This monograph is devoted to small forms of engraving on stone. It summarises the archaeological material obtained during the course of excavations at the Rauchuvagytgyn I site in northern Cukotka (dated to 2500 years ago). The book analyses the content and semantics of the pictorial resources and ethnic identification is made.

Editorial The Social Importance of Volcanic Peaks for the Indigenous Peoples of British Columbia - Rudy Reimer/Yumks The Pacific Crabapple (Malus fusca) and Cowlitz Cultural Resurgence - Nathaniel D. Reynolds and Christine Dupres Enduring Legacy: Geoarchaeological Evidence of Prehistoric Native American Activity in the Post-Industrial Landscape at Willamette Falls, Oregon - Rick Minor and Curt D. Peterson A Multi-Authored Commentary on Carry Forth the Stories: An Ethnographer's Journey into Native Oral Tradition with a Response from the Author, Rodney Frey - Darby C. Stapp, Deward E. Walker, Jr., Caj and Kim Matheson, Tina Wynecoop, Suzanne Crawford O'Brien, Aaron Denham, and Rodney Frey A History of Anthropology at Reed College and the Warm Springs Project - Robert Moore, Robert Brightman, and Eugene Hunn New Materials on the Ancient Bone-Carving Art of the Eskimos of Chukotka - Yu. A. Shirokov, translated by Richard L. Bland

This monograph is devoted to small forms of engraving on stone. It summarizes the archaeological material obtained during the course of excavations at the Rauchuvagytgyn I site (dated to 2500 years ago) in northern Chukotka. The book analyzes the content and semantics of the pictorial resources, and ethnic identification is made. The interpretive part of the study raises issues of an ideological character and brings one closer to the inaccessible realm of ideas and concepts of the ancients. This well-illustrated book is directed primarily toward archaeologists, ethnographers, historians, and fine art experts but will also be of interest to a broad range of readers.

In this book, Guy D. Middleton explores the fascinating lives of thirty real women of the ancient Mediterranean from the Palaeolithic to the Byzantine era. They include queens and aristocrats, such as the Pharoah Hatshepsut and the Etruscan noblewoman Seianti; Eritha and Karpathia, Bronze Age priestesses from the Aegean; a Pompeiian prostitute called Eutychis; the pagan philosopher Hypatia and the Christian saint Perpetua, from North Africa, as well as women from smaller communities. Middleton uses a wide range of archaeological and historical evidence, including burials and funerary practices, graffiti, inscriptions and painted pottery, handprints, human remains and a variety of historical texts, as well as the latest modern research. His volume weaves together the stories of real women, placing them firmly in the spotlight of history. Engagingly written and up-to-date in its scholarship, Middleton's book offers new insights for students and researchers in Ancient History, Archaeology and Mediterranean Studies, as well as in Women's History.

A fascinating guide to decoding the secret language of the churches of England through the medieval carved markings and personal etchings found on our church walls from archaeologist Matthew Champion. 'Rare, lovely glimmers of everyday life in the Middle Ages.' -- The Sunday Times 'A fascinating and enjoyable read' -- ***** Reader review 'Superb' -- ***** Reader review 'Riveting' -- ***** Reader review 'Compelling, moving and fascinating' -- ***** Reader review ***************************************************************************************************** Our churches are full of hidden messages from years gone by and for centuries these carved writings and artworks have lain largely unnoticed. Having launched a nationwide survey to gather the best examples, archaeologist Matthew Champion shines a spotlight on a forgotten world of ships, prayers for good fortune, satirical cartoons, charms, curses, windmills, word puzzles, architectural plans and heraldic designs. Here are strange medieval beasts, knights battling unseen dragons, ships sailing across lime-washed oceans and demons who stalk the walls. Latin prayers for the dead jostle with medieval curses, builders' accounts and slanderous comments concerning a long-dead archdeacon. Strange and complex geometric designs, created to ward off the 'evil eye' and thwart the works of the devil, share church pillars with the heraldic shields of England's medieval nobility. Giving a voice to the secret graffiti artists of Medieval times, this engaging, enthralling and - at times - eye-opening book, with a glossary of key terms and a county-by-county directory of key churches, will put this often overlooked period in a whole new light.

This collection of essays focuses on divination across the Ancient World from early Mesopotamia to late antiquity. The authors deal with the forms, theory and poetics of this important and still poorly understood ancient phenomenon.

Ancient graffiti - hundreds of thousands of informal, ephemeral texts spanning millennia - offer a patchwork of fragmentary conversations in a variety of languages spread across the Mediterranean world. Cut, painted, inked or traced in charcoal, the surviving graffiti present a layer of lived experience in the ancient world unavailable from other sources. Graffiti in Antiquity reveals how and why the inhabitants of Greece and Rome - men and women and free and enslaved - formulated written and visual messages about themselves and the world around them as graffiti. The sources - drawn from 800 BCE to 600 CE - are examined both within their individual historical, cultural and archaeological contexts and thematically, allowing for an exploration of social identity in the urban society of the ancient world. An analysis of one of the most lively and engaged forms of personal communication and protest, Graffiti in Antiquity introduces a new way of reading sociocultural relationships among ordinary people living in the ancient world.