FINALIST FOR THE NATIONAL BOOK AWARD FOR POETRY Winner of the Walt Whitman Award of the Academy of American Poets, selected by Juan Felipe Herrera For years now, I’ve been using the wrong palette. Each year with its itchy blue, as the bruise of solitude reaches its expiration date. Planes and buses, guesthouse to guesthouse. I’ve gotten to where I am by dint of my poor eyesight, my overreactive motion sickness. 9 p.m., Hanoi’s Old Quarter: duck porridge and plum wine. Voices outside the door come to a soft boil. —from “Phnom Penh Diptych: Dry Season” Jenny Xie’s award-winning debut, Eye Level, takes us far and near, to Phnom Penh, Corfu, Hanoi, New York, and elsewhere, as we travel closer and closer to the acutely felt solitude that centers this searching, moving collection. Animated by a restless inner questioning, these poems meditate on the forces that moor the self and set it in motion, from immigration to travel to estranging losses and departures. The sensual worlds here—colors, smells, tastes, and changing landscapes—bring to life questions about the self as seer and the self as seen. As Xie writes, “Me? I’m just here in my traveler’s clothes, trying on each passing town for size.” Her taut, elusive poems exult in a life simultaneously crowded and quiet, caught in between things and places, and never quite entirely at home. Xie is a poet of extraordinary perception—both to the tangible world and to “all that is untouchable as far as the eye can reach.”

Featuring contributions from widely published and practicing poets who are also experienced teachers and presenters of poetry, The Eye of the Poet: Six Views of the Art and Craft of Poetry provides students and other readers with invaluable practical advice. Ideal for courses in poetry writing and creative writing, it includes six sections written by Billy Collins, Carol Muske, David Baker and Ann Townsend, Yusef Komunyakaa, Maxine Kumin, and David Citino. These poets speak their minds about their relationship with their art and craft, offering guidance to writers at all levels of experience from the beginner to the veteran. In his section, Billy Collins looks at the ways reading and writing poetry give readers pleasure, while Carol Muske's essay examines the question, "What is a poem?" David Baker and Ann Townsend discuss the formal and musical aspects of composing and reading poems; they include many engaging exercises and directions to further reading. Yusef Komunyakaa enrolls readers in a virtual poetry workshop, Maxine Kumin considers the necessities and demands of audience, and David Citino talks about the roles that poets play as they conceive and execute their work. In their essays, the contributors include examples of poems--written by themselves or others--to illustrate key points. While the chapters are meant to be self-contained explorations, they are also interrelated parts of the volume as a whole. The Eye of the Poet is a stimulating conversation in which successful poets share with readers their enthusiasm, knowledge, and vision, as well as their estimation of the possibilities of the poem. In this book, students of poetry will discover the wide variety of options available to them when they sit down to create their own works.

"The Needle's Eye: Passing through Youth takes the side of the young--boys and girls, doomed and saved--as they weave their ways through ancient and modern times. The Boston Marathon bombers, Francis and Clare of Assisi, legendary nymphs, and urban nomads occupy this sequence of essays, poems, and tales, their stories and chronologies shifting and overlapping."--Back cover.

Poet, philosopher and artist, Khalil Gibran was a man whose fame and influence spread far beyond his native Lebanon. Drawn from Gibran's prose, poetry and letters previously available only in Arabic, The Eye of the Prophet is a source of enlightenment and reflection to guide readers through daily life.

Winner of the 2004 Cave Canem Poetry Prize The poems in Eye of Water are derived from the narrator’s experiences in what she calls her “waking.” She traces inspiration to “the beginning of myth, to Eve in the Garden of Eden” and states: “We could spend our lives unraveling the mistake and discover that life was one great big ‘chore,’ and inescapable. And the path is full of missteps and accidents because we cannot (or prefer not to) remember all that got us to that moment. My body seems to be a symptom of the past, so no matter who touches me, all the ghosts are waiting there. The ‘chore’ becomes how to survive despite the flaws of our humanness that makes us brutal at times.”

Offers a collection of poetry for young readers from numerous visual poets, including Maureen W. Armour and John Hollander.

Known among the Middle Atlantic intelligentsia and literati as a witty and versatile writer, considered by George Washington and the Chevalier de La Luzerne a gracious and elegant host, Annis Boudinot Stockton (1736-1801) wrote over a hundred poems on the most important political and social issues of her day. Only for the Eye of a Friend brings back into public view the works of a poet whose published works and manuscrits earned her, in her day, a wide audience among colonists and international readers alike. The quality and quantity of Stockton's literary output makes her an apt counterpart to he seventeenth-century predecessor Anne Bradstreet and the nineteenth-century poet Emily Dickinson.