The Endless Citypresents a unique survey of the contemporary city at the beginning of the 21stcentury. It includes a wealth of material that has emerged from a sequence of six conferences held by influential figures in the field of urban development and its related disciplines, and examines the requisite tools for creating a thriving modern city. The book has been edited by Ricky Burdett and Deyan Sudjic in collaboration with one of the most important educational institutions in this field, the London School of Economics, which assures that the information and data provided is reliable, accurate and informed. Taking 6 key cities as its focal point: New York, Shanghai, London, Mexico City, Johannesburg and Berlin, The Endless City discusses in depth not only the infrastructure and architectural expansion necessary for continuous urban growth, but also the social and economic factors that are critical to urban development in the 21stcentury. Clearly organised into separate sections for each city, the book will have a strong visual impact and make detailed scholarly research straightforward and manageable. Images of each city will complement the discussions and enrich the discussion presented in the text. With contributions by experts in urban development, this book will appeal to architects, city planners, economists, students, politicians and anyone with an interest in the future of our cities.

In this #1 New York Times bestseller, Special Agent Pendergast must stop a serial killer who is terrorizing New York City with a trail of headless victims. When Grace Ozmian, the beautiful and reckless daughter of a wealthy tech billionaire, first goes missing, the NYPD assumes she has simply sped off on another wild adventure. Until the young woman's body is discovered in an abandoned warehouse in Queens, the head nowhere to be found. Lieutenant CDS Vincent D'Agosta quickly takes the lead. He knows his investigation will attract fierce scrutiny, so D'Agosta is delighted when FBI Special Agent A.X.L. Pendergast shows up at the crime scene assigned to the case. "I feel rather like Brer Rabbit being thrown into the briar patch," Pendergast tells D'Agosta, "because I have found you here, in charge. Just like when we first met, back at the Museum of Natural History." But neither Pendergast nor D'Agosta are prepared for what lies ahead. A diabolical presence is haunting the greater metropolitan area, and Grace Ozmian was only the first of many victims to be murdered . . . and decapitated. Worse still, there's something unique to the city itself that has attracted the evil eye of the killer. As mass hysteria sets in, Pendergast and D'Agosta find themselves in the crosshairs of an opponent who has threatened the very lifeblood of the city. It'll take all of Pendergast's skill to unmask this most dangerous foe-let alone survive to tell the tale.

A fascinating and disturbing dystopian vision from a neglected sci-fi master, imagining an all too terrifying alternate ending to World War I and its implications for the human race The year is 2041. Since the end of WWI, Berlin has been an enormous subterranean city, home to 300 million citizens who have never seen the sun, and presided over by the autocratic Hohenzollern dynasty. Every aspect of life is regimented; from controlled rations that are issued on the basis of work-for-food, to a press that works exclusively under the auspices of the Information Service. Christianity has been abolished and all breeding is carried out on the basis of strict eugenic principles. Lyman De Forrest, an American chemist, discovers a way of neutralizing Berlin's defenses and, assuming the identity of a dead German man, enters the city to discover its hidden truths. The first outsider for decades to enter the forbidden metropolis, he is horrified to find a society where women are kept in isolation for breeding or the pleasuring of high status men. Can De Forrest escape this living tomb? Published shortly after the end of WWI, this tremendous example of early dystopian science fiction is thought to have been the inspiration behind Fritz Lang's Metropolis.

An authoritative - and fascinating - investigation into the spatial and social dynamics of cities at a global scale Shaping Cities in an Urban Age is the third addition to Phaidon's hugely successful Urban Age series, published in collaboration with the London School of Economics (LSE) and the Alfred Herrhausen Gesellschaft (AHG). Generously illustrated with photographs, visual data, and statistics, and featuring a series of essays written by leading people in their fields, Shaping Cities in an Urban Age addresses our most urgent contemporary and future urban issues by examining a set of key forces that have combined to create the city as we know it today. From the publisher of The Endless City and Living in the Endless City.

It is assumed that every inch of the world has been explored and charted; that there is nowhere new to go. But perhaps it is the everyday places around us—the cities we live in—that need to be rediscovered. What does it feel like to find the city’s edge, to explore its forgotten tunnels and scale unfinished skyscrapers high above the metropolis? Explore Everything reclaims the city, recasting it as a place for endless adventure. Plotting expeditions from London, Paris, Berlin, Detroit, Chicago, Las Vegas and Los Angeles, Bradley L. Garrett has evaded urban security in order to experience the city in ways beyond the boundaries of conventional life. He calls it ‘place hacking’: the recoding of closed, secret, hidden and forgotten urban space to make them realms of opportunity. Explore Everything is an account of the author’s escapades with the London Consolidation Crew, an urban exploration collective. The book is also a manifesto, combining philosophy, politics and adventure, on our rights to the city and how to understand the twenty-first century metropolis.

"Pringle’s fast-paced book is a master class in investigative journalism... when institutions collude to protect one another, reporting may be our last best hope for accountability." —The New York Times For fans of Spotlight and Catch and Kill comes a nonfiction thriller about corruption and betrayal radiating across Los Angeles from one of the region's most powerful institutions, a riveting tale from a Pulitzer-prize winning journalist who investigated the shocking events and helped bring justice in the face of formidable odds. On a cool, overcast afternoon in April 2016, a salacious tip arrived at the L.A. Times that reporter Paul Pringle thought should have taken, at most, a few weeks to check out: a drug overdose at a fancy hotel involving one of the University of Southern California’s shiniest stars—Dr. Carmen Puliafito, the head of the prestigious medical school. Pringle, who’d long done battle with USC and its almost impenetrable culture of silence, knew reporting the story wouldn’t be a walk in the park. USC is one of the biggest employers in L.A., and it casts a long shadow. But what he couldn’t have foreseen was that this tip would lead to the unveiling of not one major scandal at USC but two, wrapped in a web of crimes and cover-ups. The rot rooted out by Pringle and his colleagues at The Times would creep closer to home than they could have imagined—spilling into their own newsroom. Packed with details never before disclosed, Pringle goes behind the scenes to reveal how he and his fellow reporters triumphed over the city’s debased institutions, in a narrative that reads like L.A. noir. This is L.A. at its darkest and investigative journalism at its brightest.

The 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of abstraction reminiscent of high-modernist experiments in painting and photography. Moreover, interwar city symphonies presented a highly fragmented, oftentimes kaleidoscopic sense of modern life, and they organized their urban-industrial images through rhythmic and associative montage that evoke musical structures. In this comprehensive volume, contributors consider the full 80 film corpus, from Manhatta and Berlin: Die Sinfonie der Grosstadt to lesser-known cinematic explorations.