FBI Forensic Artist and Laboratory Supervisor Gene O'Donnell traveled the world for 32 years to draw the faces of criminals waiting for him in the memories of their victims. Sometimes the only witnesses he had were the skeletal remains found along a lonesome highway. Spies, bank robbers, lost and missing kids, aspiring presidential assassins, rapists, anybody wanted by police, Gene drew. With few leads, these drawings were often the only thing that allowed investigators to track down suspects. This memoir takes the reader on fascinating journeys of true crimes. See how age-progressed images of two kidnapped children led Unsolved Mysteries to the Fontes boys, who, though missing for many years, were recognized and rescued, while their kidnappers were brought to justice. Experience the victory of helping to find the worst that mankind has to offer and the heartbreak over the ones that got away.

This book presents the first comprehensive analysis of the second International Self-Report Delinquency study (ISRD-2). An earlier volume, Juvenile Delinquency in Europe and Beyond (Springer, 2010) focused mainly on the findings with regard to delinquency, victimization and substance use in each of the individual participating ISRD-2 countries. The Many Faces of Youth Crime is based on analysis of the merged data set and has a number of unique features:  The analyses are based on an unusually large number of respondents (about 67,000 7th, 8th and 9th graders) collected by researchers from 31 countries;  It includes reports on the characteristics, experiences and behaviour of first and second generation migrant youth from a variety of cultures;  It is one of the first large-scale international studies asking 12-16 year olds about their victimization experiences (bullying, assault, robbery, theft);  It describes both intriguing differences between young people from different countries and country clusters in the nature and extent of delinquency, victimization and substance use, as well as remarkable cross-national uniformities in delinquency, victimization, and substance use patterns;  A careful comparative analysis of the social responses to offending and victimization adds to our limited knowledge on this important issue;  Detailed chapters on the family, school, neighbourhood, lifestyle and peers provide a rich comparative description of these institutions and their impact on delinquency;  It tests a number of theoretical perspectives (social control, self-control, social disorganization, routine activities/opportunity theory) on a large international sample from a variety of national contexts;  It combines a theoretical focus with a thoughtful consideration of the policy implications of the findings;  An extensive discussion of the ISRD methodology of ‘flexible standardization’ details the challenges of comparative research. The book consists of 12 chapters, which also may be read individually by those interested in particular special topics (for instance, the last chapter should be of special interest to policy makers). The material is presented in such a way that it is accessible to more advanced students, researchers and scholars in a variety of fields, such as criminology, sociology, deviance, social work, comparative methodology, youth studies, substance use studies, and victimology.

This riveting story details how the author became the world's most successful forensic artist, and shares the inspiring story of her passion for justice, interwoven with the thirteen most suspense-filled cases of her career. Reprint.

Murder and depravity are Police Commissioner Amédée Mallock's daily bread. As far as he is concerned, mankind has been thoroughly abandoned by God, and the visions that haunt him do nothing to disabuse him of this notion. But nothing he has encountered has prepared him for the sudden appearance of a serial killer dubbed "the Makeup Artist." The bodies of the killer's first victims, found in four separate neighborhoods of Paris, are monstrous works of art, baroque masterpieces of depravity, demented expressions of corrupted piety. These crimes are unprecedented in their ferocity and their intricacy, and the deeper Mallock investigates the greater the mysteries and the enigmas. There seems to be no tenable solution to this series of crimes behind which the devil himself seems to lurk. A supernatural and theological thriller, The Faces of God is superior fiction for fans of the TV series True Detective and of novels by writers such as Douglas Preston, Lincoln Child, and Dean Koontz.

Based on four years of research in over a dozen countries across the globe, journalist Skinner provides a shocking expos of the inner workings of the modern-day slave trade. Maps.

Faces of the Gone by Brad Parks won the Shamus Award for Best First Novel and the Nero Award for Best American Mystery--it is the first book to receive both awards. The book was named to lists of the year's best mystery debuts by the Chicago Sun-Times and South Florida Sun-Sentinel. Four bodies, each with a single bullet wound in the back of the head, stacked like cordwood in a weed-choked vacant lot: That's the front-page news facing Carter Ross, investigative reporter with the Newark Eagle-Examiner. Immediately dispatched to the scene, Carter learns that the four victims—an exotic dancer, a drug dealer, a hustler, and a mama's boy—came from different parts of the city and didn't seem to know one another. The police, eager to calm jittery residents, leak a theory that the murders are revenge for a bar stickup, and Carter's paper, hungry for a scoop, hastily prints it. Carter doesn't come from the streets, but he understands a thing or two about Newark's neighborhoods. And he knows there are no quick answers when dealing with a crime like this. Determined to uncover the true story, he enlists the aide of Tina Thompson, the paper's smoking-hot city editor, to run interference at the office; Tommy Hernandez, the paper's gay Cuban intern, to help him with legwork on the streets; and Tynesha Dales, a local stripper, to take him to Newark's underside. It turns out that the four victims have one connection after all, and this knowledge will put Carter on the path of one very ambitious killer.

A crime thriller set in modern-day Dublin.