National Theatre, Edmund Plohn, manager, The Theatre Guild presents Ina Claire in George Kelly's new comedy "The Fatal Weakness," with Jane Seymour, Howard St. John, directed by the author, setting designed and lighted by Donald Oenslager, costumes supervised by Bianca Stroockm production under the supervision of Lawrence Langner and Theresa Helburn.

This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come.

Stan Malles and Jeff McQuain have written this brief, yet very important glossary in the spirit of E.D. Hirsch’s bestselling Cultural Literacy. Here is a dictionary of basic terms for literature, composition, and grammar that every American, no matter their age, needs to know. Perfect for home and classroom use, The Elements of English is simple to use, unintimidating to read and easy to understand. Each area of language arts is divided into its own section, and a comprehensive index is also included. Each entry is concise, yet explained very clearly. Examples are listed to illustrate meanings, as are reminders, hints, and tips that further define and elucidate the terms. The Elements of English has been used very successfully in classrooms across the country. This revised and expanded edition includes new entries plus three additional appendices. This is a little book that fills a big need, and it deserves a wide distribution and readership.

Eminent historian Robert D. Schulzinger combines the newly available documentary evidence, both in public and private archives, to produce an ambitious, masterful account of three decades of war in Vietnam.

The third installment of the best-selling series of attack books - Formation Attacks, Formation Attack Strategies, and now, Positional Attacks is another 500 page book, full of great attack information with 532 fabulous attack games from all openings and all eras. The aim of Positional Attacks is to uncover the artistic side of attacking, one that is primarily centered on the creation and exploitation of weaknesses. Oh sure, there will be tactics; after all they cannot be avoided in chess - nor would we want to exclude them. But there is nothing quite like witnessing chess masters dissect their opponents with smooth, elegant, aggressive, positional attacking maneuvers. And, once again, the games provided in the book came from an in-depth global search for unique, inspirational, and original attacks from some of the world's greatest attackers. Many of them toil in remote areas of the planet and have only a local following.

Using recently released archival materials from the United States and Europe, Replacing France: The Origins of American Intervention in Vietnam explains how and why the United States came to assume control as the dominant western power in Vietnam during the 1950s. Acting on their conviction that American methods had a better chance of building a stable, noncommunist South Vietnamese nation, Eisenhower administration officials systematically ejected French military, economic, political, bureaucratic, and cultural institutions from Vietnam. Kathryn C. Statler examines diplomatic maneuvers in Paris, Washington, London, and Saigon to detail how Western alliance members sought to transform South Vietnam into a modern, westernized, and democratic ally but ultimately failed to counter the Communist threat. Abetted by South Vietnamese prime minister Ngo Dinh Diem, Americans in Washington, D.C., and Saigon undermined their French counterparts at every turn, resulting in the disappearance of a French presence by the time Kennedy assumed office. Although the United States ultimately replaced France in South Vietnam, efforts to build South Vietnam into a nation failed. Instead, it became a dependent client state that was unable to withstand increasing Communist aggression from the North. Replacing France is a fundamental reassessment of the origins of U.S. involvement in Vietnam that explains how Franco-American conflict led the United States to pursue a unilateral and ultimately imperialist policy in Vietnam.