THE TIMES (UK) NOVEL OF THE YEAR Named A BEST BOOK OF THE YEAR by the Guardian, the Telegraph, and the Sunday Times (UK) Charlotte Mendelson's The Exhibitionist is a "furiously funny" novel (Sunday Express, UK) about a marriage between two artists, Lucia and Ray, which begins to unravel over the course of one weekend. Meet the Hanrahan family, gathering for a momentous weekend as famous artist and notorious egoist Ray Hanrahan prepares for a new exhibition of his art–the first in many decades–and one he is sure will burnish his reputation for good. His three children will be there: eldest daughter Leah, always her father’s biggest champion; son Patrick, who has finally decided to strike out on his own; and daughter Jess, the youngest, who has her own momentous decision to make. And what of Lucia, Ray’s steadfast and selfless wife? She is an artist, too, but has always had to put her roles as wife and mother first. What will happen if she decides to change? For Lucia is hiding secrets of her own, and as the weekend unfolds and the exhibition approaches, she must finally make a choice about which desires to follow. The Exhibitionist is the latest, extraordinary novel from Charlotte Mendelson, a dazzling exploration of art, sacrifice, toxic family politics, queer desire, and personal freedom.

When Alex Van Winkle, an adventurous farm girl, moves off the farm and onto campus, she vows to make her mark on the world. With the freedom of her new life as a college student, Alex seizes the chance to learn who she really isand who she is, the world is about to learn, is someone who dares to go bare. As she embraces adulthood, Alex comes into her own, reveling in her life as an enthusiastic exhibitionist in search of the ultimate thrill. Along the way, she earns her degree in literature while making a name for herself in the adult entertainment world. The budding porn star enjoys quite the following as she works her way through college creatively. Her new life is a long way from the farm. But her wild, compulsive behavior comes with a price. Her friends struggle to tolerate and understand her need to display herself. Her family, with the exception of two elderly aunts, has difficulty accepting her choiceseven if her path takes her to the red carpet as an Academy Award nominee. For a sweet little girl who grew up on a farm, her reality seems more like a dream. Is she ready to pay the price for her new life?

'The gathering of the grain may not be permitted to those present; but we may rest content in the satisfaction that it will be reaped in all its fullness by those who may come after us. For let the love of art once take firm root among us and it will go on bearing increased supplies of fruit year by year.' - Thomas Mort, 1871 'The Sydney Gallery has one of the finest natural positions in the world, and the Sydney folk have made the most of it. Their gallery resembles a kind of golden temple, through which are seen spaces of lovely blue harbour water. Fine light, fine pictures, fine arrangement.' -Arthur Streeton, 1920 In 2021, the Art Gallery of New South Wales celebrates its 150th anniversary. Since its founding as an academy of art in 1871, its evolution into one of Australia's premier public art museums is testament to the enthusiasm and ingenuity of its staff, trustees and supporters, and to the artists whose works have drawn in the people of Sydney and beyond. The exhibitionists is the story of the people who made the Gallery. It peels away the layers of official narratives to find the often-overlooked histories bubbling beneath the surface. These are tales of big personalities and great talents, of groundbreaking exhibitions and table-thumping conflicts, all underpinned by an unwavering commitment to bringing art to the people. Steven Miller, the Gallery's archivist, is uniquely placed to bring these stories to light. It's an inside view, and an outside one too, as Miller steps back to explore the society and cultural values that produced this iconic institution and tracks how it has morphed and modernised in step with those values - and ahead of them - for the last century and a half. The exhibitionists brings to light the history of an art museum in its 150th year - an anniversary also reached by The Metropolitan Museum, New York, last year. It is both a local Sydney story but part of a broader international one in the ways public museums develop, represent and present culture and evolve with the times.

The Exhibitionist: Journal on Exhibition Making' is an anthology of the first 12 issues of the journal about contemporary curating that bears the same name. Established in 2009 as a forum for critical reflection on exhibition-making and curatorial practice, 'The Exhibitionist' has always defined itself as ?by curators, for curators.? Modeled after the iconic French film journal 'Cahiers du cinéma', 'The Exhibitionist' has served a critical role in examining current curatorial practices by focusing specifically on the exhibition format as a site of experimentation and inquiry. 'The Exhibitionist' has historicized, analyzed and critiqued a phenomenon it is itself symptomatic of?the rise of the curator since the 1960s, the ensuing explosion of curatorial creativity and the growing fascination with the discipline of curating.

Ebook: Understanding Human Sexuality

In this work of feminist film criticism, Mary Ann Doane examines questions of sexual difference and knowledge in cinematic, theoretical, and psychoanalytic discourses. "Femmes Fatales" examines Freud, the female spectator, the meaning of the close-up, and the nature of stardom. Doane's analyses of such figures as Pabst's Lulu and Rita Hayworth's Gilda trace the thematics and mechanics of maskes, masquerade, and veiling, with specific attention to the form and technology of the cinema. Working through and against the intellectual frameworks of post-structuralist and psychoanalytic theory, Doane interrogates cinematic and theoretical claims to truth about women which rely on judgements about vision and its stability or instability. Reflecting the shift in conceptual priorities within feminist film theory over the last decade, "Femmes Fatales" addresses debates over female spectatorhsip, essentialism and anti-essentialism, the tensions between psychoanalysis and history, and the relations between racial and sexual difference. Doane's nuanced and original readings of the "femme fatale" in cinema illustrate confrontations between feminism, film theory and psychoanalysis. This book should be of interest to students and lecturers in women's studies, communications studies and film theory.

Now in a fully revised and updated second edition, this important work provides authoritative scientific and applied perspectives on the full range of paraphilias and other sexual behavior problems. For each major clinical syndrome, a chapter on psychopathology and theory is followed by a chapter on assessment and treatment. Challenges in working with sex offenders are considered in depth. Thoroughly rewritten to reflect a decade of advances in the field, the second edition features many new chapters and new authors. New topics include an integrated etiological model, sexual deviance across the lifespan, Internet offenders, multiple paraphilias, neurobiological processes, the clinician as expert witness, and public health approaches.