When the Doctor and Sam arrive on Proxima II they find a settlement rife with superstition and unrest. The native Proximans are inexplicably dying out, and humans too are being killed in horrific ways, with each corpse's face being stripped bare. Posing as investigators from Earth, the Doctor and Sam must track down the force moving through the dark catacombs beneath Proxima City.

The world is no longer safe, no longer thriving. It has been inherited by the diseased. The red mist spread and humanity was infected. There was no stopping the curse once it started, and the world's population was reduced to mindless beasts... Creatures that hungered and raged for the taste of pure, uninfected flesh. Few of those remain. Ali is not one of them.

Perfect for fans of Margaret Atwood’s Oryx and Crake or Cormac McCarthy’s The Road, this riveting novel set in a postapocalyptic America brings us a chilling look at survival in the face of a catastrophic climate disaster and the collapse of civilization as we know it. The rain began nineteen years ago, and it never stopped: more than a foot of rain per day until almost the whole of North America was underwater. Those who survived the first year were forced to take drastic measures, and those who held to the veneer of civilization were few and very far between. Seventeen-year-old Tanner grew up after the rain began. She and her adoptive caretaker, Russell, have long sought a fabled Colorado refuge, a dream that has kept them going through years of brutal trials as they try to stay one step ahead of the “face eaters”—people addicted to a mysterious drug that drives them to murder and cannibalism. When the rain began, Rook Wallace was a meteorologist who joined a company called Yasper that, years after its emergency funding dried up, continues its stated mission to help survivors by maintaining a trade network among isolated island communities. But when Rook learns the insidious truth of what keeps the Yasper mission going, he is forced to risk everything that remains of his former life to try to stop it. As Tanner’s and Rook’s stories converge in time and geography, readers will be thrilled by this literary postapocalyptic tale for fans of Emily St. John Mandel’s Station Eleven and Josh Malerman’s Bird Box.

In Hotter Blood, sex and horror are coupled to an ecstatic effect. This is the second in the provocative anthology series that defined a genre and spanned a generation. Grant Morrison's Bram Stoker-nominated "The Braille Encyclopedia" spearheads a collection of 24 original stories, with additional contributions from horror stars like Richard Laymon and Nancy Collins, comic book talents Kurt Busiek and John Byrne, and superstar horror director Mick Garris. Explore the dark side of having your lover in "The Tub" with you, find out when "Confession" isn't good for the soul, and feed your hunger for erotic horror with this delectable collection... Cemetery Dance called Hotter Blood "outstanding," Gauntlet labeled it "aggressive and riveting, a virtual Who's Who of modern horror," and to 2AM Magazine, it's "Amazing...highly recommended."

Journalist Ryan Nerz spent a year penetrating the highest echelons of international competitive eating and Eat This Book is the fascinating and gut-bustingly hilarious account of his journey. Nerz gives us all the facts about the history of the IFOCE (Independent Federation of Competitive Eating)--from the story of a clever Nathan's promotion that began in 1916 on the corner of Surf and Stillwell in Coney Island to the intricacies of individual international competitions, the controversial Belt of Fat Theory and the corporate wars to control this exploding sport. He keeps the reader turning the pages as we are swept up in the lives of Sonya "The Black Widow" Thomas, "Cookie" Jarvis, "Hungry" Charles Hardy, and many other top gurgitators whose egos and secret agendas, hopes and dreams are revealed in dramatic detail. As Nerz goes on his own quest to become a top gurgitator, we become obsessed with him as he lies awake at night in physical pain from downing dozens of burgers and learning to chug gallons of water to expand his increasingly abused stomach. Sparing no one's appetite, Nerz reveals the training, game-day strategies and after-effects of competition in this delectably shocking banquet of gluttony and glory on the competitive eating circuit.

It's been nearly a century since Marcel Duchamp exhibited a urinal and called it art. Since then, painting has been declared dead several times over, and contemporary art has now expanded to include just about any object, action, or event: dance routines, slideshows, functional hair salons, seemingly random accretions of waste. In the meantime, being an artist has gone from a join-the-circus fantasy to a plausible vocation for scores of young people in America. But why--and how and by whom--does all this art get made? How is it evaluated? And for what, if anything, will today's artists be remembered? In The Contemporaries, Roger White, himself a young painter, serves as our spirited, skeptical guide through this diffuse creative world.From young artists trying to elbow their way in to those working hard at dropping out, White's essential book offers a once-in-a-generation glimpse of the inner workings of the American art world at a moment of unparalleled ambition, uncertainty, and creative exuberance.