Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.

Masters of Science Fiction and Fantasy Art profiles and celebrates the work of today’s leading practitioners of art of the fantastic, as well as a handful of gifted newcomers from around the globe. The range and impact of their work is both inspiring and far-reaching. These 28 masters have created images for television, movies, gaming, museum exhibits, theme park rides, and every area of publishing.Some of the artists featured only employ traditional painting techniques, while others use only digital methods, and many more blend the mediums to create their fantastical images. Each artist discusses his/her influences and techniques as well as offering tips to beginning artists. Science Fiction Grandmaster and Hugo Award–winning author Joe Haldeman contributes a foreword. Artists, science fiction fans, and art collectors will appreciate the outstanding artwork featured here. Featured artists include: —Brom —Jim Burns —Kinuko Y. Craft —Dan Dos Santos —Bob Eggleton —Donato Giancola —Rebecca Guay —James Gurney —Gregory Manchess —Stephan Martiniere —Terese Nielsen —John Picacio —Greg Spalenka —Shaun Tan —Charles Vess

Teaching fantasy writing increases student engagement, enables them to flex their creative muscles – and helps them learn important narrative writing skills. Opportunities for kids to lean into their innate creativity and imagination have been squeezed out of most school days, due to the pressures of standardized testing. And writing instruction has become more and more formulaic. In Teaching Fantasy Writing, Carl Anderson shows you how to include a study of fantasy writing in your writing curriculum that will engage student interest and creativity -- and make writing exciting for them again. Teaching Fantasy Writing is a game-changer. The fantasy genre gives children tools for expression that other genres don’t, providing them with a powerful way to work through challenging issues and emotions. And it also offers students the opportunity to address subjects such as gaining confidence in oneself, bullying, fighting injustice – and more. Plus, fantasy writing helps kids learn the skills necessary to meet narrative writing standards. And they’ll have fun doing it! If you’re an elementary school teacher who wants to help your students develop their writing skills by studying a high-interest, high-impact genre, you’ve come to the right place. In Teaching Fantasy Writing, Carl Anderson will: Discuss why fantasy writing develops students’ creativity, increases their engagement in writing, and accelerates their growth as writers Walk you through fantasy units for students in grades K-1, 2-3, and 4-6, which include detailed lessons you can teach to help students write beautiful and powerful fantasy stories Suggest mentor texts that will show students how to craft their fantasy stories. Show you examples of students’ fantasy writing, including the "worldbuilding" work they do before writing drafts Explain how you can modify the units and lessons to fit the needs of the students in your classroom By teaching fantasy writing, you can reignite the spark of creativity in your students and increase their joy in writing. Imagine the possibilities!

Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.

This book is perfect for any young person interested in drawing all types of fantasy heroes and villains. Following the step-by-step instructions, artists of all skill levels can tackle even the most advanced drawing projects to make graphic-novel-worthy characters. Insider tips help readers along the way and are like having an art instructor right there with them. With dark epic fantasies such as Game of Thrones all the rage, this book will be a surefire hit with legions of fans.

In The Apex Book of World SF 2, editor Lavie Tidhar collects short stories by science fiction and fantasy authors from Africa and Latin America. An expedition to an alien planet; Lenin rising from the dead; a superhero so secret he does not exist. In The Apex Book of World SF 2, World Fantasy Award nominated editor Lavie Tidhar brings together a unique collection of stories from around the world. Quiet horror from Cuba and Australia; surrealist fantasy from Russia and epic fantasy from Poland; near-future tales from Mexico and Finland, as well as cyberpunk from South Africa. In this anthology one gets a glimpse of the complex and fascinating world of genre fiction—from all over our world. Featuring work from noted international authors such as Will Elliot, Hannu Rajaniemi, Shweta Narayan, Lauren Beukes, Ekaterina Sedia, Nnedi Okorafor, and Andrzej Sapkowski. Don't miss the first volume of great international fiction in volume one of The Apex Book of World SFedited by Lavie Tidhar. Table of Contents: “Alternate Girl’s Expatriate Life” by Rochita Loenen-Ruiz (Read for free at Apex Magazine!) “Mr Goop” by Ivor W. Hartmann “Trees of Bone” by Daliso Chaponda (Read for free atApex Magazine!) “The First Peruvian in Space” by Daniel Salvo (translated by Jose B. Adolph) “Eyes in the Vastness of Forever” by Gustavo Bondoni “The Tomb” by Chen Qiufan (translated by the author) “The Sound of Breaking Glass” by Joyce Chng “A Single Year” by Csilla Kleinheincz (translated by the author) “The Secret Origin of Spin-Man” by Andrew Drilon “Borrowed Time” by Anabel Enríquez Piñeiro (translated by Daniel W. Koon) “Branded” by Lauren Beukes “December 8th” by Raúl Flores (translated by Daniel W. Koon) “Hungry Man” by Will Elliott “Nira and I” by Shweta Narayan “Nothing Happened in 1999” by Fábio Fernandes “Shadow” by Tade Thompson “Shibuya no Love” by Hannu Rajaniemi “Maquech” by Silvia Moreno-Garcia “The Glory of the World” by Sergey Gerasimov “The New Neighbours” by Tim Jones “From the Lost Diary of TreeFrog7” by Nnedi Okorafor "The Slows” by Gail Hareven (translated by Yaacov Jeffrey Green) “Zombie Lenin” by Ekaterina Sedia “Electric Sonalika” by Samit Basu “The Malady” by Andrzej Sapkowski (translated by Wiesiek Powaga) “A Life Made Possible Behind The Barricades” by Jacques Barcia

A beautiful celebration of the life and imagery of Japan's master of fantasy and science fiction art! This handsome, landscape-style hardback contains nearly 400 illustrations and photos from the incredible career of Final Fantasy designer Yoshitaka Amano. But Beyond the Fantasy covers far more than just the famous game series. Amano's artistic journey goes back to his first job in 1967--age 15, working on Speed Racer! From animator, to illustrator, to internationally exhibited painter, this biography is a look not only into the work of Amano's life, but the influences, techniques, philosophy, and family that have nurtured it.