A "passionate amalgam of science and autobiography" that will leave you hearing -- and seeing -- nature as never before (New York Times Book Review). Musician and naturalist Bernie Krause is one of the world's leading experts in natural sound, and he's spent his life discovering and recording nature's rich chorus. Searching far beyond our modern world's honking horns and buzzing machinery, he has sought out the truly wild places that remain, where natural soundscapes exist virtually unchanged from when the earliest humans first inhabited the earth. Krause shares fascinating insight into how deeply animals rely on their aural habitat to survive and the damaging effects of extraneous noise on the delicate balance between predator and prey. But natural soundscapes aren't vital only to the animal kingdom; Krause explores how the myriad voices and rhythms of the natural world formed a basis from which our own musical expression emerged. From snapping shrimp, popping viruses, and the songs of humpback whales -- whose voices, if unimpeded, could circle the earth in hours -- to cracking glaciers, bubbling streams, and the roar of intense storms; from melody-singing birds to the organlike drone of wind blowing over reeds, the sounds Krause has experienced and describes are like no others. And from recording jaguars at night in the Amazon rain forest to encountering mountain gorillas in Africa's Virunga Mountains, Krause offers an intense and intensely personal narrative of the planet's deep and connected natural sounds and rhythm. The Great Animal Orchestra is the story of one man's pursuit of natural music in its purest form, and an impassioned case for the conservation of one of our most overlooked natural resources-the music of the wild.

An index to the Proceedings is included in "A rough subject index to the publications of the Essex Institute," by Gardner M. Jones.

Reviews the public spaces that have been created, used, or enhanced in memory lives lost from terrorists' attacks of September 11, 2001. Reports the results of a national registry that serves as an online inventory of living memorial sites and social motivations. Through the first year of research, more than 200 living memorials were located in every state in the U.S. This publication includes findings associated with research conducted in the first year of the multi-year study. One of the findings was that after September 11, 2001, communities needed space: space to create, space to teach, space to restore, space to create a locus of control. These social motivations formed the basis of patterned human responses observed throughout the nation. A site typology emerged adhering to specific forms and functions that often reflected a variance in attitudes, beliefs, and social networks.