Christy Constantakopoulou examines the history of the Aegean islands and changing concepts of insularity, with particular emphasis on the fifth century BC. Islands are a prominent feature of the Aegean landscape, and this inevitably created a variety of different (and sometimes contradictory) perceptions of insularity in classical Greek thought. Geographic analysis of insularity emphasizes the interplay between island isolation and island interaction, but the predominance of islands in the Aegean sea made island isolation almost impossible. Rather, island connectivity was an important feature of the history of the Aegean and was expressed on many levels. Constantakopoulou investigates island interaction in two prominent areas, religion and imperial politics, examining both the religious networks located on islands in the ancient Greek world and the impact of imperial politics on the Aegean islands during the fifth century.

A generously illustrated collection, The Insular Tradition explores the various ways in which tradition becomes part of our definition of insular culture and cultural history. The essays are the outcome of a conference held within the Medieval Academy of America meeting at Kalamazoo in 1991. Scholars from America, Scandinavia, Britain, and Ireland came together to discuss the latest research on the remarkable Christian art which flourished among the Celtic and Anglo-Saxon peoples in the Early Medieval Period. New discoveries and a renewed research interest are shedding light on the splendid manuscript illuminations, sculpture, and metalwork of the time. Historical sources are reanalyzed and, together with modern approaches to interpretation, provide fascinating new insights into the social, economic, and spiritual background of the creative artists. This book presents a number of challenging reinterpretations of landmark achievements such as the Book of Kells, the Irish High Crosses, and the enigmatic symbolic and decorative systems of the Pictish people of Scotland. The contributors discuss the processes of creativity, the way in which influences are transmitted, the cross-fertilization of the arts in different media, and the role of trade and exchange and of the patron. Extensive illustrations, some of them difficult to source elsewhere, and comprehensive up-to-date bibliographies make the volume especially useful to those wishing to find a suitable point of entry into this expanding and ever-changing field.