A seminal work on one of the most neglected topics in psychoanalysis, that of affect. Originally published in French as Le Discours Vivant, it is considered a classic in the psychoanalytic world.

The Fabric of Affect in the Psychoanalytic Discourse is a seminal work on one of the most neglected topics in psychoanalysis, that of affect. Originally published in French as Le Discours Vivant, and by one of the most distinguished living analysts, the book is structured in three parts:Affect within psychoanalytic literatureClinical practice of psychoanalysis: structure and processTheoretical study: affect, language and discourse; negative hallucinationWritten in a clear, lucid style, connecting theory to both culture and clinica.

The Fabric of Affect in the Psychoanalytic Discourse is a seminal work on one of the most neglected topics in psychoanalysis, that of affect. Originally published in French as Le Discours Vivant, and by one of the most distinguished living analysts, the book is structured in three parts: Affect within psychoanalytic literature Clinical practice of psychoanalysis: structure and process Theoretical study: affect, language and discourse; negative hallucination Written in a clear, lucid style, connecting theory to both culture and clinical practice, this book will appeal to psychoanalysts and psychotherapists, and also to those involved in cultural studies.

Green deplores the absence of sexuality and the erotic from current psychoanalytic theory and practice. Instead, he demonstrates how human sexuality forms an ‘erotic chain’. The work of analysis, he argues, consists in following the dynamic movements of the erotic process, by ascertaining its links with other aspects of the psyche.

In Love and its Vicissitudes André Green and Gregorio Kohon draw on their extensive clinical experience to produce an insightful contribution to the psychoanalytic understanding of love. In Part I, 'To Love or Not to Love - Eros and Eris', André Green addresses some important questions: What is essential to love in life? What, in the psychoanalytic method, is related to it? Should we understand love by referring to its earliest and most primitive roots? Or should we take as our starting point the experience of the adult? He argues that while science has made no contribution to our understanding of love, art, literature and especially poetry are the best introduction to it. In Part II, Love in the Time of Madness, Gregorio Kohon provides a detailed clinical study of an individual suffering a psychotic breakdown. He describes how the exclusive as well as the intense lasting dependence to a primary carer create the conditions for a "normal madness" to develop. This is not only at the source of later psychotic states and the perversions but also at the origin of all forms of love, as demonstrated in its re-appearance in the situation of transference. Love and its Vicissitudes moves beyond conventional psychoanalytic discourse to provide a stimulating and revealing reflection on the place of love in psychoanalytic theory and practice.

Poetry has often been defined by its closure, its condensation of meaning and value into discrete, self-referential textual objects. Affect, Psychoanalysis and American Poetry challenges the dominant metaphor of poetic containers by turning to recent poetic texts that represent the contagious and uncontainable feelings of anxiety, grief, shame, and rage. From modernists Wallace Stevens to mid-century poets Randall Jarrell, Robert Creeley and Ted Berrigan, and finally to contemporary practitioners Aaron Kunin and Claudia Rankine, John Steen argues that new poetic techniques arise from the poetic productivity of negative affects, and that a new model of poetic value can be found in poems that are-instead of containers-permeable, social spaces of intimacy, attachment, and withdrawal. Drawing from object relations, psychoanalysis, queer theory, and affect theory, Affect, Psychoanalysis, and American Poetry finds poetry's singularity in its unique capacity to represent anew the transmissible, relational, and uncontainable valences of feeling that structure and destabilize social life.

The author, a leading figure in contemporary psychoanalytic theory, deplores the absence of sexuality and the erotic from current psychoanalytic theory and practice. Instead, he demonstrates how human sexuality forms an 'erotic chain'. The work of analysis, he argues, consists in following the dynamic movements of the erotic process, by ascertainin