Tales of dubious authenticity. Ten years ago, a young man stood in his bedroom. The events set in motion that day would change his and his friends' lives forever, for the better and the worse (and the ridiculous). Now, in the aftermath, he has to make a choice: Meat or Candy?

From HiJinks Ink Publishing & Shannon Mayer comes the final epilogue to the USA Today Bestselling RYLEE ADAMSON NOVELS. With over 1.5 million books sold, Shannon Mayer proves once again she can dominate her genre right out of the gate. My name is Alex, and I am a werewolf. As a boy, I was trapped halfway between human and wolf. Rylee rescued me and I became the first outcast to join her pack. In the Battle Against Orion, I sacrificed my life for hers and became the pillar which holds the Veil separating the human world and the supernatural world, closed. I kept the demons from spilling into the human world and left Rylee and our pack behind to live on. But something is calling me back to the land of the living and the journey to get there terrifies me. I must pass through the darkest levels of the Veil to prove my worth, and will come face to face with my past and all of those I've lost along the way. My deepest fear is that I'm not strong enough and I will prove unworthy. If I don't at least try though, I'll remain forever with the dead and separated from my pack. Eternity is a long time, but this decision and journey may very well tear me apart before I reach either destination. May the gods have mercy on my soul. Be sure to grab the first three epilogues-FULL LENGTH NOVELS RYLEE (Rylee Adamson Epilogues Book 1) LIAM (Rylee Adamson Epilogues Book 2) PAMELA (Rylee Adamson Epilogues Book 3)

#1 New York Times bestselling author Julia Quinn presents a novella featuring Violet Bridgerton along with a collection of “second epilogues” to her Bridgerton series—her beloved Regency-set novels featuring her charming, powerful Bridgerton family—now a series created by Shondaland for Netflix. Ever wonder what happens after the Happily Ever After? Julia Quinn’s Bridgerton series remains one of the most beloved among historical romance readers, and this collection of “second epilogues”—stories that take place after the original books end—offers fans more from their favorite characters. Also unique to this volume is a novella featuring Violet Bridgerton, beloved mother of the eight Bridgerton siblings, in addition to second epilogues for The Duke and I; The Viscount Who Loved Me; An Offer from a Gentleman; Romancing Mister Bridgerton; To Sir Phillip, With Love; When He Was Wicked, It’s in His Kiss; and On the Way to the Wedding sure to satisfy the legions of Julia Quinn fans.

Literary Nonfiction. Hurd's brilliant book about climate change is also a book about storytelling, about paying attention to little, most invisible things that manage to survive without heroics, or the help of heroes. There are many books about climate change, but none like hers that deliver the bad goods with such unsentimental empathy.

On the cusp of her first London season, Miss Madeline Gracechurch was shy, pretty, and talented with a drawing pencil, but hopelessly awkward with gentlemen. She was certain to be a dismal failure on the London marriage mart. So Maddie did what generations of shy, awkward young ladies have done: she invented a sweetheart. A Scottish sweetheart. One who was handsome and honorable and devoted to her, but conveniently never around. Maddie poured her heart into writing the imaginary Captain MacKenzie letter after letter . . . and by pretending to be devastated when he was (not really) killed in battle, she managed to avoid the pressures of London society entirely. Until years later, when this kilted Highland lover of her imaginings shows up in the flesh. The real Captain Logan MacKenzie arrives on her doorstep—handsome as anything, but not entirely honorable. He's wounded, jaded, in possession of her letters . . . and ready to make good on every promise Maddie never expected to keep.

This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.

Farah feels alone, even when surrounded by her classmates. She listens and nods but doesn’t speak. It’s hard being the new kid in school, especially when you’re from another country and don’t know the language. Then, on a field trip to an apple orchard, Farah discovers there are lots of things that sound the same as they did at home, from dogs crunching their food to the ripple of friendly laughter. As she helps the class make apple cider, Farah connects with the other students and begins to feel that she belongs. Ted Lewin’s gorgeous sun-drenched paintings and Eve Bunting’s sensitive text immediately put the reader into another child’s shoes in this timely story of a young Muslim immigrant.