The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.

This study examines the song repertory and two poets, Alexander Scott and Alexander Montgomerie, in sixteenth-century Scotland.

This book brings unusually brings together work on 15th century and the 16th century Scottish history, asking questions such as: How far can medieval themes such as OCylordshipOCO function in the late 16th-century world of Reformation and state formation? How"e;

Neo-Latin Literature and Literary Culture in Early Modern Scotland is the first detailed examination of the vibrant culture of literature written by Scots in Latin in the late-sixteenth and seventeenth centuries. The essays in this collection draw on several recent ground-breaking research projects to examine a wide variety of aspects of Scottish Latin culture, including: Scottish participation in Latinate humanist circles across Europe, particularly in France and England; scientific, philosophical and didactic Latin culture in Scotland prior to the Scientific Revolution; and the reception of classical literature in Scotland, particularly Virgil, Horace, and Ovid. It also features in-depth examinations and translated excerpts of several key works, including the Delitiae Poetarum Scotorum (Amsterdam, 1637) and The Muses' Welcome (Edinburgh, 1618). Contributors are: Alexander Broadie, Robert Cummings, Alexander Farquhar, Roger Green, L.B.T. Houghton, Miles Kerr-Peterson, Ralph McLean, David McOmish, Gesine Manuwald, William Poole, and Steven J. Reid.