In this volume, David Lean's now undervalued epics--The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, Ryan's Daughter, and A Passage to India--are restored to the elevated esteem they once held.

Two-time Academy Award winner Sir David Lean (1908–1991) was one of the most prominent directors of the twentieth century, responsible for the classics The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), and Doctor Zhivago (1965). British-born Lean asserted himself in Hollywood as a major filmmaker with his epic storytelling and panoramic visions of history, but he started out as a talented film editor and director in Great Britain. As a result, he brought an art-house mentality to blockbuster films. Combining elements of biography and film criticism, Beyond the Epic: The Life and Films of David Lean uses screenplays and production histories to assess Lean’s body of work. Author Gene D. Phillips interviews actors who worked with Lean and directors who knew him, and their comments reveal new details about the director’s life and career. Phillips also explores Lean’s lesser-studied films, such as The Passionate Friends (1949), Hobson’s Choice (1954), and Summertime (1955). The result is an in-depth examination of the director in cultural, historical, and cinematic contexts. Lean’s approach to filmmaking was far different than that of many of his contemporaries. He chose his films carefully and, as a result, directed only sixteen films in a period of more than forty years. Those films, however, have become some of the landmarks of motion-picture history. Lean is best known for his epics, but Phillips also focuses on Lean’s successful adaptations of famous works of literature, including retellings of plays such as Brief Encounter (1945) and novels such as Great Expectations (1946), Oliver Twist (1948), and A Passage to India (1984). From expansive studies of war and strife to some of literature’s greatest high comedies and domestic dramas, Lean imbued all of his films with his unique creative vision. Few directors can match Lean’s ability to combine narrative sweep and psychological detail, and Phillips goes beyond Lean’s epics to reveal this unifying characteristic in the director’s body of work. Beyond the Epic is a vital assessment of a great director’s artistic process and his place in the film industry.

Interviews with the director of Lawrence of Arabia, Doctor Zhivago, A Passage to India, The Bridge on the River Kwai, and many other epic films

David Lean was one of a handful of movie-makers of international renown and, arguably, the most famous and successful of all British film directors. Emerging from a childhood of nearly Dickensian darkness, Lean found success as the director of the such classic films as The Bridge on the River Kwai, Lawrence of Arabia, and Doctor Zhivago.Learn about the making of movies a s realized by a master, but also of the highly personal costs of genius. in color.

Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains: Major personnel behind the camera, including directors and screenwriters Cast and character listings Plot summary Analysis Academy Award wins and nominations DVD and Blu-ray availability Resources for further study This volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale.

The making of David Lean's Ryan's Daughter in Dingle, Ireland, between 1968 and 1970, is shrouded in myth and sensational stories. Robert Mitchum and the glamour and mischief of 1960s Hollywood, the Irish climate, the studio system, and one of film's greatest auteurs all converged to make a troubled and fabled production in an unsuspecting town in County Kerry. Fifty years on, Paul Benedict Rowan has written the definitive account of one of the great movie follies and its unique place in cinematic and Irish history. Painstakingly researched over fifteen years, Ryan's Daughter: The Making of an Irish Epic charts the tumultuous filming of this iconic piece of cinema. Bringing together exclusive cast and crew interviews, a wealth of previously unseen archival material, and extraordinary accounts of the local people who took Lean and his epic to their hearts, this fast-paced, entertaining, and often jaw-dropping narrative is everything you ever wanted to know about David Lean's great 'fillum' and its tragic aftermath.

Characters: 6 male, 5 female Interior Set One of the Tonight at 8:30 series, a success in London and New York. The movie Brief Encounter was based on this play. In a suburban rail station, Dr. Harvey removes a cinder from Laura's eye and they fall in love. Subsequent weekly meetings over tea, scenes debating respectability or love, and some sentimental moments transpire before they decide they must part forever. He is accepting a faraway post and she must return to a circumspect