This volume examines the role of the Cambridge Platonist, Henry More, in discrediting certain religious and philosophical movements of the seventeenth century by branding them as "enthusiastical" (the result of psychological imbalance issuing in impaired judgement and cognition). More's views are distinguished from his "enthusiastical" opponents — Alchemists, Quakers, and Mechanical Philosophers — by looking at the way in which he dialectically employs various speech genres to describe religious meaning and to evoke in his readers attitudes and feelings confirming that meaning. More is presented as offering a consistent ideal of the religiously meaningful life, protecting it from various forms of intellectual corruption. More's paradoxical ways of polemicizing are explained while at the same time the author provides insight into such diverse themes as the connection between Hermeticism, Cartesianism, and religious radicalism.

Fouke examines the anti-enthusiastical crusade of the Cambridge Platonist, Henry More, while exploring connections between Hermeticism, Cartesianism, and religious radicalism. More is shown to offer, through the dialectical employment of speech genres, a consistent ideal of the spiritual life.

The book surveys the key metaphysical contributions of the Cambridge Platonist, Henry More (1614–1687). It deals with such interwoven topics as: the natures of body and spirit, and the question of whether or not there is a sharp ontological division between them; the nature of spatial extension in relation to each; the composition and governance of the physical world, including More’s theories of Hyle, atoms, vacuum, and the Spirit of Nature; and the life of the human soul, including its pre-existence. It approaches these topics and the systematic connections between them both historically and analytically, and seeks to do justice to the ways in which More’s system developed and changed—sometimes quite dramatically—over the course of his long career. It also explores More's intellectual relations with both his own inspirations (Plotinus, Origen, Ficino, Descartes, etc.) and with those who responded, whether positively or negatively, to his work (Leibniz, Locke, Boyle, Newton, etc.).

This is the first modern biography to place Henry More’s (1614-1687) religious and philosophical preoccupations centre-stage, and to provide a coherent interpretation of his work from a consideration of his own writings, their contexts and aims. It is also the first study of More to exploit the full range of his prolific writings and a number of unknown manuscripts relating to his life. It contains an annotated handlist of his extant correspondence.

Reveals changing perceptions of ghosts at different social levels from the Reformation through to the twentieth century in Britain and America. This five-volume set focuses on the key published debates that emerged in each century, and illustrates the range of literary formats that reported or discussed ghosts.

The Historical Dictionary of Descartes and Cartesian Philosophy, Third Edition, centers on Descartes’ philosophy (considered broadly to include his science and mathematics) in the context of 17th-century thought, with attention being paid to its reception. This is done through a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 400 cross-referenced entries on various concepts in Descartes’ philosophy, science, and mathematics, as well as biographical entries about the intellectual setting for Descartes’ philosophy and its reception, both with Cartesians and anti-Cartesians. This book is an excellent resource for students, researchers, and anyone wanting to know more about Descartes philosophy.

In Hey Presto! Swift and the Quacks, Hugh Ormsby-Lennon reveals how medicine shows, both ancient and modern, galvanized Jonathan Swift's imagination and inspired his wittiest satiric voices. Swift dubbed these multifaceted traveling entertainments his Stage-itinerant or "Mountebank's Stage." In the course of arguing that the stage-itinerant formed an irresistible model for A Tale of a Tub, Ormsby-Lennon also surmises that the mountebank's stage will disclose that missing link, long sought, that connects the dual objects of Swift's ire: gross corruptions in both Religion and Learning.