Gwen Hill has lived on Green Valley Avenue all her adult life. Here she brought her babies home, nurtured her garden and shared life's ups and downs with her best friend and neighbour, Babs. So when Babs dies and the house next door is sold, Gwen wonders how the new family will fit settle into this cosy community. Francesca Desmarchelliers has high hopes for the house on Green Valley Avenue. It's a clean slate for Frankie, who has moved her brood from Sydney's inner city to the leafy north shore street in a bid to save her marriage and keep her rambunctious family together. To maintain her privacy and corral her wandering children, Frankie proposes a fence between their properties, destroying Gwen's lovingly cultivated front garden. Soon the neighbours are in an escalating battle that becomes about more than just council approvals, and boundaries aren't the only things at stake.

A gritty and riveting, true-life tale of violence, race, and injustice within the ranks of the Boston police department. -- Provided by publisher.

This book is based on the experiences of a dealer in stolen goods (alias 'Sam Goodman'), whose history serves as a model for understanding the role that fences play in today's society. Steffensmeier provides a detailed analysis of how a fence develops relationships with thieves, customers, and other fences, how prices are set and negotiated, the profits derived, and the skills required for the job, and the meaning and rewards of fencing. Steffensmeier relates the potential consequences: the events surrounding Sam's eventual arrest and conviction for receiving stolen property. Sociologists, criminologists, law enforcement officers, and public policy makers will find this an book enlightening and engaging portrayal of the criminal career.

Ten years after their home was almost torn apart by infidelity, Mona and Shawn Black are just getting back to normal . . . or so it seems. Both Shawn and Mona are still keeping secrets from each other and their immediate family. Back to his old tricks, James Parks exits prison older but not wiser, and his bitter rage seeks revenge. He again manipulates the lives of the Black family with knowledge of secrets that they hold locked away. He uses any and everyone in his path to get his payback; that is, until he stumbles onto someone who offers him something he vowed to do away with forever: love. Will Mona and Shawn learn that it is best not to keep secrets and just let the chips fall where they may? Will James bury the hatchet to try his hand at love once again? Is there still hope for these wayward souls, or will they be swallowed up by their lies and secrets once again? Secrets, lies, deception, murder, lust, and revenge rule the pages of this sophisticated drama. Let's see what happens when the gates of their lives swing wide open once again.

From legendary playwright August Wilson comes the powerful, stunning dramatic bestseller that won him critical acclaim, including the Tony Award for Best Play and the Pulitzer Prize. Troy Maxson is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less. This is a modern classic, a book that deals with the impossibly difficult themes of race in America, set during the Civil Rights Movement of the 1950s and 60s. Now an Academy Award-winning film directed by and starring Denzel Washington, along with Academy Award and Golden Globe winner Viola Davis.

The debut novella from one of contemporary fiction's most exciting young voices, now in a new edition. Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of name or situation or orientation--he may have killed a man. That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection. They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.

Missives, posts, poems, essays, and a novel from the still-beating Anthropocene heart of digital nativity. Winner of the Fence Modern Prize in Prose