jarving, John Alexander, Tim O'Neill, Peter Gilmore, Phauss, Frater Nigris, Jack Stevenson, TOPYUS, Nemo, Philip Marsh, Beatrice Eggers, Andrew McKenzie, Fetish 23, and Carl Abrahamsson, on topics as diverse as dreams, Christian right-wing conspiracies, ritual aspects of performance art, Aleister Crowley's roots and his philosophy of Thelema, Thee Temple Ov Psychick Youth (TOPY), Jayne Mansfield, Kenneth Anger, Harry Smith, Satanism, Pythagoras, Plato, the Hellenes, demonic aspects of cinema, the Ordo Templi Orientis (O.T.O.), psychedelics as agents of creativity, Acid House as a liberating subculture, the inauguration of the Kingdoms of Elgaland-Vargaland, the technology of consciousness, pornography, the esotericism of the left-hand path, Northern magic, and much more... Trapart Books 2020, 6x9" paperback, 322 pages.

Life is finally back to normal for Arthur Quinn. Three months ago, he and his friends put their lives at risk to stop the trickster god Loki from taking over the world. However, just when Arthur is starting to relax again, the dreams start once more; dreams of gods, dreams of war, dreams of wolves. It can mean only one thing. Loki is back. In the midst of a deep snowfall, Loki plots his vengeance on Arthur. In the months since their last battle, the trickster God has been assembling a deadly army of wolves and he intends to take the world once and for all. Can Arthur trust his two new classmates? Where did Ash's puppy come from? And what is hidden in the National Museum that Loki is so desperate to get? Mysteries and questions arise as, once again, it's down to Arthur Quinn and his friends to save the world. But what they don't know is that this time, Loki has help...

In their first adventure, Vimp the Viking's Epic Voyage, rebels Vimp, Freya, and friends flee their homeland to save the life of Emma, a Saxon slave girl. In this sequel, Freya's companions don't know that she's been transformed into a gull and escorted by eagles to Asgard, home of the Nordic Gods. There, the Gods put her on trial for misusing her God-like powers when saving her friends at sea. In Freya's absence, the teenage immigrants settle down to life in England with the Saxons and apply their boat-building skills. Young poet, Lief, is attracted to nearby Lindisfarne Abbey on the Northumbrian coast. When the monks are slaughtered in a Viking raid, Lief strives to cling to the illuminated historical treasure, the Lindisfarne Gospels. Meanwhile, in exotic Asgard, the God's commute Freya's death sentence, and she is returned to Earth to be keeper of the expelled Fenris-Wolf, an animal with the strength of six wolves. Learning of Freya's fate, the young Vikings set sail to her rescue. Aided by Agnar, chief of the forest wolves, the friends face the biggest battle of their young lives as they confront not only the wolf monster, but his father, Loki, who seeks revenge.

The Vikings are laying siege to Paris. They want the Count’s sister, in return they will spare the rest of the city. As houses on the banks of the Seine burn, a debate rages in the Cathedral on the walled island of the city proper. Can the Count really have ambitions to be Emperor of the Franks if he doesn’t do everything he can to save his people? Can he call himself a man if he doesn’t do everything he can to save his sister? His conscience demands one thing, the state demands another. The Count and the church are relying on the living saint, the blind and crippled Jehan of St. Germain, to enlist the aid of God and resolve the situation for them. But the Vikings have their own gods, and outside their camp, a terrifying brother and sister, priests of Odin, have their own agenda--an agenda of darkness and madness. And in the shadows a wolfman lurks. M. D. Lachlan’s stunning epic of mad Gods, Vikings, and the myth of Fenrir, the wolf destined to kill Odin at Ragnarok, is a compelling mix of bloody horror, unlikely heroism, dangerous religion, and breathtaking action. From the Trade Paperback edition.

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