The family saga is made up of an accumulation of separate family legends. These are the stories of the old folks and the old times that are told among the family when they gather for funerals or Thanksgiving dinner. These are the "remember-when" stories the family tells about the time when the grownups were children.

Representative of a unique literary genre and composed in the 13th and 14th centuries, the Icelandic Family Sagas rank among some of the world's greatest literature. Here, Heather O'Donoghue skilfully examines the notions of time and the singular textual voice of the Sagas, offering a fresh perspective on the foundational texts of Old Norse and medieval Icelandic heritage. With a conspicuous absence of giants, dragons, and fairy tale magic, these sagas reflect a real-world society in transition, grappling with major new challenges of identity and development. As this book reveals, the stance of the narrator and the role of time – from the representation of external time passing to the audience's experience of moving through a narrative – are crucial to these stories. As such, Narrative in the Icelandic Family Saga draws on modern narratological theory to explore the ways in which saga authors maintain the urgency and complexity of their material, handle the narrative and chronological line, and offer perceptive insights into saga society. In doing so, O'Donoghue presents a new poetics of family sagas and redefines the literary rhetoric of saga narratives.

Configuring Memory in Czech Family Sagas: The Art of Forgetting in Generic Tradition explores how literature may configure family memory. Family sagas can be viewed as a structure helping us to share our memories. Special attention will be paid to crucial generic motifs within family sagas, as well as to elements of the narrative structure, which hold powerful memory-forming potential. The book proves that this potential can be fulfilled in two ways. The genre under analysis tends to strengthen the “bad family memory” and consider it as a burden, and to encourage one to forget their family past. Despite the prevalence of the saga as a cultural form right across mass media, the literary genre of the family saga has not attracted intensive critical acclaim. Readers of this book will not only learn more about the genre of family saga but also be encouraged to reflect on their own family memories.

Four years. How much can a person change, in four years? How much does the world change, in four years? The series concludes in 1980. Search terms: witches, wizards, family of witches, New Orleans, Louisiana, Southern Gothic, complex characters, wealthy families, sorcery, magic, paranormal romance, romance, love triangle, forbidden love, first love, Norway, lore, fate, plantation, playboy, bestseller, bestselling, USA Today bestseller, historical, the seventies

In the introduction to this volume, George Coats discusses narrative in general and the principal Old Testament narratives in particular. He then sets the book of Genesis in its larger Old Testament context, analyzing its major sections and subsections, and uses the succeeding chapters to treat each of the major sections individually.

The unputdownable multi-million copy bestseller charting the rags to riches story of Emma Harte