An autobiographical journey through America in the turbulent 1960s—the essential backstory to Ginsberg’s National Book Award–winning volume of poetry Published in 1974, The Fall of America was Allen Ginsberg’s magnum opus, a poetic account of his experiences in a nation in turmoil. What his National Book Award–winning volume documented he had also recorded, playing a reel-to-reel tape machine given to him by Bob Dylan as he traveled the nation’s byways and visited its cities, finding himself again and again in the midst of history in the making—or unmaking. Through a wealth of autopoesy (transcriptions of these recorded poems) published here for the first time in the poet’s journals of this period, Ginsberg can be overheard collecting the observations, events, reflections and conversations that would become his most extraordinary work as he witnessed America at a time of historic upheaval and gave voice to the troubled soul at its crossroads. The Fall of America Journals, 1965–1971 contains some of Ginsberg’s finest spontaneous writing, accomplished as he pondered the best and worst his country had to offer. He speaks of his anger over the war in Vietnam, the continuing oppression of dissidents, intractable struggles, and experiments with drugs and sexuality. He mourns the deaths of his friends Neal Cassady and Jack Kerouac, parses the intricacies of the presidential politics of 1968, and grapples with personal and professional challenges in his daily life. An essential backstory to his monumental work, the journals from these years also reveal drafts of some of his most highly regarded poems, including “Wichita Vortex Sutra,” “Wales Visitation,” “On Neal’s Ashes,” and “Memory Gardens,” as well as poetry published here for the first time and his notes on many of his vivid and detailed dreams. Transcribed, edited, and annotated by Michael Schumacher, a writer closely associated with Ginsberg’s life and work, these journals are nothing less than a first draft of the poet’s journey to the heart of twentieth-century America.

An autobiographical journey through America in the turbulent 1960s--the essential backstory to Ginsberg's National Book Award-winning volume of poetry Published in 1974, The Fall of America was Allen Ginsberg's magnum opus, a poetic account of his experiences in a nation in turmoil. What his National Book Award-winning volume documented he had also recorded, playing a reel-to-reel tape machine given to him by Bob Dylan as he traveled the nation's byways and visited its cities, finding himself again and again in the midst of history in the making--or unmaking. Through a wealth of autopoesy (transcriptions of these recorded poems) published here for the first time in the poet's journals of this period, Ginsberg can be overheard collecting the observations, events, reflections and conversations that would become his most extraordinary work as he witnessed America at a time of historic upheaval and gave voice to the troubled soul at its crossroads. The Fall of America Journals, 1965-1971 contains some of Ginsberg's finest spontaneous writing, accomplished as he pondered the best and worst his country had to offer. He speaks of his anger over the war in Vietnam, the continuing oppression of dissidents, intractable struggles, and experiments with drugs and sexuality. He mourns the deaths of his friends Neal Cassady and Jack Kerouac, parses the intricacies of the presidential politics of 1968, and grapples with personal and professional challenges in his daily life. An essential backstory to his monumental work, the journals from these years also reveal drafts of some of his most highly regarded poems, including "Wichita Vortex Sutra," "Wales Visitation," "On Neal's Ashes," and "Memory Gardens," as well as poetry published here for the first time and his notes on many of his vivid and detailed dreams. Transcribed, edited, and annotated by Michael Schumacher, a writer closely associated with Ginsberg's life and work, these journals are nothing less than a first draft of the poet's journey to the heart of twentieth-century America.

An overview of the Vietnam War, with an emphasis on its military campaigns and political issues.

NATIONAL BESTSELLER • From the Pulitzer Prize-winning and best-selling author: a captivating, brilliantly imaginative story of three extraordinary animals—and a young boy—whose lives intersect in Paris in this "feel-good escape” (The New York Times). Paras, short for "Perestroika," is a spirited racehorse at a racetrack west of Paris. One afternoon at dusk, she finds the door of her stall open and—she's a curious filly—wanders all the way to the City of Light. She's dazzled and often mystified by the sights, sounds, and smells around her, but she isn't afraid. Soon she meets an elegant dog, a German shorthaired pointer named Frida, who knows how to get by without attracting the attention of suspicious Parisians. Paras and Frida coexist for a time in the city's lush green spaces, nourished by Frida's strategic trips to the vegetable market. They keep company with two irrepressible ducks and an opinionated raven. But then Paras meets a human boy, Etienne, and discovers a new, otherworldly part of Paris: the ivy-walled house where the boy and his nearly-one-hundred-year-old great-grandmother live in seclusion. As the cold weather nears, the unlikeliest of friendships bloom. But how long can a runaway horse stay undiscovered in Paris? How long can a boy keep her hidden and all to himself? Jane Smiley's beguiling new novel is itself an adventure that celebrates curiosity, ingenuity, and the desire of all creatures for true love and freedom.

Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Moving from Chicago to New York to Paris, and from founding member Steve McCall’s kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art.

With the sweep of an epic novel, Michael Schumacher tells the story of Allen Ginsberg and his times, with fascinating portraits of Jack Kerouac, Neal Cassady, and William Burroughs, among others, along with many rarely seen photographs.