"What Lenny Bruce was to the 1950s, Bob Dylan to the 1960s, Woody Allen to the 1970s--that's what Eric Bogosian is to this frightening moment of drift in our history."--Frank Rich, The New York Times

Annotation In his brashest solo show, performer and playwright Eric Bogosian once again aims his searing social commentary at the contemporary urban and suburban scene. "Never miss Bogosian, because the sharp-tongued, sharp-shooting Bogosian never misses."--Clive Barnes, New York Post.

This new collection by one of America’s premier performers and most innovative and provocative artists includes 100 monologues from his acclaimed plays and solo shows including: Drinking in America; Men Inside; Pounding Nails in the Floor with My Forehead; Sex, Drugs, Rock & Roll and more. Also included are additional pieces from Talk Radio and Notes from Underground.

“Your fear, your own lives, have become your entertainment.”—Talk Radio “More timely today than it was twenty years ago . . . Radio crackles with intensity.”—Joe Dziemianowicz, New York Daily News “The most lacerating portrait of a human meltdown this side of a Francis Bacon painting. . . . This revival, like the original production, allows its star to grab an audience by the lapels and shake it into submission.”—Ben Brantley, The New York Times Eric Bogosian’s Talk Radio—his breakthrough 1987 Public Theater hit that was made into a film by Oliver Stone—has been revived in a “mesmerizing” (Newsday) production on Broadway, with Liev Schreiber playing the role of the late-night shock jock that Bogosian himself originated. The drama is set in the studio of Cleveland’s WTLK Radio over the course of Barry Champlain’s two-hour broadcast, being scrutinized that night by producers with an interest in taking the show national, and fueled as always by coffee, cocaine, and Jack Daniel’s. Barry’s jousts with his unseen callers—ranging from a white supremacist to a woman obsessed with her garbage disposal—are peppered with insights into his character from his ex-deejay pal and his sometime girlfriend/producer, and punctuated with a transformative visit from an embodied voice. Eric Bogosian is a writer and actor who over the last twenty years has authored five full-length plays and created six full-length solos for himself, including subUrbia; Sex, Drugs, Rock & Roll; Pounding Nails in the Floor with My Forehead;and Drinking in America. He is the recipient of three OBIE Awards and a Drama Desk Award, and has toured throughout the United States and Europe.

"Bradshaw has proved in play after play that he has a confident vision of the theater that is his own. The politically incorrect plots jump merrily from one outrage to another, never pausing to explain motivation or linger on subtext. His dramas ask: What would happen if every dark urge, lingering resentment and unedited ugly insult that popped into your head came spilling out of your mouth? . . . No playwright applies as ruthlessly Hitchcock's definition of drama as 'life with the boring parts taken out.'"—The New York Times Interracial couple Jerry and Pat borrow tools from their recently widowed, white evangelical neighbor James, and they even share the same Latino contractor, the mysterious Fred. Everything's suburban bliss until James, after discovering his neighbors' daughter Janet is a budding porn star, shuns the family. But what James doesn't know is that his aspiring-filmmaker son Matthew has other ideas... An outrageous and revealing comedy about race, sex, and familiarity, Intimacy, the newest work by playwright Thomas Bradshaw, premiered Off-Broadway with The New Group in winter 2014. This collection from the fiercely provocative and funny playwright also includes Dawn, Fulfillment, Southern Promises, Job, Strom Thurmond Is Not a Racist, Lecture on the Blues and Purity. Thomas Bradshaw's other plays include The Bereaved, declared a New York Times Critic's Pick and one of the Best Plays of 2009 by Time Out New York; Mary; and Burning. He was hailed as the Best Provocative Playwright of 2007 by the Village Voice.

Almost forty years after moving to Manhattan, author Richard Morris has achieved if not stratospheric renown then at least the accomplished career and caliber of fame that he envisioned for himself as a younger man. Now financially comfortable and artistically embittered, Richard is at his home upstate recuperating from heart surgery and nursing resentment toward his publisher and his reading public who have found new, more exciting writers and left his star to wane. In his attic, Richard comes across a stack of notebooks, the journals he began keeping when he arrived in New York in the late '70s. He is alternately fascinated and repelled by the young man he meets in these pages: hilariously naïve and egotistically misguided, the younger Richard compulsively absorbs everything around him from art and creativity to sex and drugs. As he reads more about himself, written by himself, Richard discovers that the pivotal moments of self-invention -- and self-realization -- occur far outside the conventional chronology of a lifetime. Perforated Heart explores two wholly different characters -- a young, ambitious artist and his older self, jaded by both success and failure -- and creates an unforgettable portrait of the two men who inhabit the one individual. By turns meditative, deftly observant, and scathingly analytical, Eric Bogosian re-creates the landscape and atmosphere of 1970s New York City with fresh, vivid imagery and reveals a powerful commentary on the dynamic between creativity and commerce in the artistic world. Perforated Heart is his most rewarding and penetrating novel yet, with prose that reflects an equally astonishing range of experience and emotion.

Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.