In 1975 Arthur Evans presented a series of lectures based on his research into LGBT history and cultural roots in European societies of the medieval era. That became Witchcraft and the Gay Counterculture. The remaining materials that had been in the original book have been gathered into a sequel of sorts called Moon Lady Rising.

A basic text for radical faeries, but very loose on historic veracity.--Jim Kepner.

A collection of architectural and landscape photographs taken by British photographer Frederick H. Evans, and features an essay that describes the life and accomplishments of Evans.

First multi-year cumulation covers six years: 1965-70.

American photographer Walker Evans (1903–1975) is best known for his portraits of Depression-era America, a number of which were included in Let Us Now Praise Famous Men (1941), his famous collaboration with writer James Agee. In 1942, at the behest of retired journalist Karl Bickel, Evans journeyed to Sarasota to take photographs for The Mangrove Coast, a book Bickel was writing about the long and colorful history of Florida's Gulf Coast. Featured in Walker Evans: Florida are the surprising images Evans took during that six-week stay in the area, which constitute a little-known chapter in Evans's distinguished career. Far from stereotypical postcard pictures of sandy beaches and palm trees, Evans captured a region of contradictions. Here in the nation's seaside vacationland, Evans focused his lens on decaying architecture, crowded street scenes, retirees, and numerous images of animals, railroad cars, and circus wagons from Ringling Brothers and Barnum and Bailey Circus, whose winter home was Sarasota. Accompanying the fifty-two images in Walker Evans: Florida is novelist Robert Plunket's wry account of the human and geographic landscape of Florida.