The Endless Dawn is a historical epic of love and war set in the Indus Valley of the Second Millennium B.C. Against the backdrop of a fierce tussle between two opposing peoples for control of the Land of the Seven Rivers, a romantic triangle unfolds between Munnala, princess of Melukkha, Kindattu, Ambassador of Elam and Eiryaman, prince of the Eirya. This is a timeless tale about the plight of individuals caught up in the migrations and encounters of peoples amid the forging of new empires and civilizations, recounted with keen attention to historical and cultural detail and the complexities of human nature.

Endless Enigma: Eight Centuries of Fantastic Art explores the ways in which artists have sought to explain their world in terms of an alternate reality, drawn from imagination, the subconscious, poetry, nature, myth, and religion. Endless Enigma takes as its point of departure Alfred H. Barr Jr.’s legendary 1936 exhibition at The Museum of Modern Art, New York, Fantastic Art, Dada, Surrealism, which not only introduced these movements to the American public, but also placed them in a historical and cultural context by situating them with artists from earlier centuries. Presenting works from the twelfth century to the present day, this catalogue is organized into six themes—Monsters & Demons, Dreams & Temptation, Fragmented Body, Unconscious Gesture, Super Nature, and Sense of Place. Works included range from medieval gargoyles to twentieth-century works by Louise Bourgeois, Sigmar Polke, and Pablo Picasso as well as contemporary works by Michaël Borremans, Marcel Dzama, and Raymond Pettibon. Masterworks from the likes of Piero di Cosimo, Francisco de Goya, and Titian are considered alongside those by William Blake and Odilon Redon. Time folds and temporal barriers collapse when Damiano Cappelli meets Edvard Munch, and Salvator Rosa encounters Luc Tuymans and Lisa Yuskavage. Salvador Dalí, Sherrie Levine, Giuseppe Arcimboldo, Kerry James Marshall—eight centuries intersect and, as such, this wide-ranging catalogue examines affinities in intention and imagery between works executed across a broad span of time. Organized in collaboration with Nicholas Hall, a specialist in the field of Old Masters and nineteenth-century art, this fully illustrated catalogue is published on the occasion of the eponymous exhibition at David Zwirner, New York, in 2018. It includes new scholarship by Dawn Ades, Olivier Berggruen, and J. Patrice Marandel.

A rich, passionate, multilayered portrayal of family strength and endurance from bestselling author Sara Donati In the spring of 1824, in the remote village of Paradise on the New York frontier, Nathaniel and Elizabeth Bonner celebrate a glorious reunion as their children return from far-off places: Lily and her husband from Italy, and Martha Kirby, the Bonners’ ward, from Manhattan. In the peace that follows a devastating flood, childhood friends Martha and Daniel, Lily’s twin brother, suddenly begin to see each other in a new light. But their growing bond is threatened when Martha’s estranged mother arrives back in Paradise. Jemima Southern is a dangerous schemer who has destroyed more than one family, and her anger touches everyone, as do her secrets. Has Jemima come to claim her daughter—or does she have other, darker motives? Whatever transpires, Martha, Daniel, and all the Bonners must stand united against the threats to both heart and home.

Alisa has spent the past five thousand years as a vampire, living alone and fighting for survival. In her loneliness, Alisa cannot resist bringing Teri—a descendant of her human family—into her life. But Alisa is surrounded by death and destruction, and just by knowing Alisa, Teri’s life is at risk. Alisa’s guilt grows when she becomes involved in a dangerous conspiracy. A top-secret group knows Alisa’s secret and will stop at nothing to use her powers for their cause. As Alisa desperately tries to protect herself and Teri from the unknown enemy, she discovers a force more powerful and more lethal than anything she has ever seen. Alisa doesn’t know who to trust, who to challenge, or who she will become….

A searing autobiographical novel about a single night in prison suggests how broken spirits can be mended, and dreams rebuilt through imagination and human kindness “Like Pamuk’s Snow, Dawn is the Turkish tragedy writ small. In contrast to Snow, it places gender at its heart.” --Maureen Freely In Dawn, translated into English for the first time, legendary Turkish feminist Sevgi Soysal brings together dark humor, witty observations, and trenchant criticism of social injustice, militarism, and gender inequality. As night falls in Adana, köftes and cups of cloudy raki are passed to the dinner guests in the home of Ali – a former laborer who gives tight bear hugs, speaks with a southeastern lilt, and radiates the spirit of a child. Among the guests are a journalist named Oya, who has recently been released from prison and is living in exile on charges of leftist sympathizing, and her new acquaintance, Mustafa. A swift kick knocks down the front door and bumbling policemen converge on the guests, carting them off to holding cells, where they’ll be interrogated and tortured throughout the night. Fear spools into the anxious, claustrophobic thoughts of a return to prison, just after tasting freedom. Bristling snatches of Oya’s time in prison rush back – the wild curses and wilder laughter of inmates, their vicious quarrels and rapturous belly-dancing, or the quiet boon of a cup of tea. Her former inmates created fury and joy out of nothing. Their brimming resilience wills Oya to fight through the night and is fused with every word of this blazing, lucid novel.

The Apocalepticon, a modern neo-classical epic poem, covering an encyclopedic range of subject matter, historical themes, philosophical schools and theological traditions - A work conceived over three decades, in a culmination of poetical language, that gives a new and original voice to the Western Epic Tradition.