Long regarded as one of the most important works ever written in the field of architectural critici sm and architectural history, Das Englische Haus was first published in 1904 and is now for the first time translated into English in its entirety with all its original contemporary illustrations and plans.

Architecture for residential buildings.

Based on the author's Slade lectures given at Oxford University in 1975-76.

In 1615 Englishman Gervase Markham published a handbook for housewives that contains "all the virtuous knowledges and actions both of the mind and body, which ought to be in any complete housewife". Markham instructs and advises on everything from the plague to baldness and bad breath. Woodcut illustrations add a richness to this look at life during the Renaissance.

Houses are more than a shelter from the elements: they also offer an unparalleled insight into the beliefs, ideas and experiences of the people who built and lived in them. In this engaging book, Matthew Johnson looks at the traditional houses that still exist throughout the English countryside and examines the lives of the ordinary people who once occupied them. His wide-ranging narrative takes in the medieval hall and the community it framed; the rebuilding and 'improvement'of houses in the sixteenth and seventeenth centuries; and the rise of the Georgian Order in both architecture and eighteenth century culture. This passionate book is animated by the conviction that old houses are much more than just pretty tableaux of an idyllic, unchanging rural England. Vernacular houses are compared to their larger, 'polite' counterparts, and English houses are placed in the wider context of the British Isles and the Atlantic world beyond. The result is a dynamic, compelling account of the development of houses in the English countryside and through this, a portrait of changing patterns of social life from medieval to modern times. Richly illustrated throughout with photographs and drawings, this book will be of interest to anyone who wants to understand the significance of our built heritage and the historic landscape.

Bridgerton and Downton Abbey meet a mystery perfect for fans of Agatha Christie in the debut of a new Regency set series, when drastic circumstances compel Lady Caroline Morton to make an upstairs downstairs switch to become a lady’s companion, whose duties will soon entail solving a murder . . . The options for the penniless daughter of a deceased earl are few indeed in Regency England. So, following the suspicious death of her father, the Earl of Morton, and the discovery that she and her much younger sister have been left without income or home, Lady Caroline takes a post as a lady’s companion to the wealthy widow Frogerton. Just as Caroline is getting accustomed to her new position, her aunt, Lady Eleanor Greenwood, invites her and her employer to a house party in the countryside to celebrate her youngest daughter’s birthday. Mrs. Matilda (Matty) Frogerton sees this as an opportunity to introduce her own rather wild daughter, Dorothy, to the ton, and Caroline is eager to see her sister, who as a child lives with their aunt. But all is not well at the Greenwood estate. For one thing, Lady Caroline’s former fiancé, Lord Francis Chatham, is a guest and refuses to speak to her. Far worse, after a series of troubling harassments of the staff, an elderly family member is found stabbed by a knitting needle. As Caroline and an unexpected ally—Mrs. Frogerton—attempt to solve the chilling crime, they discover the culprit may be leaving bizarre clues as to who will be next in the nursery. But they must make haste, for this heartless killer is engaged in anything but child’s play . . .

Sixty-two stunning houses in a range of architectural styles spanning seven centuries are brought to life through glorious imagery from the photography library of Country Life magazine.