In his seminary classes and his writings, Frederick Crowe, SJ (1915–2012) sought to understand anew the eternal identity of the Holy Spirit and the Spirit’s role in the Church’s life. Despite Crowe’s fame as a professor of Trinitarian theology and his groundbreaking work on Thomas Aquinas’s doctrine of complacent love as an analogy for the Holy Spirit’s eternal procession, no book has ever been published on this influential Canadian Jesuit, who established centres around the world dedicated to stuyding the theological writings of Bernard Lonergan, SJ (1904–84). Drawing on Crowe’s published works and archival materials, Eades emphasizes how Crowe’s Trinitarian pneumatology creatively extended Lonergan’s theology of the Holy Spirit. Making use of Crowe’s own historical methodology, Eades looks for the emergence of new and significant questions about the Holy Spirit in Crowe’s works.

The unpublished Oratory Papers of Blessed John Henry Cardinal Newman edited with an Introductory Study on the Continuity between his Anglican and his Catholic Ministry. These are Newman's Chapter Addresses and other writings on the purpose and characteristics of Oratorian life. As Superior, Newman wanted his community to consist of responsible persons bound together by tact and discretion, obeying an unwritten law of love. He exercised endless patience in his desire to preserve this 'weaponless state' of the Oratory in spite of tensions, dissensions, opposition and even separation. Each paper has been transcribed from the original manuscripts in the Birmingham Oratory Archives, and has been provided with a succinct introduction and notes. The editor has, moreover, furnished a full-length introductory study on Newman's spirituality as a priest against the background of the Anglican Ministry (1824-45), since it is true to say that Newman learned to live as a priest while still an Anglican. Four major areas of his Anglican ministry - the Care of Souls, Preaching, the Eucharistic Ministry and Prayer - have been closely examined both in themselves and in their renewed appearance in Newman's life as a Catholic priest. The editor, Fr Placid Murray, is a Benedictine monk of Glenstal Abbey, Ireland.

Before the late sixteenth century, the churches of Florence were internally divided by monumental screens that separated the laity in the nave from the clergy in the choir precinct. Enabling both separation and mediation, these screens were impressive artistic structures that controlled social interactions, facilitated liturgical performances, and variably framed or obscured religious ritual and imagery. In the 1560s and 70s, screens were routinely destroyed in a period of religious reforms, irreversibly transforming the function, meaning, and spatial dynamics of the church interior. In this volume, Joanne Allen explores the widespread presence of screens and their role in Florentine social and religious life prior to the Counter-Reformation. She presents unpublished documentation and new reconstructions of screens and the choir precincts which they delimited. Elucidating issues such as gender, patronage, and class, her study makes these vanished structures comprehensible and deepens our understanding of the impact of religious reform on church architecture.