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"The Expressman and the Detective" from Allan Pinkerton. Scottish american detective and spy (1819-1894).

Allan J. Pinkerton (25 August 1819 - 1 July 1884) was a Scottish American detective and spy, best known for creating the Pinkerton National Detective Agency.Allan Pinkerton was born in Gorbals, Glasgow, Scotland, to William Pinkerton and his wife, Isobel McQueen, on August 25, 1819. He left school at the age of 10 after his father's death. Pinkerton read voraciously and was largely self-educated. A cooper by trade, Pinkerton was active in the Scottish Chartist movement as a young man. He secretly married Joan Carfrae (1822-1887) from Duddinston, then a singer, in Glasgow on 13 March 1842.Pinkerton emigrated to the United States in 1842. In 1843 Pinkerton heard of Dundee Township, Illinois, fifty miles northwest of Chicago on the Fox River. He built a cabin and started a cooperage, sending for his wife in Chicago when their cabin was complete. As early as 1844, Pinkerton worked for the Chicago abolitionist leaders, and his Dundee home was a stop on the Underground Railroad.

Private detectives and detective agencies played a major role in American history from 1870 to 1940. Pinkerton, Burns, Thiels, and the smaller independents were a multi-million dollar industry, hired out by many if not most American corporations, who needed services of surveillance, strike breaking, and labor espionage. Not only is John Walton's account the first sustained history of this industry, it is also the first book to trace the ways in which the private detective came to occupy a cherished place in popular imagination. Walton paints lively portraits of these mythical figures from Sherlock Holmes, the brilliant eccentric, to Sam Spade, the hard-boiled hero of Dashiell Hammett's best-selling tales. There's a great question lurking in here: how did pulp magazine editors shape the image of the hard-boiled private eye, and what sorts of interplay obtained between the actual records (agency files, memoirs) of these motley individuals in real life and the legend of the private detective in mass-market fiction? This history of the private eyes and this account of how the detective industry and the culture industry played off of each other is a first. Walton show us, in clean clear outline, the figure of the classical private eye, and he shows us further how the memory of this iconic figure was sustained in fiction, radio, film, literary societies, product promotions, adolescent entertainments, and a subculture of detective enthusiasts.

Introduces young readers to Catholic beliefs as expressed in the Catechism of the Catholic Church.

This celebrated collection of sketches sparkles with Stephen Leacock’s humour and shines with the warmth of his wit. The comical E.P., star of the title essay, “My Remarkable Uncle,” is a classic Leacock character. He is president of a railway with a letterhead but no rails, and he heads a bank that boasts credit but no cash whatsoever – all of which trouble E.P. not in the least. My Remarkable Uncle, a wonderful smorgasbord of mirth served up by a master of comedy, includes several essays, a short story, a political parable, and personal reflections on a dizzying array of subjects. Here, in rich abundance, are the inspired nonsense and the unerring eye for human folly that have made Stephen Leacock Canada’s most celebrated humorist.

But how have American writers grappled with these changes? What happens when a journalist approaches the workings of organized crime not through its legendary Godfathers but through a workaday, low-level figure who informs on his mob? Why is it that interrogation scenes have become so central to prime-time police dramas of late? What is behind writers' recent fascination with "cold case" homicides, with private security, or with prisons?