LONGLISTED FOR THE SA SUNDAY TIMES FICTION AWARD When danger lies in the eye of the beholder, what happens when you reject its pull? Cora carries secrets her daughter can’t know. Freya is frightened by what her mother leaves unsaid. Angel will only bury the past if it means putting her abusers into the ground. One act of violence sets the three women on a collision course, each desperate to find the truth. In a nail-biting thriller set between the scorched red soil of South Africa, the pitiless snowfields of Canada and the chilly lochsides of western Scotland, each woman must contend with the spectres of male violence, sexual abuse and the choices we each make to keep our souls.

The remarkable story of how an artist and a scientist in seventeenth-century Holland transformed the way we see the world. On a summer day in 1674, in the small Dutch city of Delft, Antoni van Leeuwenhoek—a cloth salesman, local bureaucrat, and self-taught natural philosopher—gazed through a tiny lens set into a brass holder and discovered a never-before imagined world of microscopic life. At the same time, in a nearby attic, the painter Johannes Vermeer was using another optical device, a camera obscura, to experiment with light and create the most luminous pictures ever beheld. “See for yourself!” was the clarion call of the 1600s. Scientists peered at nature through microscopes and telescopes, making the discoveries in astronomy, physics, chemistry, and anatomy that ignited the Scientific Revolution. Artists investigated nature with lenses, mirrors, and camera obscuras, creating extraordinarily detailed paintings of flowers and insects, and scenes filled with realistic effects of light, shadow, and color. By extending the reach of sight the new optical instruments prompted the realization that there is more than meets the eye. But they also raised questions about how we see and what it means to see. In answering these questions, scientists and artists in Delft changed how we perceive the world. In Eye of the Beholder, Laura J. Snyder transports us to the streets, inns, and guildhalls of seventeenth-century Holland, where artists and scientists gathered, and to their studios and laboratories, where they mixed paints and prepared canvases, ground and polished lenses, examined and dissected insects and other animals, and invented the modern notion of seeing. With charm and narrative flair Snyder brings Vermeer and Van Leeuwenhoek—and the men and women around them—vividly to life. The story of these two geniuses and the transformation they engendered shows us why we see the world—and our place within it—as we do today. Eye of the Beholder was named "A Best Art Book of the Year" by Christie's and "A Best Read of the Year" by New Scientist in 2015.

“A fascinating psychological study of an unrepentant murderer” from a New York Times–bestselling author (Library Journal). Battle Creek, Michigan, is famous as the birthplace of breakfast cereal, and the nearby suburb of Marshall is as wholesome as shredded wheat. Well-known for its colorful Victorian mansions, this stately slice of nineteenth-century Americana became infamous on a frigid night in February of 1991. Newscaster Diane Newton King was stepping out of her car, her children strapped into the backseat, when a sniper’s bullet cut her down. The police assumed that the killer was her stalker—a crazed fan who had been terrorizing King for weeks. But as their investigation ground to a standstill, the police turned to another suspect—one much closer to home. In this gripping retelling of the crime and its aftermath, journalist Lowell Cauffiel re-creates the atmosphere of terror that marked King’s last days, giving us a story of celebrity, obsession, and what it means to kill.

Why is the Gospel of John different from Matthew, Mark, and Luke? Many scholars have suggested that John felt more free than the other evangelists to massage the facts in the service of his theological goals and to put embellishments into the mouth of Jesus. Such freedom supposedly accounts for the discourses in John, for Jesus' way of speaking in John, and for (at least) the time, place, and manner of various incidents. Analytic philosopher Lydia McGrew refutes these claims, arguing in detail that John never invents material and that he is robustly reliable and honestly historical. The Eye of the Beholder: The Gospel of John as Historical Reportage is unique in several respects. 1) It delves in more detail than previous works do into the meaning of common scholarly phrases like "Johannine idiom" and applies careful distinctions to defend the recognizable historicity of Jesus' spoken words in John. 2) It focuses especially on arguments that have impressed some prominent evangelical scholars, thus refuting the unspoken assumption that if a scholar dubbed "conservative" is moved by an argument against full Gospel historicity, it must be strong. 3) It argues positively for the historicity of John's Gospel using evidences that are not commonly discussed in the 21st century, including undesigned coincidences, unexplained allusions, and the unified personality of Jesus. 4) While the body of the book will be congenial to many who accept Richard Bauckham's "elder John" theory of authorship, The Eye of the Beholder features a lengthy appendix on that question, including original arguments for authorship by the son of Zebedee. Meticulously argued and engagingly written, The Eye of the Beholder contains a wealth of material that will be helpful to seminarians, pastors, and laymen interested in the reliability of the Gospel of John.

A hard-edged businessman and a beautiful art expert make a tantalizing mind-body connection at a new age resort until a killer threatens their piece of paradise in this “fun-filled and sensational tale by the incomparable Jayne Ann Krentz” (RT Book Reviews). Alexa Chambers has a flair for style, an eye for art, and a reputation in tatters after blowing the whistle on an employer who was selling fakes to wealthy clients. Now she runs a shop in her Arizona hometown, but she’s determined to rebuild her career even if it means taking risks. She begins secretly consults on an exquisite art collection being installed at the new Avalon Resorts. Her scheme might just work—if she can steer clear of the resort’s owner, the enigmatic and possibly dangerous J. L. Trask. Alexa was a scared teenager the last time she saw Trask, the man who accused her stepfather of murder. Insisting his dad’s fatal car crash had been no accident, Trask vowed one day he’d come back to Avalon for revenge. Now, twelve years later, their meeting is inevitable. Their attraction is immediate. And their chances of bliss are infinitesimal. Trask wants to piece together the past with Alexa’s help and get closer to this dazzling deco diva. Alexa wants to protect her family and figure out Trask’s real motivations. But when a killer emerges from the shadows, they have no choice but to team up to solve a deadly crime from long ago. As they trade sizzling sparks and snappy repartee, their trail leads to a trendy spa called the Dimensions Institute, whose flaky denizens and strange atmosphere suggest there is more hidden there than meets the eye. They don’t need a crystal ball to see that their survival—and relationship—depends on more than tantric breathing or a heavenly passion. They need a little help from a higher power: a true and trustworthy love.

Reviews over 400 seminal games from 1975 to 2015. Each entry shares articles on the genre, mod suggestions and hints on how to run the games on modern hardware.

Paul Riley has built a lucrative career based on his famous prosecution of Terry Burgos, who gruesomely murdered six girls. Now, fifteen years later, the police are confronted with a new series of murders and mutilations. Riley realizes that the two cases are connected and finds himself at the center of a police task force—as an investigator…and a suspect. Watch a QuickTime trailer for this book.