"A.L. Morton's classic 1952 study of utopias in the context of British social history constitutes one of the earliest sustained engagements with the social and ideological sources of the utopian imagination, the transformation of its function, content and direction in different historical moments, the importance of the class struggle for literary production and of literary production for cultural, if not political hegemony. Traversing English literary history from the medieval poem on the Land of Cockaygne to Sir Thomas More and his Puritan revisions in the seventeenth century, to Defoe's and Swift's paradigmatic adaptations of utopian and dystopian themes and from thence to William Morris's towering achievement in News from Nowhere and the subsequent decline of the genre and the eventual rise of anti-utopian and dystopian strains in the early twentieth century, The English Utopia remains provocative and critically engaging more than seventy years after its original publication, testifying to the vitality of British Marxist Literary Criticism from its earliest inception. In addition to charting its significance as an intervention, the present edition also brings to light Morton's complex role as Left political activist, historian, scholarly catalyst and cultural critic-a paradigmatic instance of the engaged and public intellectual"--

This text provides a major study for all those working in the fields of 16th- and 17th-century political and social thought.

I am. We are. That is enough. Now we have to start. These are the opening words of Ernst Bloch's first major work, The Spirit of Utopia, written mostly in 1915-16, published in its first version just after the First World War, republished five years later, 1923, in the version here presented for the first time in English translation. The Spirit of Utopia is one of the great historic books from the beginning of the century, but it is not an obsolete one. In its style of thinking, a peculiar amalgam of biblical, Marxist, and Expressionist turns, in its analytical skills deeply informed by Simmel, taking its information from both Hegel and Schopenhauer for the groundwork of its metaphysics of music but consistently interpreting the cultural legacy in the light of a certain Marxism, Bloch's Spirit of Utopia is a unique attempt to rethink the history of Western civilizations as a process of revolutionary disruptions and to reread the artworks, religions, and philosophies of this tradition as incentives to continue disrupting. The alliance between messianism and Marxism, which was proclaimed in this book for the first time with epic breadth, has met with more critique than acclaim. The expressive and baroque diction of the book was considered as offensive as its stubborn disregard for the limits of "disciplines." Yet there is hardly a "discipline" that didn't adopt, however unknowingly, some of Bloch's insights, and his provocative associations often proved more productive than the statistical account of social shifts. The first part of this philosophical meditation--which is also a narrative, an analysis, a rhapsody, and a manifesto--concerns a mode of "self-encounter" that presents itself in the history of music from Mozart through Mahler as an encounter with the problem of a community to come. This "we-problem" is worked out by Bloch in terms of a philosophy of the history of music. The "self-encounter," however, has to be conceived as "self-invention," as the active, affirmative fight for freedom and social justice, under the sign of Marx. The second part of the book is entitled "Karl Marx, Death and the Apocalypse." I am. We are. That's hardly anything. But enough to start.

Probes the contested concept of utopia, examining the different ways in which it has been used by commentators and theorists in both liberal and Marxist radiations. The works of Karl Mannheim, Georges Sorel, Ernst Bloch, William Morris, and Herbert Marcuse are studied. Annotation copyrighted by Book News, Inc., Portland, OR

This edition includes: -Several illustrations from the original work -Extended and up to date introduction -A discussion of the structure of the book First published in 1516, Saint Thomas More's Utopia is one of the most important works of European humanism. Through the voice of the mysterious traveller Raphael Hythloday, More describes a pagan, communist city-state governed by reason. Addressing such issues as religious pluralism, women's rights, state-sponsored education, colonialism, and justified warfare, Utopia seems remarkably contemporary nearly five centuries after it was written, and it remains a foundational text in philosophy and political theory. Precminent More scholar Clarence H. Miller does justice to the full range of More's rhetoric in this new translation. Professor Miller includes a helpful introduction that outlines some of the important problems and issues that Utopia raises, and also provides informative commentary to assist the reader throughout this challenging and rewarding exploration of the meaning of political community.

"A.L. Morton's classic 1952 study of utopias in the context of British social history constitutes one of the earliest sustained engagements with the social and ideological sources of the utopian imagination, the transformation of its function, content and direction in different historical moments, the importance of the class struggle for literary production and of literary production for cultural, if not political hegemony. Traversing English literary history from the medieval poem on the Land of Cockaygne to Sir Thomas More and his Puritan revisions in the seventeenth century, to Defoe's and Swift's paradigmatic adaptations of utopian and dystopian themes and from thence to William Morris's towering achievement in News from Nowhere and the subsequent decline of the genre and the eventual rise of anti-utopian and dystopian strains in the early twentieth century, The English Utopia remains provocative and critically engaging more than seventy years after its original publication, testifying to the vitality of British Marxist Literary Criticism from its earliest inception. In addition to charting its significance as an intervention, the present edition also brings to light Morton's complex role as Left political activist, historian, scholarly catalyst and cultural critic-a paradigmatic instance of the engaged and public intellectual"--