Excerpt from The Fall Guy Curly did not propose to be the fall guy if he could help it. So he had waited for the annual wave of crime, as punctual as the winter solstice, to break on the shores of destitution and then recede, before going to the city. Then, when he did go back to town, he had had a quarrel with Jane the very first thing, and she had quit him. Thus, that afternoon Curly was in a state of mind that had its dangers for him - and for others. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Fear (Classic Reprint) and FEAR by Angelo Mosso are insightful explorations into the psychology of fear. Utilizing both anecdotal evidence and scientific analysis, Mosso provides an in-depth look at this powerful emotion. Whether you're a psychology student, a professional, or simply a curious reader, Mosso's works offer valuable insights into human emotion and behavior. Don't miss the opportunity to explore the intricate workings of the human mind with Fear (Classic Reprint) and FEAR. Order your copies today!

In this taut psychological thriller, a couple and their houseguest find themselves caught in a deadly web of secrets, obsession, and revenge. It is summer, 2012. Charlie, a wealthy banker with an uneasy conscience, invites his troubled cousin Matthew to visit him and his wife in their idyllic mountaintop house. As the days grow hotter, the friendship between the three begins to reveal its fault lines, and with the arrival of a fourth character, the household finds itself suddenly in the grip of uncontrollable passions. As readers of James Lasdun’s acclaimed fiction can expect, The Fall Guy is a complex moral tale as well as a gripping suspense story, probing questions of guilt and betrayal with ruthless incisiveness. Who is the real victim here? Who is the perpetrator? And who, ultimately, is the fall guy? Darkly vivid, with an atmosphere of erotic danger, The Fall Guy is Lasdun’s most entertaining novel yet.

Life as John Waynes stuntman. Chuck Roberson fell off horses for thirty years, doubling for some of the biggest names in moves - John Wayne, Gregory Peck, Gable, Mitchum, and Heston. He and his great horse Cocaine devised a running horse fall that was safe but a spectacular improvement on the cantering lie down horse fall used before, and together they galloped their way into the Stuntman's Hall of Fame. When Cocaine finally quit after 27 years before the cameras, Roberson say his "heart wasn't in it any more." Now retired, he recalls the highlights of his career in this humorous book.

Excerpt from The Works of Lucian, Vol. 1 But furely, my friend, general fatire, and true humour (and thefe you are kind enough to grant me), fiand as fair a chance of general approbation as any other fpecies of au thorial merit can entitle us to. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Long before there was the Super Bowl, the NBA Championship, the Final Four, or the World Cup, there was the World Series. In the beginning, men in derbies sat in the outfield and marveled at Mathewson and McGraw. Today, fans congregate in sports bars, staring at screens big enough to see which players have shaved that day. For a century, the World Series has captured the nation’s imagination. The drama has included Willie Mays’s catch, of course, and Reggie Jackson’s home runs, and the gratifying day when Walter Johnson finally won. But the plot lines have also featured the audacious fixing of the 1919 Series and the unlikely heroics of various journeymen never much heard of before the span of a few brilliant autumn days, and never much heard of since. There has been one perfect game. There have been any number of perfectly inexplicable managerial decisions, not all of them made by managers of the Red Sox. There has been drama, comedy, and pathos. Fall Classics is a collection of the best writing about the World Series in its first hundred years. Certainly it is a kind of history of the event. It is also a catalog of the work of some of the most accomplished and entertaining writers of the past century, since the World Series has drawn to itself not only our best sports scribblers, but many writers who wouldn’t have dreamed of writing about the Stanley Cup Playoffs, the Final Four, or even the Super Bowl. Here you’ll find Jimmy Breslin telling Damon Runyon’s fantastic story of how he got the scoop on where Grover Cleveland Alexander spent the first innings of a seventh game he eventually won. (Hint: It wasn’t the bullpen.) Satchel Paige recalls his experience of finally getting to pitch in the Series in 1948. Red Smith writes about Willie Mays’s last hurrah with the Mets in 1973 against the A’s. And Peter Gammons and Roger Angell give their takes on the two most famous game sixes of all, Gammons on 1975 and Angell on 1986. The games and the memories go on. For every fan whose heart yearns for a bleacher seat, a ballpark frank, and a slice of October Americana, Fall Classics is a treasure.

Excerpt from The Poem of the Fall of Man The earlier chapters of Genesis contain a series of brief, simple and charming stories of the origin and early history of mankind, that bear the traces of great antiquity. They were doubtless handed down for many generations as unwritten tradition, ere they were committed to writing by the sacred writers. They passed through a series of editions, until, at last, they were compacted in that unique collection of inspired Scripture which we call the book of Genesis. The literary beauties of these stories have been recognized since Herder, by those who have studied the Scriptures with their aesthetic taste. Poetic features have been noticed by a number of scholars, but, so far as we know, no one has previously observed that they are a series of real poems. It was the good fortune of the author to make this discovery. Annual work upon these passages with his classes led him gradually towards it. He first noted a number of striking instances of parallelism of lines here and there, and thus detected snatches of poetry in several passages. These continued to enlarge, from year to year, until he was constrained to ask the question, how much real poetry there was in these ancient stories, and to apply the tests of poetic composition to the entire series. The first passage to disclose itself as poetry was the Elohistic narrative of the creation. This proved to be a poem of six strophes, with refrains. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."