The mighty ships of the Third Time Fleet relentlessly patrolled the Chronotic Empire's thousand-year frontier, blotting out an error of history here or there before swooping back to challenge other time-travelling civilisations far into the future. Captain Mond Aton had been proud to serve in such a fleet. But now, falsely convicted of cowardice and dereliction of duty, he had been given the cruellest of sentences: to be sent unprotected into time as a lone messenger between the cruising timeships. After such an inconceivable experience in the endless voids there was only one option left to him. To be allowed to die.

The alien ruins that dotted Earth's landscape were an enigma. Archaeologist Rond Heshke dismissed as a ridiculous hoax the photographic evidence which suggested that the ruins disobeyed the laws of time. The Titanium Legions believed that the ruins had been left behind by an invading force from space, which had been repelled in a past age and whose imminent return was feared. It was not until the Titanium scientists perfected their time machines that the truth began to emerge piece by piece: that the builders of the ruins belonged not to the stars but to Earth's own future, and that the dreaded confrontation was indeed shortly due - not with aliens, but in a form more horrifying, more calamitous, than anything imaginable... For Earth was to be the victim of an extraordinary cosmic accident. Time itself was about to collide! Mankind's leaders became even more fanatical, pressing on with new plans, determined at all costs to survive...

In Coincidence and Counterfactuality, a groundbreaking analysis of plot, Hilary P. Dannenberg sets out to answer the perennial question of how to tell a good story. While plot is among the most integral aspects of storytelling, it is perhaps the least studied aspect of narrative. Using plot theory to chart the development of narrative fiction from the Renaissance to the present, Dannenberg demonstrates how the novel has evolved over time and how writers have developed increasingly complex narrative strategies that tap into key cognitive parameters familiar to the reader from real-life experience. ø Dannenberg proposes a new, multidimensional theory for analyzing time and space in narrative fiction, then uses this theory to trace the historical evolution of narrative fiction by focusing on coincidence and counterfactuality. These two key plot strategiesøare constructed around pivotal moments when characters? life trajectories, or sometimes the paths of history, converge or diverge. The study?s rich historical and textual scope reveals how narrative traditions and genres such as romance and realism or science fiction and historiographic metafiction, rather than being separated by clear boundaries are in fact in a continual process of interaction and cross-fertilization. In highlighting critical stages in the historical development of narrative fiction, the study produces new readings of works by pinpointing the innovative role played by particular authors in this evolutionary process. Dannenberg?s original investigation of plot patterns is interdisciplinary, incorporating research from narrative theory, cognitive approaches to literature, social psychology, possible worlds theory, and feminist approaches to narrative.

This new collection of essays, commissioned from a range of scholars across the world, takes as its theme the reception of Rome's greatest poet in a time of profound cultural change. Amid the rise of Christianity, the changing status of the city of Rome, and the emergence of new governing classes, Vergil remained a bedrock of Roman education and identity. This volume considers the different ways in which Vergil was read, understood and appropriated; by poets, commentators, Church fathers, orators and historians. The introduction outlines the cultural and historical contexts. Twelve chapters dedicated to individual writers or genres, and the contributors make use of a wide range of approaches from contemporary reception theory. An epilogue concludes the volume.

Quite possibly the GREATEST science-fiction collection of ALL TIME—past, present, and FUTURE! • "Nearly 1,200 pages of stories by the genre’s luminaries, like H. G. Wells, Arthur C. Clarke and Ursula K. Le Guin, as well as lesser-known authors." —The New York Times Book Review What if life was never-ending? What if you could change your body to adapt to an alien ecology? What if the Pope was a robot? Spanning galaxies and millennia, this must-have anthology showcases classic contributions from H.G. Wells, Arthur C. Clarke, Octavia Butler, and Kurt Vonnegut alongside a century of the eccentrics, rebels, and visionaries who have inspired generations of readers. Within its pages, find beloved worlds of space opera, hard SF, cyberpunk, the new wave, and more. Learn the secret history of science fiction, from literary icons who wrote SF to authors from over 25 countries, some never before translated into English. In THE BIG BOOK OF SCIENCE FICTION, literary power couple Ann and Jeff VanderMeer transport readers from Mars to Mechanopolis, planet Earth to parts unknown. Read the genre that predicted electric cars, travel to the moon, and the modern smart phone. We’ve got the worlds if you’ve got the time. Including: · Legendary tales from Isaac Asimov and Ursula LeGuin! · An unearthed sci-fi story from W.E.B. DuBois! · The first publication of the work of cybernetic visionary David R. Bunch in 20 years! · A rare and brilliant novella by Chinese international sensation Liu Cixin! Plus: · Aliens! · Space battles! · Robots! · Technology gone wrong! · Technology gone right!

Although largely, and unjustly, neglected by a modern audience, Bayley was a hugely influential figure to some of the greats of British SF, such as Michael Moorcock and M. John Harrison. He is perhaps best-known for THE FALL OF CHRONOPOLIS, which is collected in this omnibus, alongside THE SOUL OF THE ROBOT and the extraordinary story collection THE KNIGHTS OF THE LIMITS. THE FALL OF CHRONOPOLIS: The mighty ships of the Third Time Fleet relentlessly patrolled the Chronotic Empire's 1,000-year frontier, blotting out an error of history here or there before swooping back to challenge other time-travelling civilisations far into the future. Captain Mond Aton had been proud to serve in such a fleet. But now, falsely convicted of cowardice and dereliction of duty, he has been given the cruellest of sentences: to be sent unprotected into time as a lone messenger between the cruising timeships. After such an inconceivable experience in the endless voids there is only one option left to him. To be allowed to die. THE SOUL OF THE ROBOT: Jasperodus, a robot, sets out to prove he is the equal of any human being. His furturistic adventures as warrior, tyrant, renegade and statesman eventually lead him back home to the two human beings who created him. Question: Does he have a soul? THE KNIGHTS OF THE LIMITS: Nine brilliant stories of infinite space and alien consciousness, suffused with a sense of wonder...

Indexes, covers and tables of contents of Paperback Inferno (issues 43-97, 1983-1992), the paperback reviews journal of the British Science Fiction Association (BSFA). As well as complete tables of contents of all these issues, this book includes indexes to every book and magazine reviewed, every cover artist, and every letter writer, along with summary statistics of the issues.