A thorough study of the six principal writers of the Catholic revival in English Literature - Newman, Hopkins, Belloc, Chesterton, Greene and Waugh. Beginning with Newman's conversion in 1845 and ending with Waugh's completion of the trilogy 'The Sword of Honour' in 1961, this book explores how Catholicism shaped the work of these six prominent writers. Ian Ker is a member of the theology faculty at Oxford University. He is well known as one of the leading authorities on the life and work of Cardinal John Henry Newman.

The Victorian Archbishop of Trebizond, George Errington (1804-1886) was one of the most prominent figures of nineteenth-century English Roman Catholicism. He was involved in the resurgence of the English Catholic Church, and would have achieved the highest offices himself had not a dispute between him and Cardinal Wiseman led to his fall from favour in the eyes of Propaganda Fide. He has come to be regarded as the leader of an 'Old Catholic' party as the struggle continued for dominance in the period of consolidation following the restoration of the hierarchy in 1850. An intimate of Newman, Errington maintained a large correspondence which covers almost every church controversy of his lifetime. His letters shed light on subjects which have long since been dormant and in some cases indicate that the popular interpretations of some affairs are not as clear-cut as has been argued by others. They also expose the various factions in the English Catholic Church at the time, and the slippery nature of the Roman administration. In this comprehensive work, Serenhedd James explores George Errington's motives and actions, and analyses the forces that were at play in the English Catholic Church of the nineteenth century. James highlights that matters of policy were clouded by issues of personality, and where politicking, as much as prayer, was an integral part of its way of life.

First published in 1932, The History of the Anglo-Catholic Revival from 1845 is a sober and judicious history of the Catholic Revival in the Church of England by a very well-known Anglo-Catholic scholar with an established reputation. The scope of the book is clearly shown by the chapter headings—The Movement after Newman’s Secession; The Apostolic Succession; The Decisions of the Courts on Doctrine; The Rise of Ritualism; Eucharistic Vestments; Confessions to a Priest; The Treatment of Ritualism; Three Representative Documents of the Revival; The Spiritual Independence of the Church; The Movement in the Twentieth Century; and Conclusion.

The eighteenth and nineteenth centuries was an era of continuity as well as change. Though properly portrayed as the era of 'Protestant Ascendancy' it embraces two phases - the eighteenth century when that ascendancy was at its peak; and the nineteenth century when the Protestant elite sustained a determined rear-guard defence in the face of the emergence of modern Catholic nationalism. Employing a chronology that is not bound by traditional datelines, this volume moves beyond the familiar political narrative to engage with the economy, society, population, emigration, religion, language, state formation, culture, art and architecture, and the Irish abroad. It provides new and original interpretations of a critical phase in the emergence of a modern Ireland that, while focused firmly on the island and its traditions, moves beyond the nationalist narrative of the twentieth century to provide a history of late early modern Ireland for the twenty-first century.

Included in this bibliography, originally published in 1989, are books, pamphlets, dissertations, and articles from periodicals and collections, published for the most part since 1900, which present Catholic development in the nineteenth-century as its major theme. Each entry is annotated with the major idea or theme of the work as expressed by its author or editor. This title will be of interest to students of European History and Religious Studies.

Scholarly accounts of Joyce's early work have traditionally resorted to two historical keys to try to unlock it: a concept of the Dublin and Ireland in which he grew to adulthood as stagnant and backward, and an emphasis on 1904, the year of the supposedly crucial break in which Joyce quit Ireland for continental Europe and could begin his great modernist literary project. But modernist or no, Joyce's works are always about Ireland, and he remained vitally in touch with Irish historical developments throughout his life. This study aims to be the first comprehensive historicisation of Joyce's writings 1898-1915 in relation to the distinct phases and shifting currents of British-Irish history during the period. At the turn of the century, when a concept of `national resurgence' is much in the Irish air, in his earliest essays, Joyce meditates on art as an anti-colonial and emancipatory project that addresses questions of freedom and justice in its own distinctive way. His early essays produce a compelling declaration of a principle of autonomy at a specific historical moment in a colonial culture. However, successive historical events - the crises surrounding the Land Act, the United Irish League and Devolution, the election of 1906, the Third Home Rule Bill crisis - call the emancipatory project ever more sharply into question. Thus `the strong spirit' which Joyce had initially thought might transcend and even conquer the effects of history becomes indissolubly wedded to radical historical scepticism. Through Dubliners, Stephen Hero, the `Triestine Writings' and A Portrait of the Artist as a Young Man to Exiles, Joyce responds to his predicament by examining recent Irish history and the place of the intellectual and artist within it in a variety of extremely subtle and complex or, in Joycean terms, `labyrinthine' forms of writing.