Introduction : Faust, Christoph Rosshirt, and his manuscript -- Facsimile edition -- Annotated German transcription with English translation -- Faust illustrated from Rosshirt to Delacroix -- Faust's identity and the significance of Rosshirt's tales about him.

An original and deeply researched account of travel and festivity in early modern Europe that casts new light, from new angles, on major developments in sixteenth- and seventeenth-century theatre and drama.

New essays revealing the enduring significance of the story made famous in the 1587 Faustbuch and providing insights into the forces that gave the sixteenth century its distinct character. The Reformation and Renaissance, though segregated into distinct disciplines today, interacted and clashed intimately in Faust, the great figure that attained European prominence in the anonymous 1587 Historia von D. Johann Fausten. The original Faust behind Goethe's great drama embodies a remote culture. In his century, Faust evolved from an obscure cipher to a universal symbol. The age explored here as "the Faustian century" invested the Faustbuch and its theme with a symbolic significance still of exceptional relevance today. The new essays in this volume complement one another, providing insights into the tensions and forces that gave the century its distinctcharacter. Several essays seek Faust's prototypes. Others elaborate the symbolic function of his figure and discern the resonance of his tale in conflicting allegiances. This volume focuses on the intersection of historical accounts and literary imaginings, on shared aspects of the work and its times, on concerns with obedience and transgression, obsessions with the devil and curiosity about magic, and quandaries created by shifting religious and worldlyauthorities. Contributors: Marguerite de Huszar Allen, Kresten Thue Andersen, Frank Baron, Günther Bonheim, Albrecht Classen, Urs Leo Gantenbein, Karl S. Guthke, Michael Keefer, Paul Ernst Meyer, J. M. van der Laan, Helen Watanabe-O'Kelly, Andrew Weeks. J. M. van der Laan is Professor of German and Andrew Weeks is Professor of German and Comparative Literature, both at Illinois State University.

Explores the influence of the Faust legend on drama and film from the sixteenth century to the contemporary era.

Goethe's Faust Parts I and II (1808, 1832) is one of the most important texts in German, and World Literature - this monograph offers a new, original analysis of the text and its significance today

First Published in 1966. In experience of many years in conducting a course in Goethe's Faust, trying to present to students of varied types and training the background out of which the drama grew, the compilers of this text have constantly felt the need of a collection of source material which would make that background more real and consequently more interesting. The content and form of the collection have been in part determined by its primary purpose of serving as an aid to students receiving their first serious introduction to Goethe's masterpiece and in part by the trend of Faust research. It is intended to be used as a supplement to the usual scholarly edition in the student's hands.