What happens when you find your soulmate, but you only have one day to live? Perfect for fans of Jojo Moyes’ Me Before You and Jill Santopolo’s The Light We Lost, comes a powerful romance What if doctors could revive you from death—and give you an extra 24 hours of life? One more day. One more chance to tell your family how much you love them. One more chance to say goodbye to friends, listen to your favorite song, throw an epic party, feel the grass beneath your feet, or watch the sunset. How would you spend your time? So This Is The End follows Nora Hamilton as she navigates her final 24 hours. She’s determined to do something meaningful and make every moment count. Enter: Renzo. Ren, for short. Strong, compassionate, unfairly attractive, with a face that makes Nora’s stomach explode into stars. Their connection is immediate, with white-hot intensity. Nora is wracked with bittersweet joy and confusion as she realizes, “I’ve finally met the love of my life… on the last day of my life.” Should she tell Ren the truth about her condition—tell him she doesn’t have much time left? How will he react? Is it unethical to allow yourself to fall in love with someone when there’s no possibility of a future together? Or is love a precious gift, no matter how long it lasts, even if it’s just for one day? What happens next is a story about taking chances, making your own rules, and the power of living like there’s no tomorrow. A moving romantic drama: Early readers call So This Is The End "a breath of fresh air," "moving and beautiful," "an amazing wake-up call," a book you'll be "unable to put down," with a story that makes you "fall in love the instant you start reading."

A finalist for the National Book Critics Circle Award for Criticism, Vivian Gornick's The End of the Novel of Love explores the meaning of love and marriage as literary themes in the twentieth century. In The End of the Novel of Love, an acclaimed and provocative collection of criticism, Gornick applies the same intelligence, honesty, and insight that define her memoirs to an analysis of love and marriage as literary themes in the twentieth century. She examines the work and lives of several authors she admires—including Grace Paley, Willa Cather, Jean Rhys, George Meredith, Jane Smiley, Richard Ford, and Andre Dubus—to ultimately posit that love, sexual fulfillment, and marriage are now exhausted as the metaphorical expressions of success and happiness. Spanning the depths of common experience and the expanse of twentieth century literature, Gornick crafts an argument that is as defined by discourse as it is by the power of her language, which is gracefully poised between objective knowledge and subjective experience. In these eleven essays, she comes to see that, for most writers, like most readers, it is the drama of our angry and frightened selves in the presence of love that is our modern preoccupation. The End of the Novel of Love is a strikingly original and thought-provoking collection from a canonical critic.

In this book of new and collected critical essays, Vivian Gornick turns the searching intelligence and honesty of insight that mark her memoirs on the work - and the lives - of writers she admires, among them Jean Rhys, Willa Cather, Christina Stead, and George Meredith. In doing so, she examines a century of novels of love-in-the-Western-world and comes to see that, for most writers, it is the drama of our angry and frightened selves in the presence of love that is our modern preoccupation.

A follow-up to her successful debut Charleston and set in the world’s most glamorous landscapes, this moving new love story from Margaret Bradham Thornton draws on a metaphor of entanglement theory to ask: when two people collide, are they forever attached no matter where they are? Helen Gibbs, a British journalist on assignment on the west coast of Mexico, meets Christopher Delavaux, an intriguing half-French, half-American lawyer-turned-financier who has come alone to surf. Living lives that never stop moving, from their first encounter in Bermeja to marriage in London and travels to such places as Saint-Tropez, Tangier, and Santa Clara, Helen and Christopher must decide how much they exist for themselves and how much they exist for each other. In an effort to build his firm, Christopher leads a life full of speed and ambition with little time for Helen and even less when he suspects his business partner of illegal activity. Helen, a reluctant voyeur to Christopher’s world of power and position, searches far and wide for reporting work that will “take a bite out of her soul”—refugees in Calais, a mountain climber in Chamonix, an orphaned circus performer in Cuba. A Theory of Love captures the ambivalence at the center of human experience: does one reside in the familiar comforts of solitude or dare to open one’s heart and risk having it broken? Set in some of the most picturesque places in the world, this novel questions what it means to love someone and leaves us wondering—can nothing save us but a fall?

'I enjoyed Out of Love hugely! It's vivid, very compelling storytelling' Marian Keyes 'I fell in love with this book. The writing was good enough to make me forget I had a phone, put it that way' Aisling Bea 'Out of Love will fill the gap that Normal People left in our heart . . . Trust us, this is the book of the summer' Evoke 'Wise, compelling and beautifully written' Daily Mail 'What a book . . . Hayes references Nora Ephron throughout and she's a pretty good successor judging from this debut' Stylist A novel for anyone who has loved and lost, and lived to tell the tale. As a young woman packs up her ex-boyfriend’s belongings and prepares to see him one last time, she wonders where it all went wrong, and whether it was ever right to begin with. Burdened with a broken heart, she asks herself the age-old question . . . is love really worth it? Out of Love is a bittersweet romance told in reverse. Beginning at the end of a relationship, each chapter takes us further back in time, weaving together an already unravelled tapestry, from tragic break-up to magical first kiss. In this dazzling debut Hazel Hayes performs a post-mortem on love, tenderly but unapologetically exploring every angle, from the heights of joy to the depths of grief, and all the madness and mundanity in between. This is a modern story with the heart of a classic: truthful, tragic and ultimately full of hope.

NEW YORK TIMES BESTSELLER • A powerful memoir of a love that leads two people to find a courageous way to part—and a woman’s struggle to go forward in the face of loss—that “enriches the reader’s life with urgency and gratitude” (The Washington Post) “A pleasure to read . . . Rarely has a memoir about death been so full of life. . . . Bloom has a talent for mixing the prosaic and profound, the slapstick and the serious.”—USA Today ONE OF THE BEST BOOKS OF THE YEAR: NPR Amy Bloom began to notice changes in her husband, Brian: He retired early from a new job he loved; he withdrew from close friendships; he talked mostly about the past. Suddenly, it seemed there was a glass wall between them, and their long walks and talks stopped. Their world was altered forever when an MRI confirmed what they could no longer ignore: Brian had Alzheimer’s disease. Forced to confront the truth of the diagnosis and its impact on the future he had envisioned, Brian was determined to die on his feet, not live on his knees. Supporting each other in their last journey together, Brian and Amy made the unimaginably difficult and painful decision to go to Dignitas, an organization based in Switzerland that empowers a person to end their own life with dignity and peace. In this heartbreaking and surprising memoir, Bloom sheds light on a part of life we so often shy away from discussing—its ending. Written in Bloom’s captivating, insightful voice and with her trademark wit and candor, In Love is an unforgettable portrait of a beautiful marriage, and a boundary-defying love.

In this brilliant collection of five short stories and a novella, Pulitzer Prize-winning author Jane Smiley presents six unforgettable portraits exploring the perils of domestic life. I am thirty-five years old, and it seems to me that I have reached the age of grief. Others arrive there sooner. Almost no one arrives much later . . . In the title novella, a man who has reached the 'age of grief' slowly realizes that his wife is in love with someone else. Unsure whether his marriage is best protected by confronting her or by feigning ignorance, he struggles to repress his anguish and to prevent his wife discovering that he is aware of her infidelity . . . Accompanying this novella are five short stories, including The Pleasure of Her Company, in which a lonely, single woman befriends the married couple next door, hoping to learn the secret to their happiness. And Long Distance, in which a man finds himself relieved of the obligation to continue an affair that is no longer compelling to him, only to be waylaid by the guilt he feels at his easy escape.