As a spiritual autobiography, historical document and carefully crafted polemic, Askew's narrative of her imprisonment for heresy and her interrogation by officials of church and state gives insight into Reformation politics and society in England.

In this vivid first person narrative, Anne Askew (1521-1546), a member of the Reformed church, records her imprisonment for heresy and her interrogation by officials of church and state in the last days of Henry VIII. She represents herself arguing forcefully, learnedly, and wittily with her accusers, pointing out their theological errors and refusing to be silent in public debate on religion. As a spiritual autobiography, a historical document, and a carefully crafted polemic, this work gives new insight into Reformation politics and society in England. After Askew was burned at the stake in 1546, her work was immediately published by John Bale who wove his own historical commentary with her text to "elucidate" her role as a Protestant martyr. Askew's work also exists in several early editions without Bale's commentary, most importantly in John Foxe's Arts and Monuments (1563). This volume includes two texts: the first edition of Askew's Examination's with Bale's Elucidation; and Foxe's edition, an uninterrupted version of her work. The latest addition to the Women Writers in English series, this book will have strong appeal for scholars and students of English Renaissance literature, Reformation history, and women's history.

Long considered marginal in early modern culture, women writers were actually central to the development of a Protestant literary tradition in England. Kimberly Anne Coles explores their contribution to this tradition through thorough archival research in publication history and book circulation; the interaction of women's texts with those written by men; and the traceable influence of women's writing upon other contemporary literary works. Focusing primarily upon Katherine Parr, Anne Askew, Mary Sidney Herbert, and Anne Vaughan Lok, Coles argues that the writings of these women were among the most popular and influential works of sixteenth-century England. This book is full of prevalent material and fresh analysis for scholars of early modern literature, culture and religious history.

Prefaces was the last of four books by Søren Kierkegaard to appear within two weeks in June 1844. Three Upbuilding Discourses and Philosophical Fragments were published first, followed by The Concept of Anxiety and its companion--published on the same day--the comically ironic Prefaces. Presented as a set of prefaces without a book to follow, this work is a satire on literary life in nineteenth-century Copenhagen, a lampoon of Danish Hegelianism, and a prefiguring of Kierkegaard's final collision with Danish Christendom. Shortly after publishing Prefaces, Kierkegaard began to prepare Writing Sampler as a sequel. Writing Sampler considers the same themes taken up in Prefaces but in yet a more ironical and satirical vein. Although Writing Sampler remained unpublished during his lifetime, it is presented here as Kierkegaard originally envisioned it, in the company of Prefaces.

Interest in John Foxe and his hugely influential text Acts and Monuments is particularly vibrant at present. This volume, the third to arise from a series of international colloquia on Foxe, collects essays by established and up-and-coming scholars. It broadly embraces five major areas of early modern studies: Roman Catholicism, women and gender, visual culture, the history of the book and historiography. Patrick Collinson provides an entire overview of the field of Foxe studies and further essays place Foxe and his work within the context of their times.

David B. Goldstein argues for a new understanding of Renaissance England from the perspective of communal eating. Rather than focus on traditional models of interiority, choice and consumption, Goldstein demonstrates that eating offered a central paradigm for the ethics of community formation. The book examines how sharing food helps build, demarcate and destroy relationships – between eater and eaten, between self and other, and among different groups. Tracing these eating relations from 1547 to 1680 - through Shakespeare, Milton, religious writers and recipe book authors - Goldstein shows that to think about eating was to engage in complex reflections about the body's role in society. In the process, he radically rethinks the communal importance of the Protestant Eucharist. Combining historicist literary analysis with insights from social science and philosophy, the book's arguments reverberate well beyond the Renaissance. Ultimately, Eating and Ethics in Shakespeare's England forces us to rethink our own relationship to food.