This book tells the story of new Yugoslav feminism in the 1970s and 1980s, reassessing the effects of state socialism on women’s emancipation through the lens of the feminist critique. This volume explores the history of the ideas defining a social movement, analysing the major debates and arguments this milieu engaged in from the perspective of the history of political thought, intellectual history and cultural history. Twenty-five years after the end of the Cold War, societies in and scholars of East Central Europe still struggle to sort out the effects of state socialism on gender relations in the region. What could tell us more about the subject than the ideas set out by the only organised and explicitly feminist opposition in the region, who, as academics, artists, writers and activists, criticised the regime and demanded change?

“I am Jugoslovenka” argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia’s unique history of patriarchy and women’s emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia’s anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redžepova. “I am Jugoslovenka” tells a unique story of women’s resistance through the intersection of feminism, socialism and nationalism in East European visual culture.

The first book in English to discuss the politics of gender relations in both socialist Yugoslavia and its post-socialist successor states.

Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works.

This book focuses on the mass participation of women in the communist-led Yugoslav Partisan resistance during World War II.

Women from the state socialist countries in Eastern Europe—what used to be called the Second World—once dominated women’s activism at the United Nations, but their contributions have been largely forgotten or deemed insignificant in comparison with those of Western feminists. In Second World, Second Sex Kristen Ghodsee rescues some of this lost history by tracing the activism of Eastern European and African women during the 1975 United Nations International Year of Women and the subsequent Decade for Women (1976-1985). Focusing on case studies of state socialist Bulgaria and nonaligned but socialist-leaning Zambia, Ghodsee examines the feminist networks that developed between the Second and Third Worlds and shows how alliances between socialist women challenged American women’s leadership of the global women’s movement. Drawing on interviews and archival research across three continents, Ghodsee argues that international ideological competition between capitalism and socialism profoundly shaped the world women inhabit today.