Linklater opens with America's greatest surveyor, Andrew Ellicott, measuring the contentious boundary between Pennsylvania and Virginia in the summer of 1784; and he ends standing at the yellow line dividing the United States and Mexico at Tijuana. In between, he chronicles the evolving shape of the nation, physically and psychologically. As Americans pushed westward in the course of the nineteenth century, the borders and boundaries established by surveyors like Ellicott created property, uniting people in a desire for the government and laws that would protect it. Challenging Frederick Jackson Turner's famed frontier thesis, Linklater argues that we are , thus, defined not by open spaces but by boundaries. "What Americanized the immigrants was not the frontier experience" Linklater writes, "but the fact that it took place inside the United States frontier." Those same borders had the ability to divide as well as unite, as the great battle over internal boundaries during the Civil War would show. By century's end, however, we were spreading U.S. power beyond our borders, an act that, seen through Linklater's eyes, offers an intriguing perspective on our role in the world today. Linklater's great achievement is to weave these provocative arguments into a dramatic storyline, wherein the actions of Ellicott, Thomas Jefferson, the treasonous general James Wilkinson, Abraham Lincoln and Stephen Douglas, and numerous hitherto invisible settlers, all illuminate the shaping of the nation. This brilliant book will alter forever readers' perception of America and what it means to be an American.

A mother stitches a few lines of prayer into a bedcover for her son serving in the Union army during the Civil War. A formerly enslaved African American woman creates a quilt populated by Biblical figures alongside celestial events. A Diné women weaves a blanket for a U.S. Army soldier stationed in the Southwest. A quilted Lady Liberty, George Washington, and Abraham Lincoln mark the resignation of Richard Nixon. These are just a few of the diverse and sometimes hidden stories of the American experience told by quilts and bedcovers from the collection of the Museum of Fine Arts, Boston. Spanning more than four hundred years, the fifty-six works of textile art in this book express the personal narratives of their makers and owners and connect to broader stories of global trade, immigration, industry, marginalization, and territorial and cultural expansion. Made by Americans of European, African, Native, and Hispanic heritage, these engaging works of art range from family heirlooms to acts of political protest, each with its own story to tell.

In 1790, America was in enormous debt, having depleted what little money and supplies the country had during its victorious fight for independence. Before the nation's greatest asset, the land west of the Ohio River, could be sold it had to be measured out and mapped. And before that could be done, a uniform set of measurements had to be chosen for the new republic out of the morass of roughly 100,000 different units that were in use in daily life. Measuring America tells the fascinating story of how we ultimately gained the American Customary System—the last traditional system in the world—and how one man's surveying chain indelibly imprinted its dimensions on the land, on cities, and on our culture from coast to coast.

Bringing together methods and materials traditionally belonging to literary studies, book history, and material culture studies, The Fabric of Empire provides a new model for thinking about the different media, languages, literacies, and textualities in the early Atlantic world.

First published in 1984, this remains the definitive study of textiles as they were used in early American homes.

This story is written for all those who believe Americas best days still lie ahead. Follow the Walbert family as successive generations of Americans navigate through triumphs and challengesfrom the Great Depression through the modern-day global war on terror. As members of the World War II generation, John and Margaret Walbert used the advantages of life in a small Montana town to raise their children and prepare them for the future. Despite Johns best efforts, the relationship with his son Billy crumbled. To salvage the deteriorating father-son relationship, the familys minster, Father Alex, used Montanas great outdoors as a leverage point to reconnect father and son. Many of the things Billy learned with his dad and Father Alex served him well as he connected with his own son Luke during Americas fight against global terror. This is an uplifting story about how one family successfully passed Americas torch of freedom from one generation to the next. It illustrates how the American fabric is truly unique in its ability to continually regenerate.