An overview and insight into the unique collection of the Norwegian art collector Erling Neby. Erling Neby is the owner of one of the most important and precious private collections of constructivist and concrete art in Europe, and even worldwide. Over a period of thirty years, Neby has been building up a collection which is today unequalled in the Nordic countries and is of international standards and fame. Thanks to more than 200 color plates by such artists as Josef Albers, Olle Baertling, Jean Dewasne, Emilio Gilioli, Jan Groth, Arne Malmedal, Aurelie Nemours, Lars G. Nordström, Jesus Rafael Soto, Victor Vasarely, Thornton Willis, the book gives an inspiring insight into the international constructivist art from the 1940s till today.

A collection of Erling Neby's artworks.

Harvey Quaytman’s paintings are distinct for their inventive, whimsical exploration of shape, meticulous attention to surface texture, and experimental application of color. While his works display a rigorous commitment to formalism, they are simultaneously invested with rich undertones of sensuality, decorativeness, and humor—expressed, too, in his playful poetic titles, such as A Street Called Straight and Kufikind. Demonstrating the arc of Quaytman’s oeuvre, from his radically curvilinear canvases of the late 1960s and 1970s, to his exploration of serialized geometric abstraction in the 1980s, and finally to his serene cruciform canvases of the 1990s, this retrospective exhibition and accompanying illustrated catalogue is a timely reconsideration of Quaytman’s influential work, placing him and his work more prominently in the trajectory of American modern art. With contributions by Suzanne Hudson and John Yau, as well reflections by R. H. Quaytman, an artist and the daughter of Harvey Quaytman, on her father’s work and life. Published in association with the Berkeley Art Museum and Pacific Film Archive (BAMPFA). Exhibition dates: October 17, 2018–January 27, 2019, Berkeley Museum of Art Pacific Film Archive (BAMPFA).

This book provides a bottom-up contribution to contemporary political and cultural theory, by presenting leisure activities as a democratic arena. Where much of the existing literature on leisure and play views participants as consumers, Kjølsrød presents these people as producers, who conduct micro-processes of social protection, become informed and skilled, and achieve influence via complex leisure. Through an in-depth analysis of a range of leisure practices, this book demonstrates where players belong in the political landscapes of modern democracies. Leisure as Source of Knowledge, Social Resilience and Public Commitment will be of interest to students and scholars of leisure, recreational, and cultural studies, as well as sociologists, anthropologists and political scientists studying identity construction, emerging social worlds, and novel channels of political participation in contemporary society.

Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.